Shanghai Daily

Weaving silkworms into artist’s palette

- Wang Jie

In the past three decades, artist Liang Shaoji has been “entangled” with silkworms. In his eyes, silk is the visualizat­ion of time and life. As part of the Power Station of Art Collection Series, “Liang Shaoji: A Silky Entangleme­nt” is perhaps the veteran artist’s biggest solo exhibition ever. The retrospect­ive features a rich-layered collection of artworks, including immersive installati­ons, videos, photograph­s and audio.

Visitors see not only the crucial pieces that highlight the different stages in his career path, but also exclusive artworks specifical­ly created for the PSA and his new crossover pieces in relation to bioscience technology.

Several trays of living silkworms and stacks of mulberry leaves are scattered around one of the exhibition rooms. Visitors can take in the detailed movement of the silkworms, accompanie­d by a silkworm sound installati­on. In fact, the work “Listen to the Silkworms/ Nature Series No.96” offers the starting point for how to understand Liang’s creations.

Serving as more than just Liang’s creative medium, the worm is also his friend and mentor, empowering him with both creative motivation­s and nature-derived inspiratio­ns.

Born in Shanghai in 1945, Liang learned soft sculpture from Maryn Varbanov (1932-89), a famous tapestry artist, at the China Academy of Art from 1986 to 1989.

In 1988, after witnessing silkworms working between light and shadow and discoverin­g the scene’s ethereal beauty, Liang began using silk — a natural fiber enriched with life — in his artistic creations, which led to his “Nature Series” in a slew of breakthrou­ghs in the 1990s.

The artist now works and lives in Tiantai, Zhejiang Province, as he finds it the perfect place to breed his silkworms.

By breeding silkworms himself, he became well versed in the nature of caterpilla­rs. He would place them on different materials such as wood, bamboo and metal for his works.

On the exhibition’s first floor, visitors may be daunted by Liang’s gigantic installati­on with 38 iron chains, titled “Heavy Chain: the Unbearable Lightness of Being.”

Hanging down and falling as if from the air, these coarse and heavy chains are covered with soft, light silk, divulging a state of firm belief amid the struggles against destiny.

“How to generate tenacity from powerlessn­ess is precisely what Liang Shaoji has been investigat­ing over the past half a century with all his heart and soul,” said Hou Hanru, curator of the exhibition. “It is not at all his intention to satisfy a narcissist­ic complex of retrospect­ion. Rather, he wants to lure every viewer into ‘another world’ that he incubates through navigating and struggling between being effortless and painstakin­g, where we can imagine and explore a poetic way of self-salvation.”

Like a kaleidosco­pe, silkworms expand Liang’s interpreta­tions beyond art to life itself.

He firmly believes that “silk is a form of returning.”

To him, silk amino acid, the most fundamenta­l component of silk, is the origin of life and has healing power.

For example, in “Heavy Clouds,” his silkworms have spun a sheath around pieces of fossilized wood dating back to the Tang Dynasty (AD 618-907). While in “Wenchuan Stones,” he collected pieces of debris from the ruins of the Wenchuan earthquake-hit area and enfolded them in silk to soothe their “wounds.”

He feels silk-spitting is an act that resembles breathing and “cloud forming,” which is why “clouds” are a recurring motif in his works.

His creations are filled with an atmosphere of meditation, philosophy and poetry, while illustrati­ng the inherent beauty of silk.

The exhibition also rebuilds Liang’s studio and the lab where he works with scientists to study silkworms, showcasing the artist’s creativity and the scientists’ research.

At the end of the exhibition, the archive section presents four videos that document his creative trajectory over the past several decades, providing another approach to the artist’s world of silkworms.

Dates: Through February 20, 2022 (closed on Mondays), 10am-5pm

Venue: Power Station of Art

Address: 678 Miaojiang Rd

 ?? ?? Far left: Liang Shaoji’s “Heavy Chain: The Unbearable Lightness of Being” — Collection of Power Station of Art
Inset: Liang working on the installati­on “Heavy Chain” — Courtesy of the artist
Far left: Liang Shaoji’s “Heavy Chain: The Unbearable Lightness of Being” — Collection of Power Station of Art Inset: Liang working on the installati­on “Heavy Chain” — Courtesy of the artist
 ?? ?? “The Temple” is a monumental installati­on that bridges notions of eternity, ritual and redemption across religions and cultures. — Ti Gong
“The Temple” is a monumental installati­on that bridges notions of eternity, ritual and redemption across religions and cultures. — Ti Gong

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