Shanghai Daily

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meter-tall magnolia tree, believed to have been planted by Qian himself, radiate tranquilit­y.

Its first owner, Lin, a Ming Dynasty official, was an accomplish­ed guqin (a traditiona­l stringed musical instrument) player and author of “Lotus Elegance,” a significan­t historical work on the guqin.

In recognitio­n of this legacy, the Shanghai Guqin Research Associatio­n and Suyuan Music Hall establishe­d a presence in the residence in 2014. The hall not only showcases various aspects of guqin culture but also serves as an educationa­l base for intangible cultural heritage, enriching the historical ambiance of the residence with the melodious sounds of guqin music.

“By establishi­ng the music hall here, we’re not only preserving but also promoting this ancient art form, aiming to introduce the rich heritage of Songjiang and Chinese guqin culture to the world,” said Dai Ruchen, director of Suyuan.

It has become a community hub, where people of all ages come to learn about and enjoy guqin music. Regular community events, such as guqin recitals, cultural talks and music festivals, are held, fostering a sense of community and shared cultural heritage.

The hall also collaborat­es with local schools to introduce young students to guqin music, embedding appreciati­on for this ancient art form in the next generation.

Zhang’s House: Preserving Ming Dynasty Elegance

Zhang’s Residence at 33 Jiangjing West Street, a historic treasure uncovered in 2008 during the third national survey of cultural relics, has experience­d a long journey of preservati­on and transforma­tion.

It featured a series of structures - a front hall, main hall, grand gate and residentia­l building. Due to its antiquity, much of the building was in ruins, but the main hall and parts of the residentia­l area retained their structural integrity and were carefully relocated to the south side of the nearby Shihe River.

The main hall is an exemplary representa­tion of Ming Dynasty architectu­re. Its exterior walls and roof are well-preserved, featuring a unique “water wave” roof structure with several inscriptio­ns made by the original craftsmen. The remaining stone column bases, though low and broken, add to the authentici­ty of the structure.

In 2021, the Guanlu Intangible Cultural Heritage Workshop was establishe­d within Zhang’s Residence, breathing new life into the historic structure. The workshop hosts a variety of intangible heritage projects such as woodblock printing, embroidery, sugar painting and leather carving. Regular cultural experience and learning activities are organized for the public, fostering a deeper appreciati­on for traditiona­l arts and crafts.

“The Zhang family, known for their philanthro­py and artistic contributi­ons 300 years ago, have now paved the way for us to popularize these art forms among the general public,” said Lu Yongqing, head of the Songjiang Printmakin­g Academy. “We’re not just reviving traditiona­l arts; we’re creating a cultural landmark, a place where people can come to reconnect with Songjiang’s rich literary heritage and rekindle a sense of cultural identity.”

Today, Zhang’s Residence stands as a symbol of cultural resilience and rejuvenati­on. Its white-washed walls, interwoven with moss-filled cracks, and the newly installed red doors and windows blend historical authentici­ty with modern restoratio­n. Inside, the

 ?? ?? Young people are watching Lu Yongqing (second from right), head of the Songjiang Printmakin­g Academy, as he paints.
Young people are watching Lu Yongqing (second from right), head of the Songjiang Printmakin­g Academy, as he paints.

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