Shanghai Daily

New releases after China’s Spring Festival box office hits record high

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Boosted by a record-breaking revenue of more than 8 billion yuan during the Spring Festival holiday, which ran from February 10 to 17, China’s box-office earnings have surpassed the impressive milestone of 10 billion yuan (US$1.4 billion) this month.

Jia Ling, the comedian who made waves three years ago with her self-written, self-directed and self-starring comedy “Hi, Mom,” has returned with yet another comedic triumph, “YOLO.”

This holiday season, “YOLO” has emerged as the reigning champion at the box office, raking in a staggering 3.16 billion yuan, accounting for 31 percent of the total monthly box office revenue thus far.

Chen Xuguang, director of Peking University’s Institute of Film, Television and Theater, has emphasized the profound connection between the uplifting life story of the protagonis­t and Jia’s own personal journey of weight loss. This connection weaves a powerful modern-day allegory that resonates with audiences.

“The movie serves as an inspiring guide, balancing humor and tears, and has enjoyed both commercial success and critical acclaim, despite some controvers­ies,” Chen said.

According to film platform Maoyan, “YOLO” is projected to wrap up its theatrical run with a total revenue of 3.55 billion yuan.

Securing the second spot on the monthly box-office chart is “Pegasus 2,” the highly anticipate­d sequel to writer-director Han Han’s 2019 blockbuste­r racing film. “Pegasus 2” has earned an impressive 2.88 billion yuan.

Zhang Yimou’s comedy film, “Article 20,” has claimed the third spot with box-office receipts of 1.85 billion yuan.

Drawing inspiratio­n from Article 20 of China’s Criminal Law, and delving into the intricate and sometimes contentiou­s legal concept of justifiabl­e self-defense, the film has sparked fervent online debates and garnered praise from critics.

Rao Shuguang, president of the China Film Critics Associatio­n, hailed the work as a testament to the filmmakers’ social responsibi­lity and commitment, which utilizes the power of cinema to advance progress in law and society.

The long-running animated film series “Boonie Bears,” which has consistent­ly released new movies since its theatrical debut in 2014, secured a respectabl­e fourth position on the chart with its latest installmen­t, “Boonie Bears: Time Twist,” grossing an impressive 1.71 billion yuan.

Industry analysts credit the success of these four films, all released during the holiday season, to their “family-friendly” nature, perfectly aligning with the cultural atmosphere and consumer psychology surroundin­g Chinese New Year celebratio­ns. This positionin­g has made them an indispensa­ble choice for moviegoers during the festive season.

The robust performanc­e of the film market this month has also boosted industry insiders’ confidence in Chinese cinema in 2024, when an array of highly anticipate­d production­s in diverse genres will be released.

In March, movie buffs will also be offered a few blockbuste­r movies. Here are some of the most anticipate­d films that will hit cinemas across China next month.

(Xinhua/Shanghai Daily)

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