Shanghai Daily

Multitudin­ous works of art within reach

- Wang Jie

Art within Reach II” is on display at APSMUSUEM through May 24. The exhibition, which is curated by Xu Zidong, a leading literary expert in China, features 21 works by 20 artists, including well-known figures like Zhan Wang, Richard Long, Damien Hirst and Zhou Xiaohu.

“‘Art Within Reach I’ focused more on interior environmen­ts, while ‘Art Within Reach II’ is a step forward, searching for the connection between interior and exterior spaces, between family and nature,” Xu said.

The exhibits include artificial rocks, a red-capped mushroom replica, framed insect fragments, a pot-belly-shaped vase and footprints in the desert.

“Four broad categories — beautiful, sublime, parodic, and ugly — are frequently used in college textbooks to categorize esthetic standards from ancient times to the present,” Xu noted.

“Traditiona­l art tends to focus more on the sublime and the beautiful, but the ludicrous and the ugly are more accepted in contempora­ry art,” he added. “At least in this exhibition, we attempted to ask the question: ‘Can contempora­ry art not be beautiful at the same time that it is abstract, challengin­g and subversive?’”

A good example of this is the artificial rocks by Zhan, a prominent Chinese modern artist.

The series began in 1995. Zhan created stainless steel copies of “scholar’s rocks,” which are typically seen on the desks or in the gardens of Chinese intellectu­als. The mirrored stainless surfaces address the merging of human and environmen­tal history, as well as our relationsh­ip to urban and natural settings.

One of the highlights is Giovanni Ozzola’s daunting canvas titled “Trino.”

Ozzola was born in Florence in 1982 but lives and works in the Canary Islands. He is a multidisci­plinary artist who works with photograph­y, video and more traditiona­l media like engraving on slate or sculpture casting.

Obsessed with the traces of life in time, he wants to communicat­e the existence and nothingnes­s embodied in these traces through literary means.

Rather than depicting the borders between humans and nature, the artist excels at creating a frozen moment.

Visitors watching his art tend to avoid the rush and bustle of reality. His work has become a portal to what is happening beneath the world, deep in the water, high above the sky or deep within the soul.

Another noteworthy piece is “In Extremis No. 11” by Chinese artist Zhao Zhao.

The piece depicts a flat, gilded cat sleeping on the ground. The artist creates a tranquil and pious atmosphere in the work that deals with the themes of life and death.

Zhao once saw a cat get hit by a car on the road. Cats, in his opinion, are mysterious animals who roam the streets and neighborho­ods looking for food. But they have no notion, especially when confronted with metropolit­an perils.

The exhibition includes several amusing pieces. Zhanna Kadyrova, a Ukrainian artist, created a bubbleslee­ve garment.

The adaptabili­ty and symbolism of urban building materials are influences on her work. As a result, her art features tiles, glass, stone and concrete. In this piece, the artist uses secondhand, colorful ceramic tiles that were previously utilized in businesses and cafes in Brazil.

Chihiro Nakahara’s “Vegetable HeadAndrei” is a sculpture based on the persona shown in the artist’s paintings. Andrei, a teenager, has a reddish face covered in veggies. Andrei, who has always been a vegetarian, cultivates veggies slowly and carefully, watering them with lake water so that he can eat them all year.

Date: Through May 24, 10am-10pm Venue: APSMUSEUM

Address: 301, 3F, 899 Pudong Road S. ⎖ьই䐟 ਧ ᾬ

 ?? ?? “Vegetable Head-Andrei” by Chihiro Nakahara
“Vegetable Head-Andrei” by Chihiro Nakahara
 ?? ?? “Artificial Rock No. 164” by Zhan Wang
“Artificial Rock No. 164” by Zhan Wang
 ?? ?? “In Extremis No. 11” by Zhao Zhao
“In Extremis No. 11” by Zhao Zhao

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