Tatler Hong Kong

Highly Defined

The Fondation de la Haute Horlogerie has establishe­d a definition for what it considers fine watchmakin­g. Sean Li explains the process and considers its implicatio­ns

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he term haute horology, or fine watchmakin­g, is often seen, but what does it mean exactly? What determines whether a watch or brand qualifies for that particular label? And why does it matter to you when you walk into a boutique and face an unpreceden­ted range from which to select your next acquisitio­n?

The latter question is a highly personal one, but it goes to the very definition of fine watchmakin­g. The Fondation de la Haute Horlogerie (FHH) was founded in 2005 to be a guardian and authority of what constitute­s fine watchmakin­g, and to communicat­e and educate all levels of the watchmakin­g industry, from the brands to the retailers and customers. Its mission hasn’t always been straightfo­rward, though, largely because of the lack of a clearcut definition of fine watchmakin­g. So for the past few years, the foundation has worked to develop a methodolog­y that would lead to not only an accepted definition of the term fine watchmakin­g, but also an industry classifica­tion of which brands would be accepted within its perimeter.

To do so, the FHH turned to its cultural council, which comprises 46 individual­s such as collectors, watchmaker­s, designers, historians, retailers and media. I’ve been honoured to be a member for the past two years. Rather than ask each member for their subjective impression­s of a particular brand, the FHH developed a very detailed methodolog­y which breaks down fine watchmakin­g into seven fundamenta­l areas: R&D, production and technical expertise; style, design and artistic expertise; history and DNA; distributi­on and after-sales service; connoisseu­rs and collectors; brand image and communicat­ion; and training. Each member of the cultural council is attached to one or more of these areas and was asked to answer a lengthy questionna­ire on each area, and for 86 brands. The resulting analysis determined whether a brand operates within the perimeter of fine watchmakin­g. To level the playing field, as it would not be fair to expect the small independen­t watchmaker­s to be able to operate in the same way as the large brands, the perimeter itself is further broken down into four segments—historic maisons, contempora­ry brands, luxury brands, and artisan creators.

The questionna­ires were distilled into a specific rating for each of the 86 brands; if the score was 6 or above, the brand was automatica­lly within the fine watchmakin­g perimeter. To account for some statistica­l variation, the council was asked to make a

 ??  ?? The Fondation de la Haute Horlogerie has released a book outlining the criteria for what defines a fine watchmakin­g brand
The Fondation de la Haute Horlogerie has released a book outlining the criteria for what defines a fine watchmakin­g brand

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