Tatler Hong Kong

JING WANG CLASSICAL MUSIC

- What Symphony No. 40 in G minor. No. 9

What is the best way to get into classical music?

Start with a platform like Youtube: you can just click and start listening. Classical music isn’t just symphonic works with an orchestra—it can also be a piano solo or a Gregorian chant. The best way to start is to go online, find a platform and a good headset, and start listening.

Do you need to be an intellectu­al to appreciate classical music?

This idea comes from how pop music has been marketed: pop is easy and accessible and every song is just three to four minutes. With classical works, a symphony can last one or even two hours. That scares people; classical music isn’t necessaril­y for intellectu­al people, but it’s scary to go to a concert hall and have to sit there for a whole hour without talking, just listening to one piece.

How can you learn to become comfortabl­e in that setting?

We always like a theme or story to anything we’re watching, listening to or experienci­ng. If you’re sitting there and don’t have a clue about what you’re listening to, most likely you won’t want to listen to that again. When you’re in front of a piece of music, think about who composed it and why, and what the story is behind it. Most of the time, the story is interestin­g. Read about the composer’s life and why the piece was composed and you’ll likely relate to it.

What should newcomers not do?

I wouldn’t namedrop someone that I know without really knowing about the style of music they’re playing. Sometimes I go to dinners or parties and someone will ask me: “Do you know Vanessa Mae?” or “Have you played with André Rieu?” Those are the worst questions that make me cringe. Though there’s nothing really wrong with them—mae and Rieu are both classicall­y trained violinists—but it’s important to understand that real classical music is not amped-up with microphone­s and played in two minutes.

Who are some classical newcomers to namedrop?

The most hyped composers are the ones winning the Oscars, like Alexandre Desplat and Max Richter. But they are already out there, so I’d say the wonderful Chinese composer Chen Qigang. He was the last student of French composer Olivier Messiaen. He is writing some amazing symphonic work, and violin and piano concerti. Another two are American: Jennifer Higden is doing very well these days in opera; and David Lang, who has been nominated for Academy Awards and Golden Globes, does a lot of film music, and the New York Philharmon­ic just commission­ed an opera by him.

are the five essential pieces everyone should know?

From the earliest to the latest:

1. Goldberg Variations by Johann Sebastian Bach

Bach is the quintessen­tial baroque composer and this is one of the most mesmerisin­g pieces ever. It’s also Hannibal Lecter’s favourite music.

2. Symphony No. 40 in G minor by Wolfgang Amadeus Mozart

Moving into the classical period, Mozart is great to start on. Start with his You turn on the music and you’ll recognise the first movement. His symphonies are like his operas: overly dramatic, but lots of character.

3. Symphony No. 5 in C minor by Ludwig van Beethoven

This year is the 250th anniversar­y of Beethoven’s birth. He is probably the biggest name in classical. You can’t miss his fifth symphony: it’s probably the most recognised work in history, with an iconic melody and rhythm characteri­sed by him accepting his fate when he was starting to become deaf.

4. Symphony No. 5 in E minor by Pyotr Ilyich Tchaikovsk­y

Next is the romantic era. I’m not going to say anything more. Just listen and enjoy the ride. It’s one of the most romantic things ever written and has been in lots of movies.

5. Symphony No. 9 by Gustav Mahler

This connects the end of the romantic era to contempora­ry classical. You can’t complete your journey in classical without listening to Mahler. His symphonic work is like tomahawk steak: the most robust. Listen to and read about why he wrote it: it has beautiful moments, but he suddenly goes into atonality, which shows he was suffering from mental health problems.

Which records should any aspiring collector own? The Velvet Undergroun­d & Nico by The Velvet Undergroun­d & Nico

1.

Brian Eno said, “Everyone who bought one of those (initial) 30,000 copies started a band.”

2.

The centrepiec­e in his legendary Berlin Trilogy.

3.

Heroes by David Bowie The Man-machine by Kraftwerk

blueprint for synth-pop, techno-pop and robot-pop. 4.

Power, Corruption & Lies by New Order

Remarkable balance of post-punk, indie-pop, electro-pop and Euro-disco. 5.

A masterpiec­e that brought their music to a new era (the ’90s).

Violator by Depeche Mode If someone has an interest in popular music, where can they go to learn more?

Follow the most influentia­l musicians and bands. It will open the doors to so much more great music.

What mistakes do beginner record collectors often make?

Buying the worst album of a great musician or band would be a bad start.

Should someone ever go into record collecting purely for investment reasons?

Absolutely not.

Where is the best place to discover the very latest music?

In Hong Kong, I’d recommend visiting White Noise Records and Analog Dept. Records.

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