Cyprus Today

‘Making history right’

The DJ Questlove makes his directoria­l debut with footage that has resurfaced after 50 years and tells LAURA HARDING how he put it together

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IN THE summer of 1969, two major music events took place in New York — Woodstock, which is still globally famous more than 50 years on, and the Harlem Cultural Festival, which has been largely lost to time.

The latter, held in Harlem to celebrate African American music and culture, came to be known as “black Woodstock” but has none of the cultural legacy of the other event, even though it boasted music superstars including Stevie Wonder, Sly And The Family Stone, 5th Dimension, Nina Simone and Gladys Knight.

It was watched by hundreds of thousands of fans and while it was all filmed, the footage was never shown and was almost completely forgotten — until now.

Ahmir ‘Questlove’ Thompson, the drummer, DJ, author and The Roots frontman, makes his directoria­l debut with Summer Of Soul, a new documentar­y about this landmark event and how it came to be that even a music scholar such as himself did not know much about it.

He says: “The first time The Roots ever went to Tokyo, I was at a musical cafe called the Soul Train Cafe and I saw maybe a two-minute clip of Sly And The Family Stone.

“The camera was so far away and I didn’t realise that was the Harlem Cultural Festival. I just assumed that because festivals weren’t really a thing in the United States at all, it was somewhere in Europe.

“My first question was just ‘How did this sit in a basement for 50 years, and nobody cared about it?’

“There was Sly And The Family Stone and Stevie Wonder and Nina Simone, and Ray Barretto and The Chambers Brothers, this is nothing to sneeze at.” When he was approached to make Summer of

Thompson says he was “not overwhelme­d but I was nervous”.

“This is the time that I’m using my creativity like this,” he explains.

“I know that creativity is transferab­le. I’ve written books, I’ve taught class, I’ve done podcasts, I’ve made music, I’ve scored music, but in telling a story with the visual medium, I knew that I this is my ch

“So I don’t even debut, more than I the world know tha

“We know about right there with it a held up in the same this is my chance to

More than 45 ho it sat languishin­g i a century and Thom to craft the film, wh context of what it w Harlem at the time

It highlights pol and the frustratio­n at the same time po suffering.

But Thompson s introduced late in t Lives Matter move during the summer global pandemic.

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“I felt that that together.

“Whereas norma just attract people t time who might tak this film to show ‘T wanted to make sur

“If you lived dur knew these artists, were in the middle these artists from s culture.

“And then with

they’re living in the same exact conditions that cause that and I just felt that this included everyone.

“I really wanted to let people know how important it is to use your voice for political activism, and I think this film shows that well.”

One of the music groups that took to the stage at the festival was 5th Dimension, famous for hits including Aquarius/Let The Sunshine In from the musical Hair and star Marilyn McCoo, 77, still recalls the feeling of anticipati­on before she went on stage.

“I remember being nervous in the dressing room, because we’re going to be performing in front of this audience that knew about us, but we had a chance to show them more about the 5th Dimension than just Up, Up And Away (their 1967 hit) and Aquarius/Let The Sunshine In.

“Because these were people that didn’t necessaril­y have the money to go out and buy tickets to come and see the group, so we were letting them know more about us.

“And it was a beautiful audience. It was families and festive and everybody was excited about having the music being presented to them, it was a glorious afternoon.

“We were always known as the black group with the white sound, as people thought of us as only doing pop music, but we got a chance to show the other kinds of music that we did there.”

Summer of Soul shows how emotional it was for some of the musicians to see footage of themselves as young performers that they thought might never surface.

“We knew that that the festival was being filmed, but we didn’t know what happened to it,” says McCoo’s bandmate and husband Billy Davis Jr, 83.

“It was just stored away, and why was it stored away, we don’t know. But we’re so thankful that it was found 50 years later, because we feel like 50 years later, it’s making a better statement today than it would have in 1969.”

Summer Of Soul is released in cinemas now and is streaming on Star on Disney+ on July 30.

McCoo and Davis’s new album Blackbird is out now.

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