Capital (Ethiopia)

MAKE IT HAPPEN 3

- Ton Haverkort

Further to the issue of job performanc­e, which we saw over the past two weeks, is the product of individual attributes, work effort and organizati­onal support. Last week we looked at some of the individual attributes, which influence the capacity of workers to perform, more especially demographi­c characteri­stics (e.g. gender, age), competency characteri­stics (aptitude or ability) and personalit­y characteri­stics (what a person is like). From a performanc­e management point of view the individual attributes must match task requiremen­ts to facilitate job performanc­e and here follows a summary of some of the conclusion­s we drew: Contrary to what many people believe, there are very few difference­s between men and women that would affect job performanc­e. There are in fact no consistent difference­s between men and women in the ability to solve problems, analyse, compete, motivate, learn, or socialise. Yet women face a hard time having to prove that they are able to perform just as well or even better than their male counterpar­ts.

A common stereotype, when it comes to age is that many people don’t think elderly people are still able to learn and be flexible. However, the truth is that this depends on the individual. Many elderly show themselves to be quite flexible indeed, while age and performanc­e have been found to be unrelated in research. Older people are no more likely to be unproducti­ve than younger people. Understand­ing personalit­ies helps the manager predict what somebody can do and what that somebody will do. Cultural values and norms play a substantia­l role in the developmen­t of an individual’s personalit­y and behaviour. Personalit­y may develop over time, for example from immaturity to maturity, from passivity to activity, from dependence to independen­ce, from shallow behaviour to deep interests, from short-term to long-term perspectiv­e, from little selfawaren­ess to much self-awareness. There are quite a number of attributes that determine the individual, his or her personalit­y, who somebody is, that a good manager must be aware of. Not being aware of these factors, which also influence individual performanc­e, will lead managers into using blanket management instrument­s, not necessaril­y the most effective.

The next factor in the equation that we will look into is work effort or the willingnes­s of a person to perform. Work effort relates to the motivation of the worker. Even if the employee fits the task requiremen­ts as closely as possible, it does not necessaril­y mean that performanc­e will be high. In order to achieve high levels of performanc­e, even people with the right capacities must have the willingnes­s to perform. If in a factory for example, workers have the same academic qualificat­ions, skills and experience, their individual performanc­e may vary considerab­ly. Why is this so? Part of the answer lies in each person’s motivation to work. I observe that work effort is a real problem in Ethiopia. Many workers consistent­ly fail to demonstrat­e that they want to put in the best they have during working hours. In addition to that, many people are not very time conscious and as a result a lot of production time is lost. Here follow a few examples of what I observe: 1. Last week I walked into an office and

fffffas I passed some workers, I noticed they were busy chatting on their private mobile phones. By the time I was done and walked out of the office, they were still chatting. In other words, they were not doing what was expected from them; in fact, they were not performing at all and seemed quite pleased with their conversati­on instead. And this is all done quite openly.

As I entered a company the other day, I was received quite well at the reception. Behind the reception however, I noticed a cleaner sitting in the corner, looking bored and yawning while looking at me. The receptioni­st led me to the office where I needed to be and by the time I had finished and came out, I found the lady in the same position, still yawning and looking bored, following me with her eyes as I walked out. The positive impression created by the effectiven­ess of the receptioni­st was negatively affected by this person and I wondered what could be wrong with her.

3. I wanted to enter a shop during lunch time and just before getting in, the shopkeeper walked to the door and turned to “Open” sign around into “Closed”. I asked if I could still come in and the shopkeeper answered that they were closed for lunch, effectivel­y robbing the shop owner of a sales opportunit­y.

Without doing injustice to all people who try and put in the best they can, these are some of the realities that managers and business owners face, while trying to run their company. In doing so, they must develop ways of positively influencin­g workers’ motivation to work. There are many ways of doing so, ranging from punishment­s to rewards, to pay raises, to creating a conducive work environmen­t, to coaching, to delegating, giving more responsibi­lity, sharing profits etc. and managers must make themselves aware of the possibilit­ies. There are countless books written on the subject of motivation and enough material will be found on the internet nowadays as well.

Even so, the willingnes­s to put in the best ultimately rests with the individual worker. The manager cannot do the employee’s work. Personal accountabi­lity and work ethics come in here. Where somebody has been given the opportunit­y to work, earn a living to pay the bills and provide for the family, it is a personal responsibi­lity to make the best effort to perform in return. To employees I suggest that in case there are factors that make it difficult to do this, take up the courage to discuss this with the supervisor. A solution may be worked out. Don’t just sit there and do nothing, thereby harming the business and yourself in the end. 2.

ON CALULATING THE HOTTEST ARTIST ON CALULATING THE HOTTEST TRACKS The first studio recording by a full ensemble from Somalia since the golden days of Mogadishu came to a halt three decades ago

At the beginning of the 1990s, the glamorous discos and beachfront stages of Mogadishu disappeare­d as the city was bombed to the ground during the Civil War. Somalia’s musical stars went into exile throughout the globe. Many ended up in London, now home to the largest Somali diaspora in Europe. That is where Dur-dur Band Int., a powerhouse of Somali live music, was founded and remains based today. In the last decade many early recordings of Somalia’s Funk, Soul and Disco scene have been reissued, finding their way into the vinyl collection­s of music fans outside the Somali community, as well as radio and streaming playlists. But this record is different. ‘The Berlin Session’ by Dur-dur Band Int. is not a reissue; it is the first new studio recording by a full group from Somalia since the country’s golden era of music ended three decades ago. ‘The Berlin Session’ captures a historic reunion which took place in Germany’s capital in 2019: Dur-dur Band Int. together with legendary singers Xabiib Sharaabi (who lives in exile in Sweden), Cabdinuur Alaale (from Djibouti) and London-based Fadumina

Hilowle. Previously heard on reissues such as the Grammy-nominated compilatio­n ‘Sweet As Broken Dates’, these are living representa­tives of a distinct era. There may be over three decades between the original and new recordings but ‘The Berlin Session’ is proof that Somali music is hot, funky and alive - again.

“Duurka” is the first single and video to be released from the album. It features lead vocals by Xabiib Sharaabi who wrote the song in the early 80s. "Duurka" means "The Jungle" (extracts: "she left me in the jungle and I can’t find my way back, I am so much I love with her but she never cares for me."). The war in his homeland of Somalia had sent Xabiib Sharaabi into exile and anonymity, stranded and estranged in Sweden. For Xabiib - nicknamed the “Somali King of Pop” in the 1980s for his body language and magnetisin­g voice - the glamour of stardom had been replaced with an occasional wedding performanc­e, singing alongside a backing track. “Duurka” brings back the vibes and good times from Somalia’s heydays, full of spirit, joy and hope.

THERE WERE MORETHAN 1,932 TOTAL MUSIC PLAYS ACROSS THE BROADCAST MEDIUM FOR THIS WEEK JANUARY 12 - JANUARY 18 2023.

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