Gil­bert We went from the dar­kroom to the com­pu­ter but, in a way, the me­thod is the same. Be­fore, we had a pho­to, we pro­jec­ted the ne­ga­tive on sen­si­tive pa­per. We were constant­ly clim­bing up and down our lad­der be­cause the pic­tures were huge. Then we de­vel

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