THE DELIGHTS OF AMBIGUITY

This to-be-continued story, which, in a way, comes out of our own mouth as well, is strung together through various encounters, rambles, gets scrambled, questions itself and then goes totally haywire in the next to last sequence, undoubtedly the film’s most touching moment, and a unique one in Weerasethakul’s work, when a group of schoolchildren, massed Encounter Thailand

The Adventure of Iron Pussy (2003), which never really came out in France, Weerasethakul said that for him the word queer meant “Everything is possible.” Anything that can be imagined can become actual; every fiction is part of our reality insofar as it is a representation, or in other words, a construction. This procedure is a classic in docudramas. To get to the “truth” in interviews with ano-