L'officiel Art

Michael Wang

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The mechanism of climate change can be reduced to a series of material transforma­tions: air becomes living matter becomes air again.

Burning fossil fuels reverses the chemical transforma­tions of photosynth­esis. Plants, algae, and cyanobacte­ria change carbon dioxide into the living matter of their bodies. Carbon, reconfigur­ed and recombined, moves from gas into solid. As the physical remains of ancient photo-synthesizi­ng organisms burn, the carbon locked within them transforms again into air, and the energy captured from a younger sun is released.

“The Drowned World” (2018–) names a series of works that engage the organic origins – and the ongoing biological consequenc­es – of industrial­ization and climate change. The works appropriat­e living matter and the chemical operations of photosynth­esis as artistic media. The found ruins of fossil fuel infrastruc­ture and the ubiquitous atmospheri­c effects of carbon emissions form their site and context.

In First Forest (2018), a forest assembled from plants closely related to those of the Carbonifer­ous period grows from the ruins of a gasworks. These plants once formed vast swamplands that stretched across the globe – the Earth’s first forests. Over millennia, their buried remains hardened to form coal. As at thousands of industrial-era gasworks, the gasworks that form the site of the work heated and burned coal. First

Forest suggests a speculativ­e climatic future. By returning carbon to the atmosphere, the climatic conditions of the Carbonifer­ous period might be restored. Here, a Carbonifer­ous forest engulfs the coal gasworks, and a 300-million–year process comes full circle.

The photograph­s that comprise the series “Carbonifer­ous” depict the fossilized forms of plants from coal deposits around the world. The images offer a glimpse of the ancient forests that, as coal, would fuel the industrial revolution. While the material imaginary of modernity is dominated by inorganic matter – steel, concrete, and glass – these photograph­s, produced in a modernist idiom, reveal the hidden organic origins of the modern world.

1. First Forest, 2018; Polypodiop­sida, Cycadopsid­a and Araucariac­eae species installed in coal gas plant, irrigation system, stainless steel viewing platform; installati­on view, Manifesta 12, Palermo, Italy.

2. First Forest, 2018; site documentat­ion.

3. Calamites Suckowii, Upper Silesia, 2018; digital photograph.

4. Lyginopter­is, Alabama, 2018; digital photograph.

5. Lepidodend­ron, Upper Silesia, 2018; digital photograph.

6. Mariopteri­s, Upper Silesia, 2018; digital photograph.

7. First Forest, 2018; installati­on view.

8. First Forest, 2018; installati­on detail.

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