An Artist’s Post-Beyonce Bounce Takes Him to Europe
Un artiste américain expose à Londres et à Bruxelles.
Pour dévoiler sa grossesse au monde entier, Beyoncé a fait appel au jeune artiste multidisciplinaire Awol Erizku qui a réalisé une série de photographies. Le premier de ces clichés a battu des records sur Instagram. Né en Éthiopie en 1988, puis élevé dans le Bronx à New York, Awol Erizku est un artiste à suivre. Il expose à Londres et à Bruxelles ce mois-ci.
LOS ANGELES — By one measure of success, the 28-year-old artist Awol Erizku has possibly already peaked. In February he was revealed to be the photographer behind Beyonce’s pregnancy announcement, which quickly became the most popular Instagram post ever with more than 10 million likes. The image shows her kneeling in front of a floral wreath so large it looks like a throne.
2.But Erizku, who landed his first New York gallery show before he earned his Master of
1. to peak atteindre son apogée / pregnancy (de) grossesse / Instagram application de partage de photos et de vidéos sur smartphones / to kneel, knelt, knelt s’agenouiller / wreath couronne / throne trône. 2. to land obtenir, décrocher / show exposition / to earn ici, obtenir / Fine Arts from Yale University, said that sort of record-breaking is not the attention he craves.“It would have meant so much more if I had gotten recognition from the Whitney this year,” he said, speaking of the Whitney Biennial — “this thing that every great artist I admire has had.”
NEW ART SHOWS
3. This is just one sign of how thoroughly the artist (pronounced AY-wol eh-RIZ-ku) operates within the traditional biennial-obsessed art world, even as he manages through social media and other platforms to reach a much broader public. He DJs here and there and makes mixtapes to play during gallery shows to “make my peers feel welcome.” At his Los Angeles studio recently, Erizku showed his new artwork while listening to Jim James, Future and Kodak Black.
4.That new work is heading to Europe for his first gallery exhibitions there: His defiantly anti-Trump show “Make America Great Again,” opened at Ben Brown Fine Arts in London last month, and his more playful “Purple Reign,” at Stems in Brussels, opened a day later. There are the basketball hoops, which he uses as stand-ins for the black male body. There are the numbers that reference Los Angeles gangs or slang, like a new corrugated steel piece spray-painted with the number “12” for police. “It’s a little Cy Twombly-ish, but if you go to any kid on the street they will know what it means,” Erizku said.
5.You can also see a Trump-era development: the image of a black panther, which he has lifted straight from the logo of the Black Panther Party, now roams throughout his work, climbing an American flag or clawing a bed of roses. It also appears atop the slogan “Make America Great Again” on a red baseball cap that the artist is selling “to have something affordable in the show.”
6. As for the use of the panther image, “I don’t want to take something so powerful and cheapen it by using it too much, like wallpaper. I want to give it more power,” said Erizku, who speaks rapidly, enthusiastically.
“I’m putting it out there because I’m black and I’m Muslim and this is everything Trump has tried to stand against.” “I don’t think this show is anti-American, but it is definitely anti-Trump,” he added. “All the people he’s hating on do make America great.”
A STAR IS BORN
7. Born in Addis Ababa, Ethiopia, the artist grew up in the South Bronx in what he calls a working-class family. (His father’s history as a janitor figures into new work at Ben Brown in the form of an actual mop bucket placed in front of one painting.) He said that he never considered being an artist until he found himself bored in a high school art history class and realized it was because of the surfeit of white bodies in the art. “We were looking at the painting ‘Girl With a Pearl Earring’ and at that moment I felt I wanted to be an artist so I could bring more people who looked like me, my mother and my sisters, into history.” 8.In college at Cooper Union, he took a step in that direction: He posed one of his sisters in place of Vermeer’s Dutch sitter, hair tucked in a similar blue-and-gold scarf, and called his photograph “Girl With a Bamboo Earring.” Its inclusion in a group show at the FLAG Art Foundation helped him land representation by a New York gallery when he was only 24.
MIXED MEDIA
9. Erizku’s 2015 film “Serendipity,” which debuted at a Museum of Modern Art PopRally party, features a pedestal holding a bust of Michelangelo’s “David.” He smashes the bust and replaces it with one of the Egyptian queen Nefertiti — “My way of saying ‘black lives matter’ in a way only I knew how,” he offered. He designed a Snapchat filter for the work’s premiere, so a project logo appeared on videos taken there. 10.Erizku also likes to curate shows on Instagram, and has announced in the past, with equal parts Duchampian wit and millennial chutzpah, that his feed would operate like a gallery and be closed to the public at night. He calls social media “yet another tool — an extension of my work, an extension of my studio.”
11.He returned to photography for a 2015 solo show at FLAG, for which he paid sex workers in Ethiopia to assume classic poses of models from Ingres and Manet paintings. Stephanie Roach, FLAG’s director, described this project as the opposite of exploitative: “He empowered the sitters, allowing each woman to interpret the pose differently and respecting their individuality. He captured these women with such beauty and integrity, like he did with his sister and Beyonce.”