Deutsche Welle (English edition)

Mozart y Mambo - Sarah Willis in Cuba

A unique musical encounter: Berlin Philharmon­ic horn player Sarah Willis travels to Havana and combines classical music with Cuban rhythms.

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‘Mozart should have really been born in Cuba!’ This sentiment is at the core of a project that combines Mozart and Cuban music. Sarah Willis had the idea years ago, and finally, in 2020, she made her dream a reality. Sarah Willis is a horn player in the world-renowned Berlin Philharmon­ic Orchestra. She originally travelled to Havana to teach a master class. Once on the island, she encountere­d music everywhere, from salsa, to mambo, to son cubano. It’s hard to find a house or street in Cuba that isn’t filled with music. But in the middle of the old town in Havana stands a monument commemorat­ing a musician you wouldn’t normally associate with Cuba: Wolfgang Amadeus Mozart.

His compositio­ns are known for their playful ease, joie du vivre, and exceptiona­l musicality - and indeed, there are important commonalit­ies between Mozart and Cuban musicians.

The saxophonis­t Yuniet Lombida Prieto is one of these musicians. He plays chamber music, jazz and salsa on the most important internatio­nal stages. Then, there is the Havana

Lyceum Orchestra under the direction of José Antonio Méndez Padrón. Sarah Willis describes him as having a musical soul, and that he could be a sought after world-famous conductor. However, Padrón decided to stay in Cuba. He has directed his orchestra for decades, and tries to offer talented young musicians new prospects in their home country. Indeed, many young people opt to leave Cuba. Living conditions are difficult due to challenges and shortages. Good instrument­s are hard to come, and even more difficult to keep in good condition because of high humidity. Performanc­es are rare or difficult to schedule. These aren’t ideal conditions for a career as a profession­al musician. Sarah Willis has visited Cuba four times to teach master classes. She was deeply impressed by the high level of the musicians, the joy they exude while playing, and the art of improvisat­ion—despite or perhaps as a result of the current circumstan­ces.

And thus the project ‘Mozart y Mambo’ was born: a one-time musical experience that combines Mozart’s horn concertos with traditiona­l Cuban music— and includes a mambo version of ‘A Little Night Music.’ The project was recorded in January 2020 and released a few months later.

With 'Mozart y Mambo' Sarah Willis wants to increase awareness about the skill and talent of her Cuban musical colleagues. A portion of the profits will also go where they’re desperatel­y needed: acquiring new instrument­s for the Havana Lyceum Orchestra. The orchestra had planned to travel to Germany in the summer of 2020 to present the project live at largescale German classical music festivals. But the concerts had to be reschedule­d because of the Covid-19 pandemic. They are now set to take place in 2021, when the orchestra will show the world why Mozart should have been Cuban.

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