Deutsche Welle (English edition)

COVID shakes up the art market

Lockdown sales slump pushes galleries, fairs, and auction houses towards nontraditi­onal territory: the internet.

- Adapted from German by Brenda Haas.

For art expert Dirk Boll, the art market is on the verge of a "turning point." He told DW that the COVID-19 crisis had had a "catalytic effect" in transformi­ng the tradition-bound industry, with digitaliza­tion moving "at turbo speed."

Boll is an art historian and one of four presidents, who with managing director Guillaume Cerutti, head the London auction house Christie's.

Boll recently published a book in German on economic crises and new art markets, in which he analysed the impact of recent economic crises on the art market. With a view of the ongoing COVID-19 pandemic, his book is titled, Was ist diesmal anders?(' What's different this time?').

It was already evident after the first lockdown in spring 2020 that COVID had the art world in its grip, as shown, for example, by the mid-year survey of 795 galleries from around 60 countries.

Conducted by Art Basel and the Swiss bank UBS, the study revealed that gallery sales worldwide had shrunk by more than a third compared to 2019. The mood in the galleries was also somber: around half of those affected feared a further decline in sales.

The new lockdown is likely to fuel this pessimism even further. "The pandemic has presented the art market — and the gallery sector in particular — with some of its greatest challenges," the study's director, Irish art economist Clare McAndrew concluded.

Unabated demand for art

The auction market has also suffered, and continues to suffer from the pandemic, albeit to a lesser extent. According to calculatio­ns by the French online portal ArtMarket.com, Less than one-fifth of artworks went under the hammer in the auction houses compared to the previous year. Sales even slumped by almost half until August.

"The auction houses have succeeded in continuing their activity to a large extent," ArtMarket.com managing director Thierry Ehrmann stated on its website. He also said art market prices had "by no means systematic­ally" fallen, as evidenced, for example, by the sale of Giorgio de Chirico's painting Il pomeriggio di Arianna (1913) for $15.9 million (approximat­ely 13 million euros) at Sotheby's in New York on October 29, 2020. In fact, he said, demand for masterpiec­es continued unabated.

So, what does the pandemic mean for the art market? While many art fairs, auctions and exhibition­s were canceled because of the lockdown in spring this year, a new start seemed a long way off even in autumn. The end of major art events hit dealers hard, because for many traders, fairs are the most important sales platforms. The industry thus shifted its trading hub to the internet as far as possible.

Online galleries sprang up like mushrooms. Art fairs such as Art Basel and Art Cologne opened "online viewing rooms," to varying degrees of success. Boll explained that those who were already big were also able to invest in new technology faster and on a larger scale.

Online art trade booming

Art buyers and collectors were also contributi­ng towards making the offer more conservati­ve, according to art expert Boll. At digital fair appearance­s and in online viewing rooms, newer and lesser-known players were having a harder time making themselves visible. As Kristian Jarmuschek , chairman of the Federal Associatio­n of German Galleries (BVDG), put it in an interview with DW, "Wellknown artists benefit because brands sell better, as we all know!" The losers are smaller galleries that don't yet have any artist brands on offer, but instead do basic work, like devoting themselves to the developmen­t ofyounger and unknown artists.

Before the crisis, the internet was mainly used as a showcase for art. Sales were negligible: of the $64.1 billion in global art market sales last year, according to Artmarket, the online sector accounted for 10%. But in the first quarter of 2020, that share skyrockete­d to 37%.

The digital market has already departed from its niche status and become a serious contender, at least in the auction trade. "We expect to sell about half of all our objects via onlineonly auctions in 2021," Boll said, adding that auction houses had already significan­tly raised the value thresholds of their sold objects, which he saw as a sign of buyers' growing confidence in digital art sales.

With the new lockdown, some dealers' hopes for 2021 could evaporate. After all, at mid-year, half of the galleries surveyed were still expecting sales to rise in the new year. Meanwhile, Germany's gallery owners currently have little reason to complain, the BVDG's Jarmuschek reiterated.

No gallery has yet had to close due to COVID. Rather, he said, the lockdown has benefited traditiona­l gallery work. "We can make time for our customers, who in turn have more time for art."

on the internet at the Berlin Philharmon­ic's Digital Concert Hall.

Fans of rock looking for a spectacula­r bang will have to pay a fee for the 2020 Goodbye concert by the iconic 1970s rock band KISS, held at the Atlantis luxury resort in Dubai. Billed as the "biggest and baddest" concert, it's accessible at the event homepage at 6:00 p.m. CET.

YouTube promises pop and dance lovers an enthusiast­ic sendoff for 2020 with its Hello 2021 livestream featuring singers Demi Lovato, Dua Lipa and others. There are separate editions for the Americas, the UK, India, Korea and Japan. The access is free on YouTube.

From pop to electronic­a

Justin Bieber will be entertaini­ng millions of his fans on New Year's Eve via a live concert to be streamed on a special website. T-Mobile subscriber­s can stream the concert free through their app. For others, the cost for viewing is $25.

Australian star Kylie Minogue is hosting her very own music concert for pop lovers on this website at 10:00 p.m. CET for free.

For those who prefer to party on into the New Year, DJ David Guetta is hosting an expectedly phenomenal dance party on January 1, 2021 on Songkick.

Avant-garde French electronic and new-age music composer Jean- Michel Jarre will host a virtual concert at Notre Dame Cathedral. Supported by UNESCO and called Welcome to the Other Side, the event aims to "send a message of hope for 2021 and for the end of all dark times" the world is going through. The performanc­e can be seen and heard free on Jarre's homepage at 11:25 p.m. CET.

The most traditiona­l tradition of all

Then, on New Year's Day, "message of hope" is what conductor Riccardo Muti hopes to send to the world in the traditiona­l New Year's Concert of the Vienna Philharmon­ic. Normally, the demand for tickets to the world's best-known classical music event is so great that they have to be drawn in a lottery. This time, though, the seats will be occupied by – no one, owing to COVID lockdowns.

The media audience, however, can be expected to be as large as ever – 50 million people in 90 countries. Beginning at 11:15 a.m. CET on the first day of the New Year, the New Year's Concert will be broadcast from Vienna online bytelevisi­on stations around the world.

With this concert, heavily spiced with the music of the Strauss dynasty of composers, conductor Riccardo Muti hopes to send a "message of hope" to the world. The Vienna Philharmon­ic ushers the New Year in with a different conductor every year; this the 79-yearold maestro's sixth time doing the honors. An innovation: This time, an internet channel will be opened for viewers and listeners worldwide to record and relay their applause back to the Vienna Musikverei­n, where it will be looped into the live event.

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 ??  ?? Christie's Dirk Boll
Christie's Dirk Boll
 ??  ?? Kirill Petrenko will conduct the New Year's Eve concert at the Berlin Philharmon­ic
Kirill Petrenko will conduct the New Year's Eve concert at the Berlin Philharmon­ic
 ??  ?? This is Riccardo Muti's sixth time conducting the New Year's Eve Concert
This is Riccardo Muti's sixth time conducting the New Year's Eve Concert

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