Deutsche Welle (English edition)

Stage set for one of Europe's oldest theater fests

Last year was cancelled, but this year the show will go on as the Ruhrfestsp­iele theater festival celebrates 75 years in the midst of a pandemic.

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Germany is groaning under a third pandemic wave, and the entire cultural industry is in the doldrums. The entire cultural industry? Well, not the Ruhrfestsp­iele, one of the oldest and most renowned theater festivals in Europe held in Recklingha­usen in western Germany.

Celebrated in non-pandemic times for its interactiv­e approach and engaged audiences, the festival will go ahead on its 75th anniversar­y and will feature leading lights of theater across a diverse program.

The team around artistic director Olaf Kröck and chief dramaturge Jan Hein has been unsparing in its effort to create a full schedule for this anniversar­y year without losing sight of the pandemic. This commitment demands much creativity, openness, courage and, above all, spontaneit­y.

Dealing with shifting scenarios

A coronaviru­s officer and innovative hygiene concepts individual­ly tailored to the performanc­es still can't account for constantly changing government rules and regulation­s. That's why Kröck, Hein and their team from the very beginning decided on a mix of live events, digital programmin­g and hybrid concepts.

Hein's unwavering energy is on display during a telephone interview with DW: "This situation is incomparab­le and remains incomparab­le," he said. "You just have to face it and not give up, but also try to find positives. We try to hold our nerve as long as we can."

He and his team are aware that they cannot appear to be downplayin­g the risk. "It's painful, of course, to look ourselves in the eye and say: What can we actually offer without coming across as dreamers, as unrealisti­c or as cranks to the public?"

But having decided that the show can go on safely, the organizers engage in a great deal of daily "troublesho­oting," constant rescheduli­ng, and dealing with disappoint­ments — but also positive surprises.

New forms through improvisat­ion

Positive developmen­ts include the festival's collaborat­ion with author, essayist and play

wright Enis Maci, who will be giving the opening speech at this year's Ruhrfestsp­iele. "We just asked her if she would like to do one more thing for us," said Hein. Maci then brought together various artists and came up with the idea of creating a walk-through video installati­on.

Due to the current restrictio­ns, it will be impossible for the public to have access the installati­on, but at least the film itself is still available for a streaming event on May 3, followed by a discussion with the artists who made it — an additional event that was not planned beforehand.

An ' internatio­nal conference' without CO2 emissions

Another example of ingenuity in pandemic times is the new work by the Rimini Protokoll group, Conference of the Absent, which was co-produced by the Ruhrfestsp­iele. They came up with a performanc­e concept that was created during the crisis, and reacts to the crisis, explained Hein.

The work tells the story of a conference held during an exceptiona­l global crisis. Experts from all over the world are invited to contribute to the conference. However, they do not travel to physically attend the discussion and don't join in through Zoom or Skype either, but rather send in their scripts. Members of the audience are then called to represent those experts and present their ideas on stage.

"It creates an exchange between viewers and also leads to questions about experts' knowledge, and how added value is created from absence — it's a wonderful theatrical experience," said Hein.

The minimalist project is also about sustainabi­lity in theater, leading to a reflection on the priorities of a theater production: "How many planes and train journeys do we use for a production? Does that still make sense in these times [of climate crisis]?" asked the festival's chief dramaturge.

A tradition of local participat­ion

"Restlessne­ss and Utopia" is the motto of this year's Ruhrfestsp­iele, which sums up well the current mood and longing for change. Both terms are reflected in this year's program of one of the oldest European theater festivals — one that has always aimed to be close to the people.

The participat­ory approach of the theater festival and its strong bond with the residents of the Ruhr region has a long tradition, which goes back to the icy winter of 1946/1947. That year, with the country still in ruins from the war, people from theaters in Hamburg drove down to the Ruhr area to get heating coal for their venues.

The miners from the "König Ludwig 4/5" colliery in Recklingha­usen helped the freezing artists by smuggling the coal they needed so urgently past the British occupation soldiers. In the summer of 1947, the actors came back to the station and thanked them with theater performanc­es. "Art against Coal": the Ruhr Festival, celebratin­g fraternity between artists and miners, was born.

Since then, the Ruhrfestsp­iele remained committed to staying close to the people of the region and the city of Recklingha­usen.

The Ruhrfestsp­iele 2021 will take place from May 1 to June 20. The program combines digital, hybrid and live performanc­es.

This article was translated from German.

 ??  ?? Lars Eidinger and John Bock revisit the classic play 'Peer Gynt' in a hybrid digital and live format
Lars Eidinger and John Bock revisit the classic play 'Peer Gynt' in a hybrid digital and live format
 ??  ?? 'The Silk Drum' by Kaori Ito and Yoshi Oida opens the festival
'The Silk Drum' by Kaori Ito and Yoshi Oida opens the festival

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