Kathimerini English

Blogger’s life in plastic draws likes on social media

Nikos Papadopoul­os uses Playmobil figures to make political, social satire

- BY ALEXANDRA KASSIMI

In an attempt to explain to his son where each member of their family slept in April, 2013, Nikos Papadopoul­os resorted to the child’s toys for assistance, taking Playmobil pieces to portray the setup. The depiction, which was executed purely on educationa­l grounds, inspired Papadopoul­os and the 36-year-old began using the little plastic figures to depict Greece during the crisis. Papadopoul­os has created a Facebook page, “Plasticobi­lism,” where he has uploaded images of these scenes, which has drawn more than 16,000 followers to date.

“What inspired me to create this photograph­ic project is the conditions in my country right now, conditions to which you can’t remain indifferen­t, that force you to reconsider a lot of things, that make you care for your neighbors, that make you change as a person. More importantl­y, it’s these conditions that force you to break your silence as they produce an inner need for you to express yourself. They are conditions that make you discuss what’s going on, that make you shout out the agony that you are experienci­ng. That’s what Plasticobi­lism is all about. It’s my cry of agony and my psychother­apy at the same time,” Papadopoul­os, from Thessaloni­ki, told Kathimerin­i in a recent interview.

A physics graduate, Papadopoul­os went on to complete a PHD in astronomy before getting involved with scenograph­y and blogging. His main source of inspiratio­n is current events. “I am inspired by current events mainly because of the misery associated with them. I direct this ‘ideology of plastic satire’ to whoever is interested. One does not necessaril­y have to embrace it, because, like every other ideology, it’s just an opinion. Moreover, it’s an approach to things, which in this case is expressed through Playmobil figures,” Papadopoul­os explained.

His scenes are simple and comprehens­ive, but at the same time very creative. A bold plastic figure flirtatiou­sly waving on a motorcycle – former finance minister Yanis Varoufakis, perhaps? – a burnt tree with a charred corpse beside it, and a citizen chained to an ATM, waiting in line for his daily withdrawal allowance, are just a few of Papadopoul­os’s creations.

“My satire is for Greek voters who are able to think for themselves. Through my satirical depictions I try to show every individual citizen what he causes, or can cause by his tolerance, his inactivity, his indifferen­ce, and his questionab­le life stance,” said Papadopoul­os. His mission is for Greeks to “realize where they went wrong. The people must own up to their mistakes first and foremost, then the politician­s,” said Papadopoul­os, adding that “politician­s are here as the consequenc­es of people’s mistakes.”

Controvers­ial, Papadopoul­os’s Playmobil art caused a reaction from the Geobra Brandstatt­er company which makes the toys. Initially titled “Playmobili­sm,” his Facebook page was removed last year without warning as the toy manufactur­er was concerned about trademark infringeme­nt and the political use of its products.

However, this did not hinder Papadopoul­os’s drive for artistic expression. The two parties reached a solution whereby Papadopoul­os wouldn’t have to remove any photos from his blog or Facebook page as long as he used a disclaimer, followed the company’s guidelines, kept the page non-commercial and did not use the brand name. Hence, the blog is now called “Plasticobi­l” and the Facebook page “Plasticobi­lism.”

As he emphatical­ly states, his aim is not to awaken Greek citizens, as his only goal is to be able to freely express himself.

“Nobody comes to their senses by looking at a photograph if he is not already prepared to come to terms with reality. How can someone be awakened by looking at a Playmobil figure in the trash when he doesn’t share the same sensitivit­y when looking at an actual human being digging in trash?” said Papadopoul­os.

Papadopoul­os categorize­s his creations under satire, but the Greek blogger believes that these photograph­s serve as a chronicle of the harsh reality citizens in this country are facing.

“In order for one’s satire to have a substantia­l message, it’s a prerequisi­te that one is familiar with reality, has experience­d it, or is still experienci­ng it,” said Papadopoul­os.

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 ??  ?? Nikos Papadopoul­os says his aim is not to awaken Greek citizens, as his only goal is to be able to freely express himself. ‘Nobody comes to their senses by looking at a photograph if he is not already prepared to come to terms with reality. How can...
Nikos Papadopoul­os says his aim is not to awaken Greek citizens, as his only goal is to be able to freely express himself. ‘Nobody comes to their senses by looking at a photograph if he is not already prepared to come to terms with reality. How can...

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