Stabroek News Sunday

Implicatio­ns of Intellectu­al Property Rights for the economy

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Last week, it was pointed out that the World Intellectu­al Property Organisati­on (WIPO) emerged after three intellectu­al property rights convention­s, namely the Paris, Berne and Rome Convention­s, were establishe­d. The WIPO was created in 1967, more than 80 years after the Paris and Berne Convention­s and about six years after the Rome Convention surfaced. The WIPO was created as one of the specialize­d agencies of the United Nations. It served as the global forum for the developmen­t of policy on Intellectu­al Proterty Rights (IPRs) and the provision of property services. It was also the place where countries could go to pursue cooperatio­n and receive informatio­n about IPRs. The ambition of WIPO was to lead the developmen­t of a balanced and effective internatio­nal intellectu­al property (IP) system that enabled the emergence of innovation and creativity for the benefit of all. It anticipate­d the voluntary participat­ion of all countries in the Convention. While the mandate of WIPO was global in focus, IPRs did not arise as a global issue until countries tried to market these rights as part of internatio­nal trade.

Issue of contention

When IPRs emerged as part of the debate on the internatio­nal trading rules and system, they quickly became an issue of contention between countries with different economic systems and different levels of developmen­t. The world in which the debate about IPRs arose was vastly different from the one that exists today. The Socialist bloc still existed, several wars were raging between and within countries, Apartheid reigned supreme in most of Southern Africa, OPEC was a major economic force, the Asian Tigers were not as formidable as they are today and BRICS was not even an idea. Many developing countries were struggling with massive debt burdens while others had barely emerged from colonialis­m. Within this configurat­ion of the world, very few countries had an interest in decoupling products from the intellectu­al property that had given rise to them. The idea of a market that was separate for IPRs was too novel for some countries. It was a distractio­n for others and of little or no consequenc­e for many.

It was in the foregoing context that negotiatio­ns under the Uruguay and Doha Rounds of trade negotiatio­ns took place. The developed and developing countries did not see eye-to-eye on the need for the set of rules now known as TRIPS. With their focus on the benefits of IPRs, the developed countries had a more structural­ist approach to the conflict with the developing countries. One probably could not see it at the time, but TRIPS became possible because developing countries found themselves at a place where, though the majority benefits of IPRs would go to the developed countries, rule-making under the WTO would be democratic. It would not contain the skewed voting power of institutio­ns like the IMF or the World Bank and therefore give them a chance to participat­e with equal weight in decisionma­king. Changes to IPRs rules would not be one-sided.

IPRs are the outcome of research and developmen­t. Most ideas contained in products, processes, film, drama, music and books had arisen in the more advanced economies of the world. Those countries saw a competitiv­e advantage in trading IPRs. In addition, they felt that they were being cheated out of significan­t amounts of revenue as a consequenc­e of the failure of other countries to enforce IPRs laws. The acknowledg­ment of the need for countries to recognize and enforce intellectu­al property rights eventually made it into the WTO Agreement on Trade Related Aspects of Intellectu­al Property Rights or TRIPS for short.

TRIPS have sought to harmonize internatio­nal treatment of certain protection­s for intellectu­al property by calling for the establishm­ent of minimum standards in each country. One such IPR is the copyright. Copyright refers to the right of the creator of works of art and culture to make and sell copies of his or her works, the right to create derivative works or the right to perform and display their works publicly. Copyrights also enable the creator of the works to prevent someone from reproducin­g the work without his or her permission.

In other words, it gives the creator of the works a chance to create a market, domestic and internatio­nal, for his or her works. The success of that market depends on the extent to which excludabil­ity and rivalry could be fostered. Those capabiliti­es depend on what other countries do.

Real challenge

It is a real challenge to create and sustain a market when others at home or abroad can undermine that effort. Two examples would suffice, one on copyrights

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and one on patents. TRIPS try to reduce that burden by calling on countries to provide copyright protection in their laws that would, in essence, help a market to survive and prosper. Countries are required to change their laws and protect the rights of persons who create original artistic and cultural works for at least 50 years. Countries with stronger copyrights laws are allowed to retain the major provisions of those laws.

For example, a country like the United States of America (USA) has copyrights laws that protect original work for up to 70 years after the life of the creator. In addition, the copyright protection should be granted automatica­lly.

This latter point is an important deviation from the Berne Convention which requires, as part of the recognitio­n of the right, the work to be registered to be protected. Quite often it is not clear what should be covered, as copyrights work under TRIPS. It is important to note that computer programs qualify for coverage under the copyrights laws of a country.

Another right that is protected under TRIPS is that pertaining to inventions. Patents created for inventions in all fields must be recognized in national laws as

well. The laws must protect the patent for at least 20 years. The obligation­s imposed on countries prevent them from discrimina­ting against foreign holders of patents or copyrights. This obligation falls under the concept of national treatment.

IP in Guyana

Naturally, with the focus on national efforts, one must take a look internally to see what has been done to honour the obligation­s made under the TRIPS. Although the subject of intellectu­al property rights is not often seen in our local headlines, it remains an important issue that must be given more attention in Guyana. By failing to do so, Guyana runs the risk of being accused of violating IPRs, as was recently done by Home Box Office Latin America (HBO LA). Most music, videos, and software for sale are pirated. Book piracy is also rampant, both in the case of local textbooks as well as foreign ones; some estimates say illegally photocopie­d textbooks account for a substantia­l amount of local book sales. Additional­ly, Guyanese businesses have been known to use pirated software for their computers.

Self-critique

Therefore, a self-critique would lead one to say that Guyana’s enforcemen­t mechanisms of Intellectu­al Property (IP) laws is poor. In addition, the laws need to be updated. These ineffectiv­e enforcemen­t mechanisms are evident in the high level of piracy that occurs. The new government has however signalled disapprova­l of such practices and pledged to check that computers used in government offices are using fully compliant software. The risk of not doing so is to decrease confidence in the business environmen­t in Guyana and to discourage foreign investment.

Happy 51st Independen­ce Anniversar­y to all Guyanese and especially the readers of Stabroek News!

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