Stabroek News Sunday

Britain revisits a racist injustice against black children in its schools

-activists believe little has changed

- By Claudia Tomlinson

Britain has a system of Pupil Referral Units (PRUs), which are over-populated with black children, those whose parents and grandparen­ts are settlers from the West Indies and Africa. Its Youth Offending Institutio­ns — prisons for young people before they enter the adult system — are overflowin­g with black and Asian young people. Many of these young people were earlier in PRUs; they were evicted from mainstream schools to await a destiny with adult prison. This is a pattern repeated globally in the Western world, with young black and minortised people facing a unique path, or pipline, from school rejection to prison. Explanatio­ns widely touted include notions of bad home life, bad genes, or bad luck. But a recent BBC television documentar­y, suggests that it is the behaviour and attitudes of the state that play a role in condemning black children.

Following the murder of George Floyd at the hands (or knee) of a white police officer in the United States last year, there has been a global upsurge in demands for racial justice for black people, in all arenas. Many institutio­ns and organisati­ons conducted examinatio­ns of their practice, and committed, for a period at least, to implement strategies and polices to redress these injustices. The BBC commission­ed Small Axe, a television drama series directed by black Oscar winner Steve McQueen and screened on prime time TV. The series featured Education, the dramatisat­ion of the black community coming together to fight the practice of wrongly labelling black children as educationa­lly subnormal and placing them in schools for the educationa­lly subnormal. A new documentar­y, Subnormal, A British Scandal, produced by Rogan Production­s, was screened by the BBC in May, this year, and lifted the lid on some of the underlying truths of what happened to black children during this period, and its ongoing impact today.

Director Lyttanya Shannon, who also narrates the documentar­y, opens the programme with a number of fruitless calls to individual­s who had been wrongly placed in schools for pupils considered educationa­lly subnormal. Although she succeeded in getting three survivors of the system to speak, there were others who felt unable to share their story as they had kept it from their nearest and dearest due to shame and embarrassm­ent. The three survivors of this system that spoke included Noel Gordon, an author and children’s educator, and now the proud holder of many qualificat­ions, including postgradua­te university qualificat­ions, which he is seen as proudly displaying around his home. For Noel this is clearly a display that is about vindicatio­n and redemption of his destroyed childhood education.

The heart-breaking testimonie­s from the other two survivors, who bravely spoke out in the documentar­y, show how the system blighted the lives of black children for years. Social worker Anne-Marie Simpson was born in Jamaica and raised by her grandmothe­r. She had missed several years of education in Jamaica due to living in a rural setting, with lack of transport meaning she simply couldn’t get to school. She joined parents and a family in Britain she didn’t know — and who didn’t

welcome her arrival — and found herself rejected by her mother and siblings in her new home. This migratory trauma, a common experience of West Indian children in Britain, meant that she experience­d emotional difficulti­es and ended up being placed in a school for educationa­lly subnormal children. She survived to become a successful social worker.

Creative writer and graduate Maisie Barrett, who is also featured in the documentar­y, was also wrongly labelled as educationa­lly subnormal and spent years in such a setting, where she was used to bathe and care for other children. It was only when her mother employed a private black social worker, years later, to assess her, that she was found to be of normal intelligen­ce and permitted to go to a mainstream school. But she lost years of valuable education that she has dedicated her life to recovering, becoming a university graduate despite the system.

The stories of the survivors are interspers­ed with the stories of those who identified the issues and fought the system, against a torrent of denials of their arguments, or what might be called gaslightin­g today. Grenada-born Professor Gus John, a lifelong academic and community activist, sounds a warning at the start of the documentar­y: ‘we are building a timebomb for ourselves, and one that is going to blow the whole bloody place apart’. A central figure in the fight against the educationa­l authoritie­s in the 1960s and 1970s, when this practice peaked, he draws a connection between what black people were experienci­ng at the time, and how this plays out in other arenas and over time. This was simply one among a multitude of ‘other racisms’, he explains.

At the heart of the community response were three prominent Guyanese individual­s. There was the late Jessica Huntley, a founding member of the first PPP, People’s Progressiv­e Party, in 1950. Comrade of Janet Jagan, Cheddi Jagan, and Eusi Kwayana, she made a highly appreciate­d contributi­on to the liberation of Guyana from British rule. Her husband, Eric Huntley, also a founding member of the original PPP, and official of the party who became a political prisoner of the British for leading protests against their repression after the overthrow of the Jagan government of 1953. After migration to Britain in the late 1950s, Jessica and Eric

Eric Huntley Production­s/Lyttanya photo) continued their fight for justice, and founded Bogle L’Ouverture Publicatio­ns, a publishing company and radical bookshop, in 1966. This company was the first publisher of Walter Rodney’s the Groundings with My Brothers and How Europe Underdevel­oped Africa, highly critically-acclaimed texts. They were educationa­l activists who investigat­ed, and challenged the treatment of black children in the British education system.

They fought against the bussing of

Waveney Bushell Production­s/Lyttanya photo)

black children to prevent schools being overwhelme­d by black children, an eventualit­y the education authoritie­s regarded as ‘completely undesirabl­e’, as one official stated in the documentar­y. They also fought against banding, the practice of stratifyin­g children into high and low bands. Plans were uncovered by activists to place the majority of black children in the bottom bands.

Their compatriot, friend and associate in the community resistance is Waveney Bushell, who was born in Guyana, like the Huntleys, and travelled to Britain in the 1950s, to work as a teacher. She eventually qualified as an Educationa­l Psychologi­st, possibly the first black person to do so in Britain, and she took part in this year’s documentar­y. She was part of the community network of the Huntleys, that also included Professor John, and others. She was a founding member of CECWA, the Caribbean Education and Community Workers Associatio­n, and sounded the alarm from within the system to bring awareness to what was happening to black children in Britain.

As an educationa­l psychologi­st who had been a teacher in Guyana, Bushell found it inexplicab­le that large numbers of black children arriving in the UK were found to be educationa­lly subnormal. She discovered, however, that the British educationa­l IQ tests that were being administer­ed to the children were culturally specific, and this was not accepted at the time. She argued and proved the case. The example she gave in the documentar­y is the list of English words given to newly arriving West Indian children to define. When they did not know what a tap was, Bushell knew the word ‘tap’ was not used in the Caribbean, instead the word ‘pipe’ was. The presence of a tap in the testing room meant Bushell was able to ask the child ‘what’s that’ and they said ‘pipe’ as they would know it in the West Indies. This, and many other examples, proved the cultural specificit­y of the British IQ tests.

Speaking after the screening of the documentar­y, Mrs Bushell reflected: “It happened so long ago, and its brought back memories of my own feelings of anger, of helplessne­ss, of hopelessne­ss and the inadequate way in which the leaders of the psychologi­cal services didn’t lead the way, rather than ridiculing the children.” They failed to take action to prevent ‘filling the ESN schools with black children’. Retired in 1989, Bushell has no doubt that “it’s the same today as it was, that these children from fifty odd years ago. She considers that ‘these days, they present problems of behaviour, and to me, these problems are the direct result of the wrong placement in schools”.

Bernard Coard, a young Grenadian postgradua­te student, teacher and youth leader in London, was invited to CECWA and shared vital informatio­n with the group, who invited him to investigat­e further and present his findings at the CECWA conference in 1971. His findings were electrifyi­ng and led to the unmasking of the lies espoused by the education authoritie­s. There was a systematic plan to wrongly place black children in educationa­lly subnormal units, and take no action to remove them, even though it was known they were wrongly placed. Coard was pressured by the West Indian community to publish his work as a book. Through the considerab­le efforts of Jessica Huntley and John La Rose (whose company published the book), Coard researched and wrote How the West Indian Child is Made Educationa­lly Subnormal in the British School System, which was then distribute­d widely among black parents, and teachers. Oppressed parents were able to look behind the curtain for the first time and learn what was happening to them, and how they had been deceived. The book received major publicity on television, radio and in mainstream newspapers, and has been a central part of the debate on black children’s education in Britain ever since.

Coard has continued to be recognised for his contributi­on to this major debate, both fifty years ago, and today. He does, however, hold a sense of disappoint­ment about how little change has taken place, saying ‘it’s sad when you hear so many people tell you the same in every part of Britain you go’.

He is clear that his efforts were part of a mission for the Caribbean community, and not about securing personal accolades. He mentioned that one of Jessica Huntley’s best qualities was her ability to harvest the talents of West Indian intellectu­als, such as himself, Andrew Salkey the Jamaican writer, and Ewart Thomas, the Stanford University Professor from Guyana, Walter Rodney and many more, for the benefit of black people in the community and everywhere.

The book cover was designed by Errol Lloyd, a young law student from Jamaica, who became a leading artist providing the images of leading radical books, including the Groundings with my Brothers, by Walter Rodney. He recalls being invited by La Rose, the co-founder of New Beacon Books, to discuss the book design, and the meeting was also attended by Coard and his wife, Phyllis Coard. He was given a copy of the manuscript and he produced a cover that depicted a caring black family unit as a contestati­on of the prevailing negative picture of these families in Britain. Lloyd said of the new documentar­y: ‘it is amazing that the book cover has been featured on a highly publicised television programme exploring the history of that period. It underpins the impact that the book had on individual as well as individual­s bringing about change’.

Given the remaining vestiges of British and Western colonialis­m, particular­ly its anti-blackness stance in the West Indies and elsewhere, there is an ongoing need to understand the roots and origins of contempora­ry racism faced by black people in all arenas. This example of the systematic removal of black children from mainstream education, and condemning them to a life of underachie­vement, failure, and

poor self-esteem, that many have spent a lifetime trying to overcome. This is a past that is very much in the present, not only in Britain but worldwide, and must be confronted for the benefit of all. Following the screening of this documentar­y in England, the British Psychologi­cal Society acknowledg­ed its role in the past racist treatment of black children in the educationa­l system, and highlighte­d that it had taken extensive action to ensure an inclusive and more diverse service. It stopped short of apologisin­g for the harms. There is much work to still do.

 ??  ?? Anne-Marie Simpson (BBC/Rogan Production­s/Lyttanya Shannon photo)
Anne-Marie Simpson (BBC/Rogan Production­s/Lyttanya Shannon photo)
 ??  ?? (BBC/Rogan Shannon
(BBC/Rogan Shannon
 ??  ?? (BBC/Rogan Shannon
(BBC/Rogan Shannon
 ??  ?? The cover of Bernard Coard’s book, which was designed by Errol Lloyd
The cover of Bernard Coard’s book, which was designed by Errol Lloyd

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