Battle looms in ‘golden period’ for cinemas
The upcoming Spring Festival is seen as a ‘golden period’ for films. Nine flicks, including seven laugh riots, are slated to premiere on Jan 28. Xu Fan reports.
With the Chinese Lunar New Year around the corner, the pre-festival “battle” to capture the world’s most populous movie market is kicking off. The upcoming Spring Festival falls on Jan 28 and expands into a weeklong national holiday, which is seen as a “golden period” for cinemas.
So far, nine films are expected to premiere simultaneously on Jan 28 — a new high in recent years. In 2016 the number was three. It was seven in 2015 and five in 2014.
Last year, blockbusters released during the Spring Festival — from Feb 8 to 14 — raked in 3.4 billion yuan ($489 million) in a week, making February the Middle Kingdom’s most glorious moment in film history as China overtook North America to become the world’s largest movie market that month.
So will there be a “miracle” this year to rescue China’s stagnant movie market?
For industry insiders, this year’s Spring Festival week has more significance than just being profitable.
The just-concluded New Year holiday over Jan 1-3 saw a year-on-year drop of 30 percent in box-office takings, another blow to the sector following the plunge seen over September-December. So, China’s fatigued film market has never been so desperate for a revival.
Meanwhile, except for animated movie Bonnie Bears: Entangled Worlds and author-turned-director Han Han’s second directorial venture, Duckweed, the remaining seven films to be released for Chinese New Year are all comedies.
Among them is Journey to the West: Conquering the Demons 2. The first collaboration in 40 years to unite top directors Tsui Hark and Stephen Chow presents a loosely humorous adaptation of the 16thcentury novel Journey to the West.
Hark takes the director’s role while Chow is the producer.
Incidentally, Journey to the West: Conquering the Demons 1 topped the box-office charts during the 2013 Spring Festival. And Chow’s Mermaid topped the 2016 Spring Festival ticket charts. So industry watchers expect the sequel’ s dream team duo of Hark and C how will give the new film an added edge.
But doubts about the film persist because of its casting of Kris Wu and Lin Gengxin, who have been criticized for their performances.
Among the other comedies is Jackie Chan’s Kung Fu Yoga, the first China-India coproduction.
Chan is well known for his he sui pian movies — a Hong Kong tradition — in which are films tailored to mark the Spring Festival, having released Rumble in Bronx on the Chinese mainland in 1995.
And, during the past years, Chan has frequently appeared in movies premiering on the first day of the Spring Festival on the mainland.
But his latest film may not get the kind of response he typically receives, as his action comedy Railroad Tigers was released on Dec 23, and audiences may not be inclined to line up again for a similar-looking production.
From the other expected releases, comedian Wang Baoqiang’s directorial debut Buddies in India, a modern and twisted tale also based on Journey to the West, may grab eyeballs for a another reason.
Last August, Wang sparked a nationwide controversy after discovering his wife cheating on him. The woman, who was reported to be having an affair with Wang’s agent, was widely criticised by Chinese netizens. So, some analysts feel that a sympathy wave may bring audiences in.
Meanwhile, though most reports indicate that Journey to the West: Conquering the Demons 2, Kung Fu Yoga and Buddies in India are likely to be the strongest contenders in the festival box-office stakes, there are two other comedies that could be potential challengers.
One of them is comedian Guo Degang’s Top Funny Comedian The Movie, which features Rowan Atkinson, the British actor globally known as Mr Bean. The other is The Village of No Return, starring Taiwan actress Shu Qi and award-winning actor Wang Qianyuan in a film that is an unlikely blend of ancient China and sci-fi.
So, what do the analysts and insiders feel about the movies on offer for the Spring Festival viewing?
Jiang Yong, a Beijing-based film critic, says: “Comedy has shown its power in dominating the Spring Festival box office. After all, the festival unites families who want to enjoy this period. We will soon see if the magic works.
“But, for now, the biggest suspense may not be who the winner is, but whether the festival can rescue the faltering market.”
Wang Changtian, president of Enlight Media, however, said earlier that the changing market may spur the creative instincts of filmmakers.
“Figures can judge your commercial achievement, but will never measure a filmmaker’s satisfaction. This gives the movie industry a unique charm, and also explains why billionaires like (Alibaba’s Jack Ma and Wanda’s Wang Jianlin) want to conquer this minefield,” says Wang. Contact the writer at xufan@chinadaily.com.cn