China Daily

Big stage for Western artists

The burgeoning art market in China has attracted solo shows featuring many prominent contempora­ry artists from abroad. Deng Zhangyu reports.

- Contact the writer at dengzhangy­u@chinadaily.com.cn

The year gone by has witnessed many solo shows by influentia­l Western contempora­ry artists in China as the Chinese appetite for art has increasing­ly become more global. Audiences in China’s first-tier cities are embracing contempora­ry artists highly rated in the art world — but not known to a broader public — such as Olafur Eliasson, Albert Giacometti and Anselm Kiefer after having been bombarded in the past few years with shows featuring Pablo Picasso, Vincent Van Gogh and Claude Monet, who now find a market in second-tier cities like Chengdu and Hangzhou.

The burgeoning art market in China is now attracting prominent artists to hold solo shows in the country. These shows are held either in Beijing, which has a large group of artists, or in Shanghai, a city that houses most of the country’s private museums and is a major center for the trading of contempora­ry art.

Here are some of the exhibition­s held in 2016 in chronologi­cal order.

March

Olafur Eliasson: Nothingnes­s Is Not Nothing at All at Long Museum in Shanghai This was not the first time that the Danish-Icelandic artist known for his large-scale installati­ons featuring light, colors, water and ice held a show in China. But the one at the Long Museum was the largest with more than 30 pieces. Described by the museum’s co-founder Wang Wei as an artist with a scientist’s brain, Eliasson created two large installati­ons for the show: The Open Pyramid tailored for the museum’s building and Still River that used water from the Huangpu River.

The visual effects produced by Eliasson drew lots of visitors despite a 150-yuan ($22) ticket.

Alberto Giacometti Retrospect­ive at Yuz Museum in Shanghai This was the world largest retrospect­ive show of the Swiss sculptor and painter, covering 250 pieces. Alberto Giacometti’s iconic Walking Man, Tall Woman and The Nose were on display. Although regarded as the embodiment of modernism, Giacometti is relatively unknown in China, according to Catherine Grenier, curator of the show and director of the Alberto and Annette Giacometti Foundation.

To educate the public that had scarcely heard about him, the museum held a series of programs to help them understand the Western master who died in 1966.

June

Robert Rauschenbe­rg: Rauschenbe­rg in China at Beijing’s Ullens Center for Contempora­ry Art After his influentia­l solo show in Beijing in 1985 that attracted more than 300,000 visitors, the late American artist was brought back to China with a large retrospect­ive featuring his massive 305-meter long work and a set of color photos he took on his first visit to China in 1982. Many Chinese contempora­ry artists, both establishe­d and emerging, came to visit the show.

August

Andy Warhol: Contact at M Woods Museum in Beijing The late American pop art pioneer is well-known in China because of frequent shows featuring his silkscreen works held in the past decade and his works on China-related topics. The show at the M Woods Museum — a private institutio­n founded by a young couple Lin Han and Lei Wanyang —was the second time that the Andy Warhol Museum in Pittsburgh held a posthumous solo show of the pop art icon in China. It displayed Warhol’s interactiv­e installati­ons, Polaroid photos and silent films.

September

Markus Lupertz: Freezing the Time at China Art Museum in Shanghai

The German neo-expression­ist held his second solo show in China with 88 pieces, including 13 sculptures created since the 1970s. The first show was held in 2015 in Beijing. For both shows, the 75-year-old flew to China.

German artists’ shows have been frequently held in China in recent years. Independen­t curator Hu Zhen attributes this to the artistic links between the two countries, which have both experience­d wars. Artists from both countries also agree that what matters is not what one paints but how, a common theme in German expression­ism and Chinese xieyi (freehand brush work) paintings.

November

Anselm Kiefer in China at the Central Academy of Fine Arts Art Museum in Beijing

The show of the leading German expression­ist Anselm Kiefer was mired in controvers­y before its opening. It made headlines as the artist expressed dissatisfa­ction that his first solo show in China did not involve him. However, more than 80 of his works, including large-scale installati­ons,sculptures, paintings and photos, attracted a large number of visitors. The controvers­y also sparked discussion­s in art circles about how to introduce Western artists to China in a more appropriat­e way.

There were also other shows in China in 2016. And with new buyers entering the art world, and a strong willingnes­s to build private museums, more solo shows of Western masters can be expected in the coming years.

 ?? PHOTOS PROVIDED TO CHINA DAILY ?? Clockwise from top left: Danish-Icelandic artist Olafur Eliasson’s show in Shanghai; Robert Rauschenbe­rg at Beijing’s Ullens Center for Contempora­ry Art; a piece shown in Beijing by German expression­ist Anselm Kiefer; Cow Wallpaper is among the works...
PHOTOS PROVIDED TO CHINA DAILY Clockwise from top left: Danish-Icelandic artist Olafur Eliasson’s show in Shanghai; Robert Rauschenbe­rg at Beijing’s Ullens Center for Contempora­ry Art; a piece shown in Beijing by German expression­ist Anselm Kiefer; Cow Wallpaper is among the works...
 ??  ??
 ??  ??
 ??  ??
 ??  ??

Newspapers in English

Newspapers from Hong Kong