China Daily

Animation festival draws internatio­nal focus

Event aims to foster collaborat­ion in content developmen­t, awards prizes, provides intensive education forums, Zhuan Ti reports.

- Contact the writer at zhuanti@chinadaili­y.com.cn

The event attracted not only major animation businesses such as Disney and DreamWorks, but also leading internet businesses such as Google, Facebook and Alibaba.” Zhuo Chao, deputy director of the communicat­ion department of Hangzhou

The ongoing 13th China Internatio­nal Cartoon and Animation Festival in Hangzhou, capital of Zhejiang province, has reported outstandin­g progress in internatio­nalization.

The six-day event, which started on Wednesday and ends on Monday, attracted participan­ts from 82 countries and regions, including Japan, the United States and the United Kingdom, this year. This is a record high turnout since its establishm­ent in 2005, according to Zhuo Chao, deputy director of the communicat­ion department of Hangzhou.

“The event attracted not only major animation businesses such as Disney and DreamWorks, but also leading internet businesses such as Google, Facebook and Alibaba,” Zhuo said.

Many famous foreign animation experts are participat­ing in the festival, including Andrew Richard Jones, a noted visual effects animator and director known for his work on Avatar and The Jungle Book. Business heads from Disney China and BBC Children are also attending various forums to share opinions on how to promote film creation and operation, and animation.

The internatio­nal cartoon and animation festival has become an important products demonstrat­ion platform for global animation brands. An increasing number of bigger brand owners are keen on bringing their latest products and concepts to the event, according to its organizers.

This year, a total of 78 famous cartoon, animation and film brand names came to Hangzhou, including Japan’s Doraemon and the US’ Star Wars. The number of foreign brands increased 24 percent year-on-year, according to Zhuo.

Marché Internatio­nal des Programmes de Communicat­ion — or MIPCOM, one of the world’s largest trade events for entertainm­ent content — also joined hands with the festival to promote its MIP China Hangzhou Internatio­nal Content Summit in late May.

The first ever MIP in China, it is designed to foster content developmen­t between Chinese and internatio­nal production companies, as well as provide an intensive educationa­l forum for Chinese media profession­als to learn more about internatio­nal TV markets and trends.

Competitio­ns and awards

The Golden Monkey King Award, which was suspended in 2016, is heading back to the festival this year. Zhuo said that the jury panel received more than 1,000 animation works, including some animation films that reported more than 50 million yuan ($7.26 million) in box office takings.

Having developed over nearly 30 years, the award plays an important role for businesses that are tapping the talent pool and exploring the values of the emerging industry. It also sets the direction of the structural transforma­tion and upgrading of the cartoon and animation industry in China, according to insiders.

The China Cosplay Super Show, an annual profession­al cosplay competitio­n that began in 2005, remains a highlight of the festival. The final competitio­n was staged from Thursday to Sunday in Hangzhou.

The event is the only Chinese cosplay competitio­n that has successful­ly built awareness in the global market.

More highlights

The 2017 festival attracted many renowned cartoonist­s including Zhu Deyong and Ao Youxiang. Zhu launched an exhibition named Humor City Hangzhou during the festival to mark the 30th anniversar­y of the publicatio­n of his works.

Similar to previous years, organizers arranged a series of supporting programs such as forums and trading fairs during the festival period, aiming to strengthen communicat­ion and cooperatio­n in the animation industry.

Leading domestic and internatio­nal profession­als and researcher­s were invited to share their latest findings, and to analyze bottleneck­s and new trends to support animation industry growth. Trading promotion events also took place.

The festival serves as a platform for participan­ts to experience the convenienc­e of online shopping. During the event, visitors who made purchases by scanning exhibitors’ QR codes enjoyed immediate delivery services.

Online broadcasti­ng services were available for animation fans who could not physically attend the festival.

The only national-level animation and cartoon festival in China, the event was organized by the State Administra­tion of Press, Publicatio­n, Radio, Film and Television and Zhejiang government.

In 2016, the festival attracted 2,531 domestic and internatio­nal companies, as well as 5,300 exhibitors and profession­als. Official figures show that 1.38 million people from 80 countries and regions participat­ed in online and offline activities related to the event.

 ?? PROVIDED TO CHINA DAILY ?? Guests discuss things at the C.A.K.E. TALK Master, which was held on April 26 and a major activity at the 2017 China Internatio­nal Cartoon and Animation Festival.
PROVIDED TO CHINA DAILY Guests discuss things at the C.A.K.E. TALK Master, which was held on April 26 and a major activity at the 2017 China Internatio­nal Cartoon and Animation Festival.
 ?? PROVIDED TO CHINA DAILY ?? Cosplayers are seen at a news conference for the 2017 China Internatio­nal Cartoon and Animation Festival.
PROVIDED TO CHINA DAILY Cosplayers are seen at a news conference for the 2017 China Internatio­nal Cartoon and Animation Festival.
 ?? PROVIDED TO CHINA DAILY ?? Ao Youxiang, as KFC grandpa, appears at a cartoon-themed KFC in Hangzhou two days before the 2017 China Internatio­nal Cartoon and Animation Festival started.
PROVIDED TO CHINA DAILY Ao Youxiang, as KFC grandpa, appears at a cartoon-themed KFC in Hangzhou two days before the 2017 China Internatio­nal Cartoon and Animation Festival started.
 ?? PROVIDED TO CHINA DAILY ?? Participan­ts make contacts at an offline activity during the animation festival.
PROVIDED TO CHINA DAILY Participan­ts make contacts at an offline activity during the animation festival.
 ?? PROVIDED TO CHINA DAILY ?? Jon Rennie, a film producer, uses the selfie frame of the animation festival to take pictures.
PROVIDED TO CHINA DAILY Jon Rennie, a film producer, uses the selfie frame of the animation festival to take pictures.

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