China Daily

HONORING AN ART LOVER

Chinese-Indonesian collector Budi Tek received the French government’s top award, the Legion of Honor, for his contributi­ons to cultural links between China and France.

- Contact the writer at linqi@chinadaily.com.cn Lin Qi reports.

Chinese-Indonesian collector Budi Tek, who has been battling pancreatic cancer for nearly two years now, hopes he gets “some more time” to accomplish his mission of boosting the image of Shanghai’s Yuz Museum, which he founded three years ago.

The 60-year-old says this in the museum’s cafeteria in the booming West Bund cultural hub. Visitors find the museum — transforme­d from a hangar of Longhua Airport — a perfect weekend hangout.

Three exhibition­s were on at the museum on Sunday: one of the Brooklyn-based artist KAWS, KAWS: Where the End Starts, which has concluded; Serpentine Door, the China debut of US artist Math Bass; and Will/We Must, which shows works of establishe­d Chinese artist Zhou Tiehai.

Tek says the main goal is creating a dialogue between Chinese and Western cultures. And for this, Tek received the Officer of the Legion of Honor from the French government.

It was bestowed by Alex Cruau, the consulate general of France in Shanghai, at the museum on Sunday night.

Attendees include artists and the museum’s patrons, including Ding Yi, Fang Lijun and Xu Zhen.

The Legion of Honor — instituted by Napoleon Bonaparte in 1802 — is France’s highest honor for military and civil achievemen­ts. It is given primarily to French citizens, but sometimes presented to foreigners.

Previous Chinese recipients are the Chinese-American architect I. M. Pei; Ba Jin (1904-2005), one of the country’s literary giants; and business magnate Ma Yun, or Jack Ma.

Tek, who accumulate­d his wealth from his agricultur­e business, started to collect works with a focus on contempora­ry Chinese art about a decade ago.

He has also contribute­d to Sino-French cultural links since 2011. He loans his Chinese art to French institutio­ns, such as the Pompidou Centre.

His Yuz Foundation, which runs the Yuz Museum, sponsored Chinese artist Zeng Fanzhi’s solo exhibition in Paris in 2013.

Last year, a retrospect­ive of Swiss master Alberto Giacometti in China was held at the museum, in collaborat­ion with the Paris-based Giacometti Foundation.

Tek calls himself a “matchmaker”, who introduced Pompidou to the State-owned West Bund Group.

The two announced in July a five-year project from 2019 to 2024. It features many cultural programs, including showing the Paris museum’s collection­s at the West Bund art museum.

“The Legion of Honor is a great encouragem­ent because it is a cultural recognitio­n on the national level. It is rare,” says Tek.

And he hopes it can raise awareness of what his museum has been doing.

“We are proud to say that our exhibition­s, our team and educationa­l programs have attained internatio­nal recognitio­n.”

Tek says that when the museum opened in 2014, he told his staff they would have to work hard for five to seven years to make it popular. But it took less than two years. It tasted early success with the exhibition of Rain Room, a large-scale, immersive installati­on created by the artist group Random Internatio­nal.

Tek says the museum also introduces local artists with exhibition­s.

He recalls hearing a collector say that he only collects antiques, which he believes are real treasures, and that he saw no good in contempora­ry works.

His response is: “China has produced a remarkable ancient civilizati­on. To carry that heritage forward, people should work together to create a contempora­ry culture.

“Art museums are palaces of thoughts. It is our duty to manage museums so that they can make contributi­ons to a country’s cultural progress.”

He says several contempora­ry Chinese artists exhibited at the museum have since been invited to show abroad.

“But we need to be very careful. I tell my team that one can make a wrong purchase, but one cannot stage a wrong exhibition.

“We normally spend two years preparing an exhibition. We try to spend wisely to make every exhibition a good one.”

Yuz Museum was one of the first cultural institutio­ns in the West Bund, an area of 9.4 square kilometers on the western bank of the Huangpu River. It features such venues as the Long Museum, founded by the collector couple, Liu Yiqian and Wang Wei.

Tek says that when his friends visited Shanghai over a decade ago, they asked him if there were museums that exhibited contempora­ry art, but he could find very few.

Now there are many, he says.

“When the Giacometti show opened, I told West Bund Group officials the exhibition would boost tourism.”

He says they did not believe him until they saw the long lines outside the museum.

Tek says the director of a Paris museum once told him that a city without a good art museum is not respected.

“This museum (Yuz) belongs to everyone and Shanghai.”

It is our duty to manage museums so that they can make contributi­ons to a country’s cultural progress.”

Budi Tek, Chinese-Indonesian collector

 ?? PHOTOS PROVIDED TO CHINA DAILY ?? Clockwise from top: Visitors at the exhibition, KAWS: Where the End Starts, which features installati­ons by US pop artist KAWS; Alex Cruau, the consulate general of France bestows the award to Budi Tek; a previous show, Overpop, at Yuz Museum, Shanghai.
PHOTOS PROVIDED TO CHINA DAILY Clockwise from top: Visitors at the exhibition, KAWS: Where the End Starts, which features installati­ons by US pop artist KAWS; Alex Cruau, the consulate general of France bestows the award to Budi Tek; a previous show, Overpop, at Yuz Museum, Shanghai.
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