China Daily

Movies hidden from Taliban go digital

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KABUL, Afghanista­n — When the Taliban stormed into Afghanista­n’s state-run film company in the mid1990s. intent on destroying all the movies, Habibullah Ali risked everything to save them.

He hid thousands of reels of footage showcasing Afghanista­n’s rich cultural history, knowing that if the Taliban found out he faced certain death.

“We did not expect to be alive to leave for our homes that day,” Ali said, clutching a saved reel. “If they had found out we had hidden movies, they would have killed us.”

The Taliban — who banned popular entertainm­ent, including cinema and music, during their brutal 1996-2001 rule — burned several movie reels before leaving.

But they failed to discover about 7,000 precious films that Ali and his colleagues hid in various places across the Kabul premises of Afghan Film.

Two decades later those reels, which include long-lost movies and documentar­y images of Afghanista­n before it was ravaged by violence, are being made available to view again through digitizati­on.

The yearslong project will bring back to life hugely popular Afghan feature films, centered on love rather than war, and introduce young Afghans to a side of their country they’ve never known — peace.

“We were very scared but by God’s grace we were able to save the movies and now we have this culture alive,” said the 60-year-old Ali, who has worked at Afghan Film for 36 years.

‘All sorts of tricks’

The digitizati­on of the footage — of which there are tens of thousands of hours — is being overseen by Afghan Film general director Mohammad Ibrahim Arify.

“The reels were hidden in cans marked Indian or Western movies and in barrels buried in the ground,” Arify said.

“Many were stored in rooms blocked by a brick wall and in fake ceilings. They used all sorts of tricks.”

Arify said they have 40,000 hours of film, but cataloging is still ongoing, as members of the public continue to hand in movies that they hid from the Taliban.

“I can’t say whether we will finish with 50,000 or 100,000 hours,” he said, surrounded by shelves stacked with round silver tins containing the reels.

The digitizati­on process is a time-consuming one.

First the reels are cleaned to remove dust and any scratches. Then the film is watched, using a projector. Its name, date and reel number are cataloged, and it is classified as a movie or documentar­y.

Finally, the reel is run through a machine that transfers it into digital form, frame by frame.

“If it’s a feature length movie the whole process can take up to four days,” said employee Fayaz Lutfi.

“If it’s news images, then just one day.”

The project began this year and Arify hopes the entire library can be completed within two years.

“We are very proud of what we are doing because we are bringing the dead culture of Afghanista­n to life by transferri­ng the visual history of this country to digital,” he said.

 ?? SHAH MARAI / AGENCE FRANCE-PRESSE ?? An Afghan Film employee takes a reel to be digitized at the staterun department in Kabul on Aug 16.
SHAH MARAI / AGENCE FRANCE-PRESSE An Afghan Film employee takes a reel to be digitized at the staterun department in Kabul on Aug 16.

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