Moving heaven and Earth
China’s second highest-grossing film of all time and global sci-fi hit is already proving something of a game-changer for the Chinese movie industry, Li Yingxue reports.
As one of the biggest movies of the year, Chinese sci-fi blockbuster The
Wandering Earth has already caught the attention of the world — and of Hollywood.
US-based global entertainment giant Netflix announced on Thursday that it had acquired the international streaming rights for The
Wandering Earth, which will be translated into 28 languages and released in 190 countries.
Adapted from a short story of the same name by Chinese writer and Hugo Award-winner Liu Cixin, the film plots a desperate mission to save Earth from being devoured by the dying sun by propelling it out of the solar system and into a new star system in the remote galaxy.
The Wandering Earth has earned more than 4.3 billion yuan ($641 million) at the box office since its opening on Feb 5, the first day of the Spring Festival holiday, which makes it the second highest-grossing film of all time in Chinese box-office history — second only to Wolf
Warrior II, an action film released in 2017 which banked over 5.6 billion yuan.
With a reported budget of $50 million, the film took two years to complete in postproduction and its complex special effects scenes involved more than 3,000 conceptual designs.
The film has been on limited release in the United States, Canada, Australia and New Zealand since Feb 5, earning $3.9 million at the US box office by Feb 16, according to box-office tracker Maoyan.
Shanghai-based CMC Inc is responsible for the film’s distribution in the North American market, where The Wandering Earth broke a five-year box-office record for a Chinese film in the region, according to the film’s official Sina Weibo account.
It received 7.6 points out of 10 on IMDb, an online film database. One IMDb user, “westleyma”, who posted that he had read the novel 20 years ago and still remembered his feelings about it, said that he was really moved by the film when he finally saw it on the big screen.
Australian film critic Travis Johnson rated the film four stars out of five. He wrote that The Wandering
Earth might be the best sci-fi movie of 2019 — “The Wandering Earth hits you with big, beautiful sci-fi ideas and concepts at a furious rate … if it’s indicative of what’s to come, the future looks sweet.”
Director Guo Fan and his team flew to Los Angeles on Friday and then to New York on Sunday to promote the movie.
Guo says in a Netflix news release that he is glad that his movie will reach people in different parts of the world. Netflix plans to translate the film into 28 languages, enabling more viewers to enjoy it regardless of their geographical or linguistic differences.
Netflix content acquisition manager Jerry Zhang says the company aims to provide movie lovers with access to a wide variety of global content.
“With its high-quality production and storytelling, we believe The Wandering Earth will be loved by sci-fi fans around the world,” he says.
Britain’s Daily Telegraph says the Netflix deal shows that it is keen to pursue new markets, and also to make Chinese drama more accessible to Western viewers.
Netflix is yet to set a date for the film’s release, but on the day it bought the international rights to
The Wandering Earth, Youku announced it had secured streaming rights for the film in China.
The first round of screenings in China were initially scheduled to end on March 5 but it was announced on Friday that its run will be extended to May 5 for both 3D-Imax and standard formats, at the same time a reduction in ticket prices were also announced, having started on Monday.
The film broke box-office records for Imax theaters in China by taking in more than 300 million yuan to become the best-seller in the genre ahead of Hollywood superhero movie Avengers: Infinity War.
According to Yin Hao, curator of the China Science and Technology Museum in Beijing, The Wandering
Earth was the first-ever movie to be added to the museum’s collection in January.
“The idea of a science and technology museum is to interpret these fields and inspire young people to develop an interest in them. I think the producers of sci-fi films and The
Wandering Earth have that in common with our museum, since we all aim to plant the seeds of science and technology in youngsters’ minds,” Yin says at a recent seminar in Beijing.
“I think The Wandering Earth is a work that sits at an important position in the development of Chinese sci-fi, as it signals that the genre has moved away from the age of magazines and books into the era of films and television,” Yin adds.
I think The Wandering Earth is a work that sits at an important position in the development of Chinese sci-fi, as it signals that the genre has moved ... into the era of films and television.” Yin Hao, curator of the China Science and Technology Museum in Beijing