MEGA

THE RE-TELLING OF RACHELLE ANN GO

Two years after taking a leap of faith into the unknown of the West End, Rachelle Ann Go’s star shines even brighter as she continues to conquer the world—one musical note at a time

- By ANGELO RAMIREZ DE CARTAGENA Photograph­y MELSON BOLONGAITA

If there is any piece of theater that the we are most aware of, it is definitely Miss Saigon, the passionate, honest and heart-wrenching telling of a tragic love story told through the point of view of the painfully tragic destitute that is Kim. But while the entire world cranes its neck and presses its ears close for a sight and sound of the much-celebrated character, another beautifull­y complex and equally tragic wrought character is often overlooked.

The harmonious cacophony of the daily dies down to an eerie sense of calm, betraying the war-torn Vietnamese milieu. An unsettling melody disrupts the quiet, foretellin­g in its cadence of percussion and strings. It is a weighty moment and from it emerges the sensually attractive but hardened Gigi Van Tranh, the original Miss Saigon in the story. Stripped to a bare minimum, there is nowhere to hide as she rings in the first solo of the show, The Movie In My Mind. Forlorn and at the edge of giving up, Gigi reverberat­es of the last clutches of hope—“And life is like a dream,” she sings and it hits you right in the soul.

Come to think of it, the tough as nails Gigi Van Tranh sets the tone for the now classic musical. It is her plight for a better life, where she won’t have to dance, that resonates and latches you on to the rest of the show. Yes, the role isn’t a major one but it is important. It was precisely this level of understand­ing that Rachelle Ann Go gravitated to the role roughly two years ago.

“A lot of people were telling me not to do the role,” she reveals. “Sabi nila, ‘It’s just Gigi. It’s not the main character of the show. It’s not lead, why take it?’ Ako naman, it’s not about the character eh. I feel like it’s about the experience. Feeling ko nung nasa Manila ako noon, I was doing shows, albums…I was happy pero I felt like there was something more that I could offer. And I wanted to experience new things, new challenges also.”

The pop star with hit albums, sold out concerts, forays in television and theater packed her bags, left a steady life of success and comfort and set sail for the uncertaint­y that was a stint at the revered West End.

Uncertain as it was, it proved to be the beginning of the retelling of the book of Rachelle Ann Go—one that seemed already written out for her. If there was anything she was sure of, she was ready to live it out— for herself and for the country.

A DREAM, UNFORESEEN

“Are you ready?” Lea Salonga asks a visibly nervous Rachelle Ann Go during the former’s concert two in 2014. It was her last public performanc­e before flying off to London and there was no way she was leaving without singing The Movie in My Mind with the original Kim. “Let’s do this… I’m nervous,” she says, laughing.

The legend smiles at her and assures, “Keri lang yan ‘teh, kaya natin yan.”

Guess what, she held her own.

“Hindi ko talaga na-imagine,” she breaks into an abrupt confession. “Growing up, hindi ko alam na papasukin ko ang teatro. All I wanted to do was an album and concerts, that’s it.” Today, she not only has Miss Saigon tucked under her belt, she is also currently portraying the prime role of another classic, Les Misérables. That and she has been copping accolades for her performanc­es, most notably the Best Feature Actress award at the Broadway World UK/ West End Awards.

“To be honest, hindi pa nagsi-sink in sa akin na, ‘You’re a West End star,’ ako, for me, it’s just another job, in another country. Ang advantage lang ‘nun, naging mas mature ako, mas naintindih­an ko yung paano umarte at kumanta ng may puso at soul,” she realizes. It is evident that Rachelle Ann Go has grown leaps and bounds since first taking the risk to try out her luck in a world completely unfamiliar to her. Not only has she come to hit her stride as a singer and an actress, she has earned the respect of a global audience in the process. But most important to her, is a personal growth that has made her into this empowered woman sitting in front of us today.

“I WAS HAPPY PERO I FELT LIKE THERE WAS SOMETHING MORE THAT I COULD OFFER”

 ??  ?? PASSION PLAYER
Hints of black and white complement an all red ensemble
Red tunic top by PATTY ANG, printed pants and skirt both by DARYL MAAT Art direction JANN PASCUA. Styling RAINIER P. DAGALA & JEB FRONDA assisted by CESSI TREÑAS.
Beauty direction TRINA EPILEPSIA BOUTAIN. Makeup JAKE GALVEZ. Hair RENZ PANGILINAN. Nailcare POSHNAILS. Sittings editor SARAH SANTIAGO. Shoot coordinati­on GENALLI FRANCISCO.
Photograph­y assistants
CHRISTOPHE­R GIDEON ESTELLA and GLENDA TENEFRANCI­A. Shoot assistant JAY ANNE AGUIRRE. Shot on location at CASA
REAL. Special thanks to
CATHY CORPUZ
PASSION PLAYER Hints of black and white complement an all red ensemble Red tunic top by PATTY ANG, printed pants and skirt both by DARYL MAAT Art direction JANN PASCUA. Styling RAINIER P. DAGALA & JEB FRONDA assisted by CESSI TREÑAS. Beauty direction TRINA EPILEPSIA BOUTAIN. Makeup JAKE GALVEZ. Hair RENZ PANGILINAN. Nailcare POSHNAILS. Sittings editor SARAH SANTIAGO. Shoot coordinati­on GENALLI FRANCISCO. Photograph­y assistants CHRISTOPHE­R GIDEON ESTELLA and GLENDA TENEFRANCI­A. Shoot assistant JAY ANNE AGUIRRE. Shot on location at CASA REAL. Special thanks to CATHY CORPUZ
 ??  ?? ON HER THRONE
Don’t be afraid to be sexy. Bare your decollete or your legs
Red slip dress by PATTY ANG, white beaded button-down by DARYL MAAT, round iridescent earrings by MICKI OLAGUER FOR MO JEWELLERY, brown strappy heels by CHARLES & KEITH
ON HER THRONE Don’t be afraid to be sexy. Bare your decollete or your legs Red slip dress by PATTY ANG, white beaded button-down by DARYL MAAT, round iridescent earrings by MICKI OLAGUER FOR MO JEWELLERY, brown strappy heels by CHARLES & KEITH

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