World Travel Magazine

Where to Stay

The first urban Six Senses property in the world melds the brand’s expected wellness and sustainabi­lity with a rich dose of Singapore heritage.

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Six Senses Duxton, a sensory sojourn in Singapore, draped in black and gold; Glamping gets an upgrade in these wild lux experience­s where dreaming beneath branch and moon need not mean compromisi­ng on comfort; Island escape to Bintan, an idyllic getaway from busy Singapore.

BY SANJAY SURANA

With a striking black exterior, the new Six Senses Duxton has the extraordin­ary distinctio­n of being the first urban property for the sustainabi­lity focused luxury hotel brand. The building, uniting eight 19th-century shophouses, yields a strong sense of place, with elements including neo-classical lionhead motifs, Chinese porcelain-chip friezes, Malay timber fretwork, French windows, Portuguese shutters, and Corinthian pilasters. “I believe that a building reflects a sense of identity of that country and its evolution,” says owner Satinder Garcha. “All my existing hotels are housed in older heritage buildings, which offer a unique, often exquisite, experience that you can’t offer in a big-chain hotel. The goal is to try to tie in the hotel’s psyche with the city’s sensibilit­y.” A stained-glass roof and large stone pot signal the entryway, with black rattan chairs and bamboo rollers arrayed along the long outdoor terrace. Interiors, the work of esteemed British designer Anoushka Hempel, combine a palette of black, gold, and yellow, hues that recur throughout the property, accentuate­d by glass-and-lacquered-bamboo screens and calligraph­ic wallpaper of an 18th-century real-estate indenture.

Upon arrival, guests are greeted by a refreshing chrysanthe­mum cordial drink at the small reception area, set at one end of a long passageway, the sole bar and restaurant at the other. Lounge areas with gold sofas and plump cushions, a hub-like working area, and a Traditiona­l Chinese Medicine (TCM) consultati­on room splinter off the passage. Mustard-coloured pots and large fans add visual flair to the dramatic, intimate ground-floor space. Post check-in, guests are invited to stand shoeless in a singing bowl near the reception. As the bowl is struck three times, the experience, aimed at clearing one’s thoughts and relieving stress, is transporti­ve, sending the mind to a verdant, crisp, remote hillside.

The 49 rooms and suites are divided into eight categories, all working within the regimen of a heritage building whose walls couldn’t be knocked down. Accommodat­ions start at a compact 18 square metres and have names that celebrate local history. Nutmeg rooms are named for the site, a former nutmeg plantation, while shophouse rooms come with a black-and-white colour scheme. Suites all differ in character. Pearl Suites are white-on-white, with an airy feel, mother-of-pearl chests, and a white marble bathroom with a full bathtub. Opium Suites are darker, more broody and atmospheri­c with gold and black touches and granite bathrooms. Duxton Duplexes are the most theatrical spaces, a living area on the main floor with black sofas and curved lacquered panels to soften the shape of the room, the bedroom accessed via a spiral staircase, its bannister

sanded to give it a satisfying grainy feel. All rooms come with Bose bluetooth speakers, sliding panels that open or close the room to natural light, switches that cleverly allow for different lighting combinatio­ns, and supremely comfortabl­e, Uk-made Naturalmat beds that keep the body cool at night.

Subtle touches in each room reflect the hotel’s Chinatown location — horsehair calligraph­y brushes, bamboo screens, gleaming lacquer work. Turndown service comes with nutmeg oil, Tiger Balm, Chinese indigestio­n pills, a cloth tote shopping bag, and tinctures to assist sleeping and waking. The property also collaborat­es with local businesses and producers, a core part of Six Senses philosophy — tea from local teahouse Yixing Xuan, compliment­ary onsite TCM consultati­ons for guests, microherbs and seafood from Singapore.

These local ingredient­s, married with those from further afield, are used to stunning effect in the antiquaria­n library-style bar and Yellow Pot restaurant. The bar is bathed in a golden glow, with an ornate stained-glass ceiling, replicated in the walls on either side. This is Garcha’s highlight within the property: “It’s hard to pick a favourite, but the Yellow Pot bar is an absolutely stunning escape from, that manages to still meld with, the hustle and bustle of urban Chinatown.” The drinks menu lists classic cocktails such as Bloody Mary as well as regionally inspired libations like the Escape to Kaifeng, made with chrysanthe­mum cordial and Tanqueray Gin. Place settings at Yellow Pot include weighty black metal cutlery and whimsical porcelain show plates of children playing custom-made by Legle. Contempora­ry Chinese fare populates the menu, presenting diners with a fine range of tastes and textures. The hot and sour soup is rich and peppery, with shredded chicken and delicate slices of ginger. Fried lion’s mane mushrooms can be served with avocado puree or Sichuan-style with chilli and peanut — the latter is warming symphony to the palette. Seared pork with cumin, chilli, and mango combines touches of sweetness with a rewarding spice kick, roast duck is tender and accented with a light beancurd marinade, while the steamed Kühlbarra barramundi with a scalliongi­nger pesto melts in the mouth.

Given the hotel’s size and interior dimensions, space for fitness options was impractica­l (though guests can request yoga mats). However those yearning for wellness will have access to the full facilities of Six Senses Maxwell (also owned by Garcha) — a lap pool, full gym, and four treatment-room spa — when it opens a two-minute walk away in October 2018. You could call the arrangemen­t the best of both worlds.

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