Architecture + Design

A Timber Chamber

Woodwalk Showroom, New Delhi Vir. Mueller Architects, New Delhi

- Project: Woodwalk Showroom, New Delhi Architects: Vir. Mueller Architects, New Delhi

The client purchased a space ( 13’- 6” wide and 60’ long) in a building on the busy Kotla hardware market street in Delhi and asked the architects to create an interior installati­on within the space that might enable people to imagine the many possibilit­ies and phenomena associated with the character of a timber interior. Given a tight budget ( approximat­ely US$ 30,000 for the complete project including new electrical/ plumbing/ HVAC, etc), the architects decided to design the installati­on using the hundreds of strips of scrap Ipe and Purple Heart that had been left over from his years of installing floors and decks. In the Indian spirit of frugality, he had been saving these in a storage shed.

The empty space had no plumb walls, so an independen­t structure was created by laminating lengths of the Purple Heart lumber on site to create primary frames– these were erected like a tent structure, with galvanized steel bolts. The structure has been designed so that it can easily be disassembl­ed. It serves as the armature for nailing strips of Ipe and Purple Heart, creating an undulating wall and ceiling. The pleated surface was designed so as to minimize any racking of the structure– the architects could not afford any consultant­s on this project so they ‘ approximat­ed’ the structural, mechanical and

electrical layouts for the space. The entire design and installati­on was based on the dimension of the scrap strips ( approximat­ely 1” wide x ¼ ” thick and varying in length from 6ft– 10ft). Each strip was slightly different from every other in width/ thickness so the architects decided to laminate them on commercial plywood to create sliding doors and panels for storage along the walls.

The client was quite supportive of the idea to create a ‘ blank space’ as a counterpoi­nt to the chaos of Kotla– the busy Delhi bazaar street outside. He also embraced the design argument that the interior space— entirely free of any furniture— should be available for people to host an exhibit, a reading, a recital or children’s drawing class. In this way, a greater Delhi audience might learn to appreciate the tactile quality of a wood chamber.

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 ?? Photo credit: Andre J. Fanthome ??
Photo credit: Andre J. Fanthome
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