Sandeep Singh’s hockey journey, now on screen

A biopic on the tragedy, and miracle, that is hockey wunderkind Sandeep Singh’s life will bring him back where he belongs— in the spotlight, says Dhruv Munjal

Sandeep Singh offers a slow smile when asked to recall the events of August 22, 2006. The lack of alacrity somehow only serves to reveal his disappointment, even annoyance. “I’ve been asked this hundreds of times.” Given the frequency of this one query, Singh’s narration of what happened that life-altering afternoon is unsurprisingly brief. “I remember everything— from the moment the bullet struck to when they administered anaesthesia to me at the hospital.”

The physical trauma aside, it’ s almost impossible to imagine Sing h’ s mental state at the time. One moment you’ re set to goto the World Cup, the next you’ re on a hospital bed, wondering if you’ ll ever be able to pick up a hockey stick again. The trauma isperhaps intensified by the fact that you’ re the best upcoming drag flicker in the world, blessed with a celestial ability that will help you command a central figure in Indian hockey in the years to come. Essentially, you’re a once-in-a-generation player destined to pull India out of its hockey inertia and lay down for it a new, exciting path of greatness.

Even as he himself talks about it only reluctantly, Singh, for the record, was accidentally shot by a Railway Protection Force jawan inside the Delhi-Kalka Shatabdi Express while on his way to a national camp ahead of the World Cup that year. His lowest rib was fractured, his liver and kidneys were damaged, and his spine, having taken a bulk of the impact, was chipped. His teammates, meanwhile, struggled without the young superstar at the World Cup the following month, turning in an abject showing that saw them finish winless and bottom of their group.

Singh’s recovery, however, was quite the antithesis of the nerveless surrender of his fellow players in Germany. After a resolute battle that saw him spend most of his time in a wheelchair, Singh was back on his feet and playing for India after two years, eventually becoming captain of the national side in 2009. This stirring comeback is the meat of an upcoming film on Singh’s life, Soorma, starring Diljit Dosanjh, Taapsee Pannu and Angad Bedi.

Since Indian audiences have not been known to be enthusiastic about biopics on non-cricketers, Soorma is a bit of a surprise. Never has Bollywood been inclined to capture the life and times of an Indian hockey player in the same grandiloquent way it hon ours cricketers, no matter how strong his credentials. But then Singh’s miraculous resurgence perhaps truly merited this welcome departure.

“My idea behind the film was to show the struggle san athlete continually endures. There is always a story behind a successful sportsperson. In Soorma, we’ve tried to recreate that,” explains Singh.

When the makers first proposed a film to him, Singh was stunned .“I remember B haag Milk ha B ha ag had come out around that time. To be elevated to the same level as Milkha Singh, it was unreal,” hesays.

Soorma, earlier titled Flicker Singh, has Sony Pictures Network and actor Ch it rang ada Sing has producers. It has been directed by Shaad Ali, whose previous successes include

Saathiya and Bunty Aur Babli. During a tough recuperation phase, Sing ht el ls me that he lost more than 40 per cent of his body weight, and stayed up for as many as 23 hours on some days. The or deal was compounded by the lack of rehabilitation centre sat the time .“I have no complaints about the initial treatment I was given. But rehab was difficult because there were no good facilities around ,” he says.

Driven by an indomitable will, Singh rallied remarkably, fighting back to re claim his status as India’ s ace drag flick er. In 2009, he helped India win its fourth Sultan Azl an Shah Cup; three years later, he virtually single-handedly propelled the team to the London Olympics. For those not fortunate enough to have seen him play, Singh was a defensive colossus who could score thunderous goals from penalty corner sin his sleep, a facility in the drag-f licking stakes comparable only with modern gr eats such as Pakistan’ s So hail Abbas, Dutch man Ta eke Ta eke ma and Argentina’ s Jorge L om bi. And despite playing alongside stalwarts like Di lip T ir key, Vi r en Ra squ in ha, Dhanraj Pill a ya nd Ignace Tirkey ver yearly in his career, Singh routinely served up performances that often out shone them.

“Two years before I made my debut for India, in January 2004, I used to look at guys like Pill a ya nd T ir key and go‘ wow ’. Playing with them in the same time was just something else,” hesays.

In spite of not having featured for India since 2014— a back problem has kept him out—Singh has been back on the field in recent months, this time as coach to Dos anjh. “He’ s actually quite good with the stick,” concedes Singh. Even Pannu, whose character has been kept under wraps by the makers, took to the pitch like a natural .“That both their fathers were national-level hockey players came in handy,” headds. Singh was a constant feature during the filming, whichwas spread across Punjab and Haryana, advice and ensuring Dosanjh looks exactly like him onscreen.

“I was always a fan of his music and his work in Punjabi cinema. Someeting up with him for the first time was quite an experience,” he gushes. So how well has Dos anjhstep into his shoes ?“He’ s mastered the look. Onset, both of us used to come dressed in the same clothes and sit next to each other. People had a hard time guessing who was who,” he laughs.

Much like his film, Singh has high expectations from the current crop of Indian hockeyplayers, too. Over the past few decades, embarrassing capitulations at major tournaments have become a norm for the Indian team, a slide that Sing hf eels the present side can arrest .“A lot of people talk about how India hasn’ t won an Olympic medal in such along time. The truth is we’ve never prepared enough togo that far in recent times,” he feels. That dream is still close to Sing h’ s heart—he has the five Olympic rings tattooed on his right arm.

“This bunch of players is different. They have that extra bit about them; they should dowel lat the World Cup in December .” He has been impressed by young drag flick er Va run Kumar, forward Man deep Sing hand captain Man p re et Singh .“Man p re et is the Vi rat Kohl io ft he Indian hockey team. He has a really bright future ,” he says.

Singh has seen many different phases of Indian hockey in the last 15 years. He was part of the now defunct Premier Hockey League, was witness to the acrimony that accompanied India’s not qualifying for the 2008 Beijing Olympics and has also featured in the hugely popular Hockey India League. What has changed since he started playing? “The fitness is a big positive. More than that, it’s the influx of younger players. Earlier, we used to have two or three guys in their early 20s; now you have seven or eight of them. It’s tremendous for the sport,” he says.

At just 32, you would expect Singh to harbour ambitions of playing for India again, a possibility perhaps made more likely by the fact that he still looks in excellent physical shape. Singh, though, seems content. “Mujhepatahaimain

ka hans eva ap is a a ya ho on( I know what I’ve come back from),” he states. “The doctors had given up. This was like scaling the Great Wall of China with no support at all.” Moreover, with better candidates in the Indian set-up, Singh says that he must let them take their opportunities. “Practical

hon ab hi bahutzaroorihai( You have tobe practical as well).”

As for his newest flick, Soorma, Singhwill be happily proud if it manages to pull in even half the crowds that his masterful flick on the hockey field once did.

During recovery, Singh lost more than 40 per cent of his body weight, and stayed up for as many as 23 hours on some days