Investments in art needn’t burn a hole in your pocket NAMRATA KOHLI
Can't afford an original Raza or Husain? Simply go for authenticated prints that are often signed by the artist
“With a puff of hukka and a tiff with its Jirga, the tribe turns to the wisdom of an aging woman. Yet the uncertainty of ‘youth’ keeps revolving.” These words are handwritten by M F Husain at the end of a limited edition of 300-odd prints he himself commissioned, and it comes with his famous signature. Likewise, S H Raza had got a hundred special prints of his famous bindu dot series titled ‘kundalini’ printed in France.
This is the best alternative to original art, and it falls totally within the realm of ethics and legality, says Gurugram-based art gallery owner Mannu Dosaj, founder, Gallerie Alternatives. Prints come at a fraction of the price of the original. For instance, you can have a Raja Ravi Verma print for as little as ~5,000, while a Husain print can start at ~35,000 onwards and a Raza bestseller is ~1.5 lakh. The price is based on the size of the print, the quality of printing, and value is also attached to exactly who is printing it. Master printers like Laxmi Goud and Asim Pal have their own fan following.
So, what exactly are prints? They are typically photographs taken of the artwork and printed. Within this market of replicas, there are various types. There is printing done on a zinc plate with a fine needle, on aluminium plates, on wood, and then there are graphic prints, etching, intaglio and such like. There are lithographs and serigraphs that offer art collectors the opportunity to collect the works of their favourite artists at a fraction of the cost. A fine art print (like a serigraph) will always have value.
Spotting the fakes: One should never buy an imitation as it’s a huge disrespect to the journey of an artist and his experience, says Dosaj. Art collector Timmie Kumar who is co-founder Ta Blu Café Bar and Art Gallery seconds this. “I feel it is better to buy the print of an original artist which is legally acceptable rather than buying imitation art which undermines the creator's work though there is a huge price difference between original and imitation.” Original-versus-fake has always been an issue in the art world. According to Anubhav Nath, Curatorial Director, Ojas Art, “Fake-versus-original is an ongoing problem. Best would be to acquire from reputed galleries and make sure that you have the authenticity documents in place. These consist of the authenticity certificate issued by the gallery or artist, invoice and any publication history for the artwork.”
One needs to be careful in picking the original prints. According to art expert Arvind Vijaymohan of Artery, “One should only collect prints that are artist approved, and printed with their expressed sanction. Serigraphs or lithographs are released in a limited edition, wherein the total copies are predefined, numbered, and signed by the artist. If the print is not numbered or signed, it would not be deemed a limited edition, and its veracity would be under question.” He cites that one of the finest examples of a print is 'Saurashtra' by S H Raza. The original is an acrylic on canvas measuring 78x78 inches and was sold by Christie's in 2010 for 2,393,250 pounds (~22.3 crore). The limited edition serigraph of this canvas, measuring 60x60 inches (image size 54x54 inches) is offered for ~ 2.25 lakh.”
Prints aren't always showcased at home. There are a number of collectors who’ve acquired limited editions for their offices as well, informs Vijaymohan. “There has definitely been a rise in interest in this medium, and it usually is from collectors who are intent on acquiring work by a favourite artist whose pricing they are certain has now risen beyond their reach,” he says.
Do prints fetch returns? Well, yes they do, but one has to have patience. Dosaj shares how a Raza print that cost ~50,000 some 15 years ago is now worth nothing less than ~1.5 lakh. They do witness a rise in pricing, but it depends on the artist, subject, size and importantly, on the edition size. Lower the number, the stronger is its potential of a future rise in valuation.
However, good quality replicas of Indian art are few and far between. According to Professor, author and art lover Nirmalya Kumar, “Very few major Indian artists did any authorised and numbered editions. But this must develop with the contemporary Indian artists.”