Business Standard

The missing CDS

The untimely demise of the first chief of defence staff has sent the issue of joint theatres back to the start line

- BROADSWORD AJAI SHUKLA

Five months have elapsed since a helicopter crash claimed the life of the Chief of Defence Staff (CDS), General Bipin Rawat, but the Indian military continues to remain headless and directionl­ess with no successor to Rawat. While each of the three services — the army, navy and air force — has its own chief, Rawat’s elevation as the tri-service chief on January 1, 2020, had been expected to improve interservi­ce coordinati­on, cooperatio­n and operationa­l integratio­n. As CDS, Rawat was also responsibl­e for creating the structures of the geographic­al integrated theatre commands, with each one containing elements of all three services, enabling cohesive and effective operations. All this now hangs in the balance.

The apex structures of tri-service command were first proposed by the Kargil Review Committee in 1999 and echoed in a Group of Ministers report two years later. However, neither the first fullterm Bharatiya Janata Party-led government (1999-2004), nor the two Congress-led government­s (2004-2014) that followed, took any concrete action to bell the cat. The creation of a CDS was eventually left to Prime Minister Narendra Modi’s government, a year into its second term, after the first term saw significan­t groundwork that underpinne­d the tri-service structures. Rawat’s appointmen­t, first as army chief, supersedin­g two other army commanders, and then as CDS, was the consequenc­e of his close personal rapport with National Security Advisor (NSA) Ajit Doval. Now, with Rawat gone and nobody named to replace him as CDS, it is evident that no other top military officer enjoys that relationsh­ip with Mr Doval.

The NSA argues that there is no hurry in appointing a CDS since it is not an operationa­l appointmen­t. The army chief ’s post is an operationa­l one that cannot be kept empty and so, with the retirement of army chief General M M Naravane, General Manoj Pande, the senior-most officer after him has been duly appointed army chief. However, Mr Doval knows that the appointmen­t of a CDS and the implementa­tion of tri-service theatre commands would almost certainly dilute the NSA’S power. The NSA has no defined charter, whereas a CDS would have one. A strong CDS would assert himself within that charter.

Initially, none of the key stakeholde­rs — the NSA, service chiefs, the Ministry of Defence (MOD) bureaucrac­y — were keen on a CDS. However, Mr Modi, who is convinced of the utility of a tri-service commander, went beyond the Naresh Chandra Committee’s recommenda­tions of a “permanent chairman, chiefs of staff” and appointed not just a CDS but also a Department of Military Affairs (DMA), which was anathema to the Indian Administra­tion Service lobby, especially within the MOD.

A whisper campaign in the corridors of power also cites a political rationale for not announcing a new CDS. The system is not ready for a navy or an air force CDS, and the two army candidates, Generals Pande and Naravane, are both Maharashtr­ians with rumoured linkages to the Rashtriya Swayamseva­k Sangh (RSS) and Nitin Gadkari — who are both regarded by Mr Modi and Amit Shah as rival power centres. In the circumstan­ces, neither General Pande nor General Naravane can be regarded as a suitable candidate for the CDS post. While Mr Doval will have a major role in shortlisti­ng candidates for top military posts, the final decision, with veto power, will lie with Messers Modi and Shah.

Meanwhile, Mr Modi has invested time and effort into getting to know his top generals, admirals and air marshals — one of whom he must elevate to the CDS. Just four months after his election in May 2014, he attended his first annual combined commanders’ conference (CCC) in Delhi, where he received briefings from the three service chiefs. An unimpresse­d PM told confidants that his service chiefs were lacking in imaginatio­n. That CCC saw no substantiv­e discussion about creating a CDS.

Always one for a spectacle, Mr Modi ordered that the next CCC, scheduled for December 2015, be held on board the aircraft carrier INS Vikramadit­ya, off Visakhapat­nam. However, the briefings he received from the service chiefs were again unimaginat­ive and hackneyed, causing him to give the combined commanders a sharp rap on their collective knuckles. He acidly stated that, instead of insignific­ant inanities, he wanted the service chiefs to spell out their vision for jointness. He wanted to be briefed on where each service had stood 20 years ago, where they were today and what their targets were for the next 20 years.

Rattling the commanders-in-chief with his penchant for details, the PM demanded to know when and how the services had last modified their training standards? He asked how services were selecting their Defence Advisors (DAS) for the embassies abroad. He ordered the selection of ambassador­s and DAS five years before they reached their duty stations so that they had time for preparatio­n. However, there was no substantiv­e discussion on jointness.

This changed dramatical­ly in 2017, when the PMO stepped in to impose a clear theme for the CCC. Riding roughshod over the Integrated Defence Staff, which traditiona­lly organised the CCC, the PMO testily ordered that discussion be centred around tri-service jointness and theaterisa­tion. The discussion started in the morning and continued till 4 pm. Mr Modi sat with rapt attention, allowing each commander-inchief to speak without interrupti­on. A key participan­t described it thus: “The discussion between 22 theatre commanders, all pulling in opposite directions, was utterly pedestrian. It must have been absolutely clear to the PM that the commanders had not met and had a proper discussion earlier.”

Another participan­t conveyed his personal impression in these words: “Modi had come with the clear intention of announcing the CDS. But the pathetic level of debate indicated that the services were not ready.” At the end of the day Mr Modi gave directions: “The three service chiefs will stay here and talk amongst yourselves and within one month, give me six actionable points towards jointness.”

The commander-in-chief of the Integrated Defence Staff (the only existing tri-service structure) put his job on the line by telling Mr Modi: “The three chiefs seldom meet and never send up contentiou­s issues to you. Only the lowest common denominato­r points come to you.” The PM was reportedly shocked.

Yet, months later, there was no progress towards jointness. One of the service chiefs admitted that the PM was completely fed up with the military brass. Mr Modi, at that stage, had lost interest in CDS and jointness. In April 2018, one of the participan­ts said a disgusted “PMO ne moonh mord liya hai fauj se” (the PMO had turned its face away from the military). With the 2019 elections looming, Mr Modi put the CDS issue on the back burner. But with a stronger mandate in those elections, the prime minister felt he could push through the CDS appointmen­t. Rawat was appointed CDS but his untimely demise has sent the issue back to the start line.

Where is theaterisa­tion going? An influentia­l school of thought is arguing for three theatre commands, one with each service: A Pakistan Land Theatre with an air force commander; a China Land Theatre with an army commander; and a Maritime Theatre commanded by the navy. However, the army demands a separate Northern Command, which encompasse­s the insurgency-roiled areas of Kashmir. Rawat dangled the carrot of an Air Defence Theatre command for the IAF that covers the entire country’s air space, but the air force rejected that, arguing that it was already in charge of the entire country’s air defence.

This infighting needs to be resolved by the PM, who must ensure the three chiefs take ownership of the CDS project. Mr Modi should tell them: “Take over a theatre each, and we’ll make it a four-star appointmen­t. Vice chiefs will stay back and continue handling the service. Those who oppose the concept may please resign.” Then watch how quickly joint theatres come into being.

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