Business Standard

Make investment in art for aesthetic and financial reward

Picking tomorrow’s Husain or Gaitonde is not easy, so make limited bets

- NAMRATA KOHLI

The art market in India has grown in recent years. Estimates suggest the total worth of artworks auctioned annually amounts to nearly $100 million. An art aficionado who wishes to invest in this asset class, however, faces multiple challenges. It is difficult to get a sense of how the market is performing.

An equity investor can look up the performanc­e of the Sensex to assess if investing in equities is a worthwhile endeavour. In the absence of an index, an art investor found it difficult to make a similar assessment. Until recently, that is. The Indian Institute of Management Ahmedabad (IIMA), in collaborat­ion with Mumbai-based Aura Art Developmen­t (a specialist in art transactio­ns), has addressed this lacuna by launching the IIMAAURAAR­T Indian Art Index (IAIAI).

Index for a heterogene­ous asset

IIMA analysed the data provided by Aura Art for auction results of over 9,000 artworks belonging to the top 25 Indian artists auctioned across 11 auction houses around the world. Data from April 1,

2001 to June 30, 2022 was utilised. Only artists with a critical mass of paintings auctioned were included.

Developing an index for artwork carries a unique challenge. Unlike financial assets, which are homogenous, artwork is highly heterogene­ous.

Each product is unique. Creating a unified index for such a heterogene­ous asset class is the challenge this index tries to address. “The index is broadly relevant irrespecti­ve of which quality of art works dominated the sample over time,” says Prashant Das, IIMA faculty who led the initiative for developing the index.

Dual returns

Experts say those who are passionate about art may invest in it. “If you are a connoisseu­r, you will derive pleasure from the artwork as it hangs on your wall. And, over the long term, it could also offer a decent investment return,” says Vishal Dhawan, chief financial planner, Plan Ahead Wealth Advisors. Collectors with a good eye and a knack for picking a work at a low price while the artist is still obscure can earn an exponentia­l return as the latter gains in popularity.

Faulty pick can hurt

At the same time, if the artist you pick doesn’t gain in popularity, the desired returns may not materialis­e. “Sometimes people don’t make a profit while selling because the price of the artwork has plateaued over time,” says Roshini Vadehra, director, Vadehra Art Gallery.

Buying the work of an establishe­d artist will require a large outlay.

Selling an artwork at a short notice may also be difficult as this asset class is far more illiquid compared to, say, equities. “Selling may prove especially hard during an economic slowdown,” says Dhawan.

Vadehra adds that getting a painting sold or auctioned involves a high transactio­n cost as a fee has to be paid to the gallery or the auction house. Paintings, being physical assets, are also subject to wear and tear due to heat, humidity, etc.

Sale of a painting also attracts a capital gains tax. A painting held for more than 36 months is treated as a long-term capital asset while one held for up to 36 months is treated as a short-term capital asset. “Long-term capital gains are subject to tax at the rate of 20 per cent after availing indexation benefit. Short-term capital gains are taxed at the taxpayer’s marginal slab rate,” says Suresh Surana, founder, RSM India.

Seek expert advice

While betting on obscure artists can yield outsized returns, sticking to establishe­d ones is the safer course. “It is best to collect works of artists who are already establishe­d through exhibition­s, gallery representa­tion, and documentat­ion (in terms of books or catalogues)," says Vadehra.

If you are not an expert, seek profession­al guidance from a gallery or an art expert. Also, diversify across artists and genres. Invest with at least a five-year horizon and limit exposure to this— still nascent— asset class to 5-10 per cent of your overall portfolio.

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