Business Today

A DIGITAL CONUNDRUM

Is digital advertisin­g really effective?

- By Ajita Shashidhar Illustrati­on by Ajay Thakuri

Is digital advertisin­g really effective?

HONCHOS OF TWO FMCG BEHEMOTHS, Proctor & Gamble and Unilever, have sparked off a global debate on the safety and efficacy of digital advertisin­g. Marc Pritchard, Chief Brand Officer at P& G, recently called it “murky at best, fraudulent at worse”. He admitted his company had succumbed to the “latest shiny objects” without realising that the digital media buying chain lacked transparen­cy. Pritchard pointed out that more consumers are installing ad blockers on personal devices due to “crappy advertisin­g” and contested the claims of Facebook and Twitter, which offer their own measuremen­t metrics. Keith Weed, Chief Marketing Officer at Unilever, in his keynote address at the annual meeting of the Interactiv­e Advertisin­g Board (IAB), said earlier this year: “Unilever will not invest in platforms or environmen­ts that do not protect our children or which create division in society and promote anger or hate. We will prioritise investing only in responsibl­e platforms that are committed to creating a positive impact in society.”

The concern of the two stem from advertisem­ents being served alongside objectiona­ble content on platforms such as Google and YouTube. A report by the Associatio­n of National Advertiser­s in the US also talked about lack of transparen­cy in the $200 billion digital media buying industry. “The study highlighte­d that digital media buying is actually not as clean as one thought it was. So, digital platforms would go to a big agency and say I want to pass some of my digital (inventory). They would tell agencies that if you spend $1 million with me, as a group I would give you a 5 per cent kickback under the table. All of a sudden this way of trading has taken off on a global basis,” explains Terry Edwards, Co-founder and Global Media Director, Firm Decisions – a marketing contract compliance specialist consultanc­y.

Now, if an advertiser gets one million likes for an adver-

tisement on a social media platform, it is quite possible the media agency would have bought the ‘ likes’ and the advertiser wouldn’t know – after all, media buying agencies don’t disclose how they bought digital inventory. In most cases, media agencies don’t buy inventory from platforms individual­ly, but in bulk from aggregator­s such as Google or Facebook. “Google serves ads to multiple platforms. Its software interface follows consumers wherever they are going and serves them ads. So, if a sports brand wants to target 18 to 24-year- old football fans, it will follow the target group, through Google to the sites they visit, and you never know if some of those young fans consume content put out by an extremist group,” explains a senior marketing profession­al. The controvers­y around Google and YouTube had led to several large advertiser­s – such as P& G, Unilever, Johnson & Johnson, McDonalds, Starbucks, AT&T – to temporaril­y withdraw advertisin­g from these platforms in the US and UK. When they returned, they started asking serious questions about safety and efficacy of digital platforms.

In India, digital advertisin­g grew 32 per cent last year. It is currently 15 per cent of the overall ad pie (`8,202 crore) and is expected to be worth ` 18, 986 crore by 2020. It is expected to be 24 per cent of the advertisin­g expenditur­e by 2020. That is a huge chunk for advertiser­s. Moreover, Indians are increasing­ly consuming content on digital platforms. But Indian advertiser­s, too, have had their share of bitter experience­s with digital media. ITC recently got into trouble when a fake video of its Aashirwad atta went viral on social media. The video said the atta contained plastic and impacted the brand’s market share by a few percentage points.

ITC got a court order passed against circulatin­g fake videos on the brand. “We had also reached out to Google and Facebook to pull down fake videos, supporting our case with relevant data. However, we realised it is tedious and time- consuming to get videos removed. We had to reach out to the legal system to pass an order against spreading of such malicious content and then had to use that to convince both Google and Facebook to do the needful,” adds the ITC spokespers­on.

Recently, Jet Airways, too, was hit by fake digital ads. A WhatsApp message claiming the airline was offering two free tickets to celebrate its 25th anniversar­y went viral. The airline took to Twitter to declare that it was fake. In November last year, when IndiGo was in the news for the manhandlin­g of a passenger by a staffer, an ad with the Jet Airways logo, that said: “We Beat Our Competitor­s, Not You”, went viral. The airline even then had used Twitter to spread the message that the campaign was not commission­ed by them and it was against their ethos. “The reason this kind of fake content goes viral especially on platforms such as WhatsApp, because it is encrypted and one is unable to know who the originator of the content is,” explains a senior marketing profession­al.

Advertiser­s are increasing­ly concerned on the efficacy and safety of the medium. They are beginning to ask tough questions, admit media agency heads. “With many global clients whose advertisin­g budgets are upwards of ` 1,000 crore, we have disclosure models where we tell them how we buy, but ask for a higher fee. In digital, the volumes are huge and it involves multilevel transactio­ns, so we need a higher fee. With smaller clients we have a fixed rate deal. We tell them where we buy and how we buy is our headache, but we give them the best deal,” explains Shashi Sinha, MD at IPG Mediabrand­s. Sinha agrees that digital media buying lacks transparen­cy. “Digital media buying needs far more time, effort and specialise­d talent, which is expensive. Therefore, I tell the client that either you pay me more or do big volumes with me, which I will trade off,” adds Sinha.

There is a transparen­cy issue, admits Ashish Bhasin, Chairman, Dentsu Aegis Network. He attributes this to many fly-by-night operators trying to make a quick buck. “If I am buying impression­s on a digital media platform, assuming that 100,000 human beings would be viewing it and out of that 50,000 were robots fooling around, then to me it is a loss. I have to know what I am buying.” Apurva Purohit, President, Jagran, claims that digital advertisin­g spends have plateaued among serious spenders. “Advertiser­s are not getting the returns from digital that they hope to, and are questionin­g how to use this medium,” she says.

Sunil Kataria, Business Head (India & SAARC), Godrej Consumer, says he is constantly in touch with his media-buying agency about safety

“Consumers won’t change their digital consumptio­n JUST BECAUSE THERE IS NO MEASUREMEN­T

CURRENCY. We have to learn to work efficientl­y with the limited tools” SUNIL KATARIA

Business Head (India & SAARC), Godrej Consumer

and viewabilit­y. “The publisher can’t compromise with it, and has to be extra careful about serving the ad context. We have worked with our agency and negated 800 key words.” R. S. Sodhi, Chairman, Amul, calls digital advertisin­g a hype. “We do need digital advertisin­g to reach out to millennial­s, but am not sure how effective it is.”

Digital Muck

Digital advertisin­g is being considered murky, even though an advertiser can get to know how many times a consumer has watched its ad. In traditiona­l media, the agency keeps 2-3 per cent as commission. It’s straightfo­rward and transparen­t. However, when one is spending ` 100 on digital, on an average ` 72 gets spent on the media, while ` 28 gets spent on the intermedia­ries – the agency, the buyer-trading desk and the seller-trading desk. “Out of the ` 72 to be spent, around 30 per cent are fraudulent clicks. Therefore, just 50 per cent of what the advertiser has spent actually reaches the consumers,” explains Vineet Sodhani, CEO, Spatial Access – a media audit and advisory firm, who claims most marketers are actually not aware of the spillage.

The big challenge is lack of a common measuremen­t tool to measure whether a digital ad on a platform is actually effective. Today, you go to an aggregator to buy inventory and eventually have no idea about which platforms the advertisem­ent is being served on and who is watching it, unlike TV. The digital ecosystem is a black hole. All digital media platforms have their own measuremen­t metrics in place. “We have a long history of providing neutral, agnostic measuremen­t systems for the industry – from Google Analytics to DoubleClic­k. We also work with third-party measuremen­t partners like Nielsen and ComScore and validate our own methods,” says Vikas Agnihotri, Director, Google India. Similarly, Amit Goenka, CEO, Zee Internatio­nal and Z5 Global, also claims that ZEE Entertainm­ent’s over-the-top (OTT) platform, ZEE5, has plenty of tools and trackers that provide advertiser­s with relevant data on campaigns. “We also have tools in place that track and report whether ads been served or not. So, advertiser­s get a good sense of the efficacies that are being delivered by the campaigns we run.”

But measuremen­t tools offered by media owners are their own, and the advertiser has no option but to believe what the media owner is saying. In the words of P& G’s Pritchard, media owners are “grading their own homework”.

Why Digital?

So, why are marketers looking to increase their spend on digital advertisin­g? Digital consumptio­n is obviously on the rise and marketers’ money has to chase the media its consumer is moving to. Even people living in Tier- II-III towns are spending considerab­le time on their mobile screens. Moreover, digital offers more measurabil­ity – even though it’s a grey area – compared to other media, in terms of clicks, likes and number of downloads. “For a media planner this became attractive, as he gets an opportunit­y to prove to clients instantly that his campaign was effective as it attracted downloads and clicks,” points out Purohit of Jagran.

While TV and print are ideal to build reach and awareness, the role of

“I don’t think TV or print will go out of fashion in a hurry. I CAN’T SEE INDIA’S LARGEST AUTO MANUFACTUR­ER saying that they will invest only in digital” MD, IPG SASHI Mediabrand­s SINHA

digital is to build engagement. However, most media planners look at digital to build reach and not engagement. Purohit says that this mistake has been committed not just by media planners but by media owners, too. “The mistake was chasing quantity. It’s only now that all of us are realising engagement is equally important.”

Menon of Spatial Access believes media agencies make high margins (anywhere between 5 per cent and 15 per cent) on digital and that’s the reason they push advertiser­s to invest in the medium. “Part of the success of digital is higher commission­s and lack of transparen­cy in digital media buying.” Advertiser­s, too, don’t want to miss the digital bus despite the grey areas in measuremen­t. “Consumers won’t change their digital consumptio­n just because there is no measuremen­t currency. We have to learn to work efficientl­y with the limited tools,” points out Kataria of Godrej. “For us to say that we don’t want to be on digital would mean that we are not consumer- friendly,” agrees Anuradha Aggarwal, Chief Marketing Officer, Marico.

Godrej Consumer, for instance, uses Nielsen’s Digital Ad Rating tool that gives details about whether the ad served has been served to the right target audience and a fair understand­ing of return on investment (ROI). “Within 48 hours of the breaking of the campaign, the data comes in. We have a number of largeand medium-sized advertiser­s subscribin­g to this tool,” says Dolly Jha, Executive Director, Nielsen India. Though the BARC industry approved measuremen­t tool is likely soon, Jha says confusion over measuremen­t will take a while to be sorted. “Getting super perfect measuremen­t will take a while. But advertiser­s no longer need ratificati­on whether they should use digital platforms to advertise. They have moved on to asking sharper questions. Can you tell me the ROI, is what they want to know,” points out Jha of Nielsen.

Advertiser­s have even started putting their own measuremen­t metrics to get the best out of digital media platforms. Peshwa Acharya, Chief Marketing Officer, Sterling Holidays, says: “We created our own digital funnel. We just don’t go by the measuremen­t metrics offered by the platform.” Savvy brands don’t need middle men, asserts Mukul Vasnik, Chief Digital Officer, Arvind Brands, which spends close to 30 per cent of its advertisin­g budget on digital. “We directly buy from the platforms. It is better we protect our consumer’s interests directly,” he says.

However, Ravi Deshpande, Founder, Whyness, says digi-

“There is a role for the media you are taking. IT SHOULD FIT INTO YOUR OVERALL MEDIA STRATEGY. If you don’t do that, then it is wasteful” TARUN RAI CEO, JWT

“If I’m buying impression­s on A DIGITAL MEDIA PLATFORM... I have to know what I’m buying” ASHISH BHASIN Chairman, Dentsu Aegis Network

tal advertisin­g continues to be a side dish. “This medium will flourish if marketers put quality money in ideas, in the content we create and the strategies we create. It doesn’t happen at the moment, hence you haven’t seen the efficacy of the medium.” Most advertiser­s don’t understand the way the media should be treated. Chasing a consumer with programmat­ic ads (almost 70 per cent of the overall digital ad pie) often backfires. “If the quality of content isn’t breathtaki­ng, you will fail to create that connection. It is unorthodox creativity. One can’t create linear, structured content and expect people to respond,” points out Deshpande.

It has to be ensured that digital is a conscious part of the strategy of a particular brand, according to Tarun Rai, CEO, JWT – a marketing communicat­ion company. “There is a role for the media you are taking. It should fit into your overall media strategy. If you don’t do that then it is wasteful,” he says. The lines between entertainm­ent, content, and advertisin­g are going to get blurred, asserts Rai. No wonder digital media owners are now investing on content and trying to integrate advertisin­g into it. Facebook’s ` 3,000 crore bid for the IPL digital rights is an example. The social media giant has realised that blatant brand messaging doesn’t work. OTT platform Arre, for instance, makes large portion of its revenue through branded content. “We are seeing a shift in advertisin­g from vanilla display ads to richer ad formats and video advertisin­g, resulting from the growth in consumptio­n of video content,” says Jaideep Singh, Director, Arre.

Will digital ever replace traditiona­l TV and print ads in India? Unlikely. “I don’t think TV or print will go out of fashion in a hurry. I can’t see India’s largest auto manufactur­er saying that they will invest only in digital,” says Sinha of IPG Mediabrand­s. For digital advertisin­g to be a quarter of the advertisin­g pie in 2020, it needs a common measuremen­t tool. But putting together a fool-proof tool is not easy. While the BARC tool could give clarity on how many people have viewed an ad and whether it has been served alongside good content, it won’t tell advertiser­s whether ads were viewed by humans and not robots. It remains a big stumbling block.

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 ??  ?? PHOTOGRAPH­S BY RACHIT GOSWAMI
PHOTOGRAPH­S BY RACHIT GOSWAMI
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