Deccan Chronicle

SERENDIPI TOUS SHUTTERBUG

Capturing nature and humans through his lens, writer Abhinav Chandel’s delicately framed pictures are accompanie­d by poetry and short stories

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NISHTHA KANAL

Abhinav Chandel loves to describe himself as a writer who happened to pick up the camera. The 27-year-old solo traveller and photograph­er writes poetry and short stories to accompany his delicately framed pictures, and that has become the USP of the young photograph­er’s works.

“I had been writing way before I started with photograph­y,” reveals Abhinav. “As my photograph­y improved, I felt the need to tell stories from the moment the pictures were taken, or the kind of thoughts the scenes would invoke in my mind. Presently, I connect these two parts of my personalit­y, and that gives someone looking at these pictures a little bit more than a usual experience of viewing images.”

Born in Rishikesh, and brought up in a small Uttarakhan­d town, Abhinav says he did not consider taking up photograph­y as a career option. But this was before he moved to New Delhi in 2012.

“After college, I decided to take up writing and travelling, which eventually led me to become a solo traveller. This is when I felt the need to move away from the city and live in the mountains,” explains the photograph­er who is now based in McLeodganj. “One reason I made the shift was because I really liked the positive and progressiv­e vibe of the community here,” says Abhinav who moved to the quaint Himachal Pradesh city for an independen­t project as a writer. “I was the writer and was accompanie­d

by a photograph­er. He later left, and I picked up the camera to continue working on the project,” he says with a smile. And that is when Abhinav purchased his first DSLR camera, after having spent years working with a point-and-shoot. "I soon started documentin­g Kangra district’s hidden gems and released a series of picture postcards with my work. Those weren’t my best pictures, but the reception they received made me consider photograph­y as a fulltime option.” The photograph­er explains that he earlier preferred to limit his subjects to nature, and not include humans in the frame. “I started by clicking mountains, of course, and I really enjoyed clicking

water bodies. I concentrat­ed mostly on nature and stayed away from human subjects. But during the last one year, I’ve been experiment­ing with portraits a lot.”

Interestin­gly, when most traditiona­l photograph­ers shy away from using the digital medium, Abhinav prefers to exhibit his work on Instagram extensivel­y. “It was meant to be on an experiment­ation basis earlier, and it worked for me,” he says. “At this point in time, I want to invest in a well made website to showcase my work, but Instagram remains my preferred choice. I now have a decent amount of following, and I know that a lot of people are already checking my work there. I like the digital medium because I get immediate feedback and it gives me a chance to reach out to a wider set of audiences. But I regularly release my set of prints, and exhibit my work in a traditiona­l manner.”

 ??  ?? Bridge to the other side
Bridge to the other side
 ??  ?? Highway on my cuppa
Highway on my cuppa
 ??  ?? Letters from above
Letters from above
 ??  ?? In deep conversati­ons
In deep conversati­ons
 ??  ?? The yellow den
The yellow den
 ??  ??
 ??  ??
 ??  ?? Natural viewpoint
Natural viewpoint
 ??  ?? Crossing paths
Crossing paths
 ??  ??
 ??  ?? It’s all about the right fit
It’s all about the right fit

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