Deccan Chronicle

CURRYing ancient flavours

WE MAKE A CASE FOR THE CLASSIC — READ ANCIENT — INDIAN COOKING MEDIUMS

- JHARNA THAKKAR

Alittle over a century ago, royalty dined in gold, ministers in silver, the masses in brass, bronze or copper and the poor on a pattal (also patravali; dried sal or banyan tree leaves) or banana leaf. Everyone, from the king to the commoners, ate curries slow-cooked in chattis (earthenwar­e) with dosas made on a cast iron kallus (flat pan). Vegetables and meat would be cut using a boti (a curved knife fixed to a wooden board); dry spices would be pounded in a hamamdasta (mortar pestle); wet masala would be ground to a paste on a silbatta (flat, wet stone grinder) and salts, spices and pickles would be stored in ceramic or porcelain bharnis (jars).

Over the ages, in India, the act of cooking and eating evolved into a carefully curated science rooted in Vedic principles. Everything from how to sit while eating and cooking methods — over wood, coal, dung — to utensils used, signifies something specific aside from adding extra health benefits. Gold indicated status, silver stood for prestige, Ayurveda encouraged peetal (copper alloys) cookware and crockery for its anti-microbial properties, plants are biodegrada­ble, sitting on the floor in a crossed legged asana (sukhasan) to eat helped boost circulatio­n and touching food turned the fingers into a sensory tool which signals the release of digestive juices.

Acclaimed chef, TV host and author, Ranveer Brar concurs, “The context of Indian cooking was built on the premise of nutritiona­l healing.” Every ingredient, he explains, has had a specific, scientific effect and all recipes were created using numerous ingredient­s that formed a balance. Cooking mediums too, according to

author, historian, connoisseu­r, consultant and Indian cuisine guru, Jiggs Kalra, serve a specific role. “Wood was mostly for roasting, dung cakes were once reserved for only the monsoon and coal cooking ensured, slow an un-burnt end product,” he says.

Now take for example, a typical panIndia leafy green vegetable preparatio­n: “In Garhwal, hari sabjis are only made in cast iron khadais, traditiona­lly on wood fires,” says Rushina Munshaw Ghildiyal, the proprietor behind Mumbai’s APB cook studio.

This practice, in fact, is followed across the country as a rule of thumb because not only does cooking greens in khadais enhance the flavour of the vegetable, but it also supplement­s additional natural iron into the preparatio­n, by over 100 per cent.

So when and why did our food outlook start to shift from traditiona­l cooking customs to a more modern view?

In India, the act of cooking and eating evolved into a carefully curated science rooted in Vedic principals. Everything from how to sit while eating and cooking methods — over wood, coal, dung — to utensils used, signifies something specific aside from adding extra health benefits

According to Brar, our 500-year-old fasting-feasting food philosophy didn’t change under the Mughal rule, “They, like the others before them, continued to carry forward our ancient, curative cooking system so it wasn’t until after the British that we exchanged our food crops for cash crops.” Nutritioni­st and sattvik food expert Anushruti R.K. says, “Convenienc­e and exaggerate­d advertisin­g also played a big role. Peetal vessels had to be subjected to kalli treatment twice a year and this probably proved to be a tipping point for younger women to trade in their old, heavy metals for lighter cookware.” We often forget the importance our ancestors placed on the different materials our vessels were made from, and how they affected what was cooked in them, in terms of both aroma and flavour. So perhaps it’s time we made a collective effort to recall that ancient wisdom.

Although this isn’t to say that all that once was, is lost, especially when we have a host of home-chefs like Gitika Saikia promoting all things old-school. The Assamese marketing communicat­ions profession­alturned-North-Eastern food curator is one of the first, urban chefs to feed her diners meals made only in cast iron, leaves and bamboo, “Much as they are made by different tribes back home.” According to the Axomiya cuisine expert, both newbies and well-travelled guests love her rustic, villagemee­ts-urban style of cooking. “At home rice is slow steamed in bamboo baskets over wood. In the city I’ll cook the same rice in the same basket in a water bath for three hours.”

Statistica­lly, stainless steel, aluminium, non-stick and plastic has had its moment for over 30 years spanning urban Tupperware parties and South Indian chit-clubs — and now it’s time for a change. So while critics may claim that these new utensils are more attractive, cheaper, easy to store and maintain, it is only a matter of time before the people join the growing number of historians, connoisseu­rs and Ayurveda enthusiast­s, that are calling for a return to the classic, Indian school of cooking thought.

Gold indicated status, silver stood for prestige, Ayurveda encouraged peetal (copper alloys) cookware and crockery for its anti-microbial properties, plants are biodegrada­ble, sitting on the floor in a crossed legged asana (sukhasan) to eat helped boost circulatio­n and touching food turned the fingers into a sensory tool which signals the release of digestive juices.

 ??  ?? Gitika Saikia
Gitika Saikia
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