Deccan Chronicle

No real conversati­on between them

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superficia­l Abdul and his journey into the British monarch, as per the book. The overall layering of Victoria’s close friendship with an Indian servant, who was sent to the court with the sole task of offering a gift of a ceremonial coin, remains somewhat unaddresse­d in the film.

Why on earth something as trivial an incident as the Queen (Judi Dench) being so considerat­e and concerned about a servant be made into a film? The two-hour film makes us believe that it was simply meaningles­s. The man at the centre, Abdul Karim (Ali Fazal), thus remains a blank canvas. We don’t get to know his real motives, or what kind of a life he led as a husband. In fact, we only get to know of one character of the title — Victoria and Abdul — while all along tarrying hard to discover the other one through the first!

For instance, what are Abdul’s views on colonialis­m, of English state-sponsored brutality towards his countrymen? It does add some anti-colonial satire once in a while offering from the sidelines the tale of unorthodox affection between the now-septuagena­rian Queen and a devoted underling, but since her era is ridden with sexual repression, any reference to her sudden interest in the opposite sex looks like her having a fountain of emotions.

Is there sexual energy at play when the Empress Victoria, who rules India too, looks for Abdul? Or, is she merely being maternal? He, a Muslim commoner, is young enough to be her grandson, doesn’t think anything beyond nobility condescend­ing to grand him special favours?

Some of the interestin­g bits could have been made more detailed. Like for instance, Abdul introducin­g Victoria to Indian foods, language and other customs of India, could have contrasted her own beliefs and habits to give us more meaningful conversati­ons between the two lead players. When she declares him to be her Munshim or as the common parlance suggests, a teacher even as her son Bertie the future King Edward VII and various minions and officials Lord Salisbury (Michael Gambon), Lady Churchill (Olivia Williams) and Sir Henry Ponsonby (Tim Pigott-Smith) ridicule her, not much is known about Abdul’s reactions or even Victoria’s, for that matter.

Dench as the queen is a delight to watch. Every scene she is a part of, is owned by her: one doesn’t look anywhere else while she performs. Fazal looks charming and that’s about it. The fact that he is unsure of the overriding affection by the queen for him is documented by him well, but he suffers from a halfbaked role. Throughout, he remains a mystery! The writer is a film critic and has been reviewing films for over 15 years. He also writes on music, art and culture, and other human interest stories.

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