Deccan Chronicle

A JOURNEY OF FAITH

- NAMRATA SRIVASTAVA

DRAWN BY THE LAND’S SPIRITUAL APPEAL, PHOTOGRAPH­ER-AUTHOR LEONID PLOTKIN’S TRAVELS THROUGH THE INDIAN SUBCONTINE­NT BROUGHT HIM CLOSER TO THE ‘ULTIMATE TRUTH’ AND RESULTED HIS BOOK NOSTALGIA FOR ETERNITY: JOURNEYS IN RELIGION, HISTORY AND MYTH ON THE INDIAN SUBCONTINE­NT

The diverse religious traditions of India has attracted many people. The land blessed with poets, philosophe­rs and scholars of various faiths has been visited by many time and again to discover the ‘ultimate truth’. In a zest to understand India and subcontine­ntal religions better, photograph­er-author Leonid Plotkin came to India in 2009. After spending five years in India photograph­ing people from various faith, Leo has now published his book Nostalgia for Eternity: Journeys in Religion, History and Myth on the Indian Subcontine­nt.

Ask the photograph­er why he chose India as his subject, and he says, “What makes India unique in the modern world is not only the variety of approaches to ‘ultimate reality’ that people here continue to pursue, but also the antiquity and historical continuity of its many living spiritual traditions. I chose to photograph in India because here the ancient river of spirituali­ty, with its source forever hidden in depths no one could ever plumb, continues to flow unimpeded. Over the centuries and millennia, it has sometimes changed course; it has run higher and lower; it has merged with other currents, and it has branched out innumerabl­e times. But in contrast to many other civilisati­ons, in India that river has never been dammed and has never run dry. So I came to photograph in India because I hoped that by exploring that river and its many branches and tributarie­s I could approach something beyond history and beyond time, and also have a glimpse of the paths that others follow in search of the same.”

Leo travelled through various parts of India for five long years before he could put the book together. He reveals that he had to battle a few wars before he got those magical snaps. One challenge that he faced time and again was language.

“Communicat­ion was difficult sometimes, but remarkably even in the most remote places sooner or later someone who could speak at least a few words of English would often magically turn up. And not infrequent­ly in the kinds of situations where I was photograph­ing speech was superfluou­s. A smile, a gesture of namaste, a slight bow with a hand placed on the heart, this was all the communicat­ion that was often required.

“The challenges had more to do with practicali­ties. Food was never a problem. But I slept in many uncomforta­ble places. For someone coming from the West, the lack of personal space is also quite trying. Most Westerners are accustomed to privacy and solitude, both of which are hard to come by in rural India, especially for a foreigner.”

The photograph­er-author shares that working on the book opened his

eyes to the beauty and variety of traditions that exist beyond the convention­al categories of Hindu or Muslim or Buddhist. Sharing an anecdote from his travels, he says, “I knew a Baulfakir in a village in West Bengal, Halim. He and some other Bauls were invited once to perform at a folk music festival in Paris. So Halim flew to Paris, his first time on an airplane and outside of West

Bengal. He spent a the organisers too showed him the s was very excited about what an a this would be if I w ‘So did you like P when he returned was completely un could see of Paris monuments, the s the lights, the r glamor and sparkle that awes tourists

and visitors to the city — all seemed to him unimportan­t. ‘So do you want to go to Paris again?’ I inquired. He shrugged, ‘If they invite me, I’ll go; if they don’t invite me, I won’t go.’ It made not a bit of difference one way or the other. Though a poor man living in a village in West Bengal he had everything he needed right there. Contentmen­t was within and not in Paris or anywhere else.”

Leo adds, “There have always been people in this land who have succeeded in seeing beyond scriptures and theologica­l strictures, when the old and inherited religious forms became stifling instead of liberating. Kabir, for example, is another great saint who immediatel­y comes to mind.

“In our time, when literal and exclusiona­ry interpreta­tions of various religious creeds continue to spawn so much suffering and oppression, the example of India’s mystics and syncretic spiritual traditions is a powerful reminder that no single theology has a monopoly on the truth. The beauty, depth and spiritual vitality of these traditions shows that it is not people who exist to serve the demands of religious dogma, but rather religion that exists to serve the best and highest aspiration­s of human beings.”

 ??  ?? Piligrims reach Ajmer and react to the first sight of their destinatio­n: the shrine of Sufi saint Moinud-din Chishti
Piligrims reach Ajmer and react to the first sight of their destinatio­n: the shrine of Sufi saint Moinud-din Chishti
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 ??  ?? A self-mortificat­ion ritual of the Rifa’i fakirs, alineage known for extreme practices. Very few Sufis engage in such rites
A self-mortificat­ion ritual of the Rifa’i fakirs, alineage known for extreme practices. Very few Sufis engage in such rites
 ??  ?? The book cover of Nostalgia for Eternity: Journeys in Religion, History and Myth on the Indian Subcontine­nt by photograph­er-author Leonid Plotkin
The book cover of Nostalgia for Eternity: Journeys in Religion, History and Myth on the Indian Subcontine­nt by photograph­er-author Leonid Plotkin
 ??  ?? Leonid Plotkin, photograph­er-author
Leonid Plotkin, photograph­er-author
 ??  ?? 1. A sadhvi, or holy woman, in Tantric practice 2. A piligrim makes offerings in front of an ancient gilded structure of the dying Buddha in Kushinagar near the place where he died, probably in his eightieth year. His last words were reported as, “Decay is inherent in all worldly things. Strive for your own liberation with diligence” 3. A Baul fakir sings on a rooftop above the light and noise of Bangladesh’s capital Dhaka 4. Bauls sing at a gathering in a village in West Bengal; 5. An oracle of the Mother Goddess. Ther are called Velichappa­du, literally ‘the illuminato­rs’, or ‘the bearers of light’
1. A sadhvi, or holy woman, in Tantric practice 2. A piligrim makes offerings in front of an ancient gilded structure of the dying Buddha in Kushinagar near the place where he died, probably in his eightieth year. His last words were reported as, “Decay is inherent in all worldly things. Strive for your own liberation with diligence” 3. A Baul fakir sings on a rooftop above the light and noise of Bangladesh’s capital Dhaka 4. Bauls sing at a gathering in a village in West Bengal; 5. An oracle of the Mother Goddess. Ther are called Velichappa­du, literally ‘the illuminato­rs’, or ‘the bearers of light’
 ??  ?? The ghost of armies past. A naked sadhu brandishes a sword after his ritual bath in Ganges
The ghost of armies past. A naked sadhu brandishes a sword after his ritual bath in Ganges
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