Deccan Chronicle

Beneath the surface

MEET INDIA’S FIRST UNDERWATER PHOTOGRAPH­ER WHO HAS CAPTURED COLOURFUL MARINE LIFE FOR OVER 20 YEARS

- NIRTIKA PANDITA

Ascuba diving trip to the Lakshadwee­p filled Sumer Verma with the utmost desire to share his experience with the world. After spending a year mastering scuba diving, Verma picked up a camera in 1998 and became India’s first underwater photograph­er.

“The kick was in photograph­ing while diving. Lakshadwee­p is clean water and you could see turtles, dolphins, and sharks,” recalls the 44-yearold. The weightless feeling made chasing sea creatures more exciting for Verma. “It is surreal to be surrounded by water animals and corals. There is a huge variety of animals, from some as big as an elephant to something as small as your thumbnail,” adds the cinematogr­apher.

For someone who has dabbled in wildlife, nature, and portrait, Verma prefers underwater photograph­y simply because of its unpredicta­bility. “You can wait for the perfect sunset and get the shot, but underwater there is no guarantee. At times you see something, but strong currents prevent you from clicking it. At times the animals are shy and won’t come close enough for you to film. This constant challenge of trying to get the good stuff keeps me motivated,” says the photograph­er, who has spent over two decades photograph­ing the marine life.

Having shot in the waters of Indonesia, Lakshadwee­p, Andaman, Galapagos Islands, and Seychelles, to name a few, Verma enjoys when an animal comes close and allowing him to shoot. “Interactin­g with turtles is the most unique experience. Firstly, it is sacred in itself that the turtle comes up to you; otherwise, they swim so fast that you would not even know. Then you get to photograph the interactio­n, that amplifies the joy,” he shares.

Other than the water animals, it is the seascape, coral reeds, shipwrecks and tiny animals like the pygmy seahorse that attract Verma. “A shrimp fish is small and difficult to identify with the naked eye, but with a macro lens you can see the stomach full of egg cells,” he shares.

As for creating the right shot, the photograph­er recommends not disturbing the marine life. “If a turtle is coming my way and I go underneath, I get his belly. If I go above him, I can get a top shot of his shell. My ability and control in the water as a diver is what will determine my compositio­ns,” he explains.

Verma believes in reducing the water between lens and subject, offering enough light to reach the subject. “I got the silhouette of Schooling Hammerhead­s that were swimming in a formation. So you are either balancing between sunlight, coral colours or blue water and creating a contrast, or you are trying to capture the synchronic­ity of the animals, which is at times only for a split second,” he concludes.

Interactin­g with turtles is the most unique experience. Firstly, it is sacred in itself that the turtle comes up to you; otherwise, they swim so fast that you would not even know. Then you get to photograph the interactio­n, that amplifies the joy”

 ??  ?? A Clown fish peeks out of his coat den in Bali
A Clown fish peeks out of his coat den in Bali
 ??  ?? Rajan, a tusker swims at Radhanagar Beach in Andamans
Rajan, a tusker swims at Radhanagar Beach in Andamans
 ??  ?? A potrait of Lion Fish posing in Andaman and Nicobar Islands
A potrait of Lion Fish posing in Andaman and Nicobar Islands
 ??  ?? A pregnant Pygmy Seahorse camouflage­d to perfection in Bali
A pregnant Pygmy Seahorse camouflage­d to perfection in Bali
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