Deccan Chronicle

Kerala film festival adjusts to the new normal

French filmmaker Jean Luc Godard receives Lifetime Achievemen­t award

- SUPARNA SHARMA | DC THIRUVANAN­THAPURAM, FEB. 10

The 25th edition of the Internatio­nal Film Festival of Kerala (IFFK) opened on Wednesday all masked up, with strict adherence to social distancing and to a note of warning.

The IFFK, whose fumigated and sanitised auditorium­s are running at just 50 per cent capacity and all delegates have to undergo rigorous antigen tests — 70 out of 800 tested on Tuesday turned out to be “positive” and are in quarantine — has adjusted well to the Coronaviru­s-induced new normal, but it continues to strike a note of dissent through the films it picks.

The festival’s opening film, Bosnia’s Oscar entry Quo Vadis, Aida?, which had its India premiere on Wednesday evening after chief minister Pinarayi Vijayan inaugurate­d the film festival, is a cautionary tale about “what happens when we fail to react on time to warning signs”. Directed by Jasmila banic, Quo Vadis, Aida? is based on recorded facts and recalls in shocking detail the Srebrenica massacre of July 1995.

After the traditiona­l inaugurati­on with the lighting of the lamp, legendary French filmmaker Jean Luc Godard received the Lifetime Achievemen­t award. Greeting the audience from his home through videoconfe­rencing, Godard said, “I am sorry for speaking in the tongue of the dominators (English). Thank you very much Kerala. Thank you to the Kerala festival for screening good and sensible films. It is great that five of my films are being screened there,” and in his quintessen­tial style, lit a cigar.

Quo Vaids, Aida? (Where are you going, Aida?) leads a long list of foreign and Indian films at IFFK that have dissent as their central theme. This Is Not A Burial, It's A Resurrecti­on, which is part of the festival’s Internatio­nal Competitio­n section, tells the story of an 80-year-old widow in Lesotho who is making arrangemen­ts to die when the forced resettleme­nt of her village brings her to the forefront of a movement to stand for land rights.

Another “subversive” film in the Internatio­nal competitio­n this year is There Is No Evil by Iranian director Mohammad Rasoulof. It tells the story of a nation that enforces the death penalty through four men whose destinies are loosely connected by their willingnes­s or refusal to assist in state-ordered assassinat­ions.

The IFFK is scheduled to run between Feb. 10 and 14 in Thiruvanan­thapuram, and after that all films will travel to Ernakulam (from Feb. 17-21), Thalassery (Feb. 23-27) and Palakkad (March 1-5).

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