Deccan Chronicle

Won’t be intimidate­d by CBI, says Abhishek

Fifth night of clashes between police and the members of fringe groups

- Sucheta Dasgupta Visit www. jaipurlite­raturefest­ival.com to register and attend. February 28 is the last day.

In the summons at her

188A Harish Mukherjee Road home in Kalighat, CBI additional superinten­dent of police (ACB) Umesh Kumar told Narula: “Whereas it appears that you are acquainted with the circumstan­ces of the case noted below. which I am investigat­ing under Chapter-XII of the Code of Criminal Procedure 1973, the undersigne­d along with CBI team will visit above address on

21.02.2021 at 1500 hrs. You are hereby requested to remain present on 21.02.2021 at 1500 hrs at above mentioned address for the purpose of answering certain questions relating to the case.”

A similar notice was also delivered to Ms Gambhir’s residence at Anandapur, off the EM Bypass in the city, at around same time. But the CBI team was told Ms Narula and Ms Gambhir were not at home then. The CBI team left an officer’s number for the two sisters to call back. Till evening, the CBI had not got any response, sources said.

Recently inducted BJP leader Shubhendu Adhikari

claimed at a rally that Anup Majhi alias Lala, the absconding kingpin of the coal smuggling case, used to deposit around `36 lakh monthly to the Kasikorn Bank account of “Madam Narula” in Bangkok, Thailand. Tweeting a copy of the CBI summons at 4.15 pm, Mr Abhishek Banerjee alleged: “At 2 pm today, the CBI served a notice in the name of my wife. We have full faith in the law of the land. However, if they think they can use these ploys to intimidate us, they are mistaken. We are not the ones who would ever be cowed down.”

The CBI’s calculated move, a day before PM Narendra Modi’s daylong visit to West Bengal on Monday, when he is likely to announce a slew of new Central projects, came two days after a court summoned Union home minister Amit Shah to appear in person or through his representa­tive on Monday in a defamation case filed by Mr Banerjee against him for levelling wild allegation­s about him.

The world’s largest literature festival, JLF, is back again with its lavish intellectu­al fare, albeit in an online-only avatar. Thanks to the hard work of the organisers, that has not turned out to be limiting or constraini­ng in any fashion.

Saraswati ke bhandaar kee badhi apoorav baat, jyo kharche tyon tyon badhe, bin kharche ghat jaat. With knowledge is associated this counterint­uitive fact; that in the places where you expend it, it expands and, in the absence of that, it does verily contract. Novelist and festival co-director Namita Gokhale opened the 14th edition of JLF with this couplet from the quill of Vrind, the 17th century Marwari saint.

Imaginatio­n is more important than knowledge. Knowledge is limited. Imaginatio­n encircles the world. That is what Albert Einstein believed, and that is the connect between science and the arts. In the very next session, Tilly Blyth, head of collection­s and principal curator at the Science Museum in London, came out with this mind-expanding thought.

India is a little bit like Italy but with a billion people, said quantum physicist Carlo Rovelli, writer of Helgoland, during a scintillat­ing conversati­on with astronomer Priyamvada Natarajan. Rovelli is the founder of the loop quantum gravity theory. What brought you to Buddhist philosophy as a way of understand­ing these complex concepts, said Natarajan to Rovelli. Rovelli said, quantum mechanics tell us three things. Two of them are relatively simple and one is mysterious. Quantum physics tells us about granularit­y. It tells us that the space in which we live is granular, not continuous. The second thing it tells us is that this space consists of things that move randomly. The third and mysterious thing is that quantum mechanics is a theory that tells us about not how things are at a given place and time but what you are going to see. If you try to fill in the gaps inbetween it does not always work. So the mystery of quantum mechanics is still open. And that is where my interest in Buddhist thought emerged. It is the breakdown of determinis­m and the fact that an observer can alter the results just by being present, that is

what is interestin­g, Natarajan summarised quite cogently. Nagarjuna, the third century Mahayana philosophe­r, said that all notions are provisiona­l after a point. There is no ultimate essence to anything, Rovelli explained. There are no qualia, Natarajan agreed. An object manifests only in relation to others. Without them, the object is “empty”. Is this what is then meant when one is asked not to take anything too seriously?

S. Hareesh’s controvers­ial novel, Moustache (original Meesha) has won the 2020 JCB Prize for Literature. It is all about the fascinatio­n of the familiar, says Professor Tejaswini Niranjana, depicting as it does life in the Kuttanad region of Kerala. To

her credit, translator Jayasree Kalathil ably conveys the mesmerisin­g quality of Hareesh’s prose to nonMalayal­i readers. But author Aruni Kashyap says it is also a novel that misbehaves. We expect novels to run in a linear way, to follow one story or one character. Here, there are multiple worlds, multiple stories, multiple protagonis­ts. And in many ways that is the Indian reality, it is very polyphonic, multi-layered. What gets published in the British, American and Canadian literary markets, kind of, decides how a novel should be. But growing up reading Indian literature one sees how we have adapted the European form to ourselves. One of the big things is that we never have a single character, he informs his audience. Interestin­gly, the introducti­on to Hareesh’s book has the following, liberating, lines: Novels are free countries. You cannot take responsibi­lity for what your characters do.

The first amendment to the Indian Constituti­on in 1951 started the tradition of Indian government­s using executive power to subdue the judiciary, posited journalist Karan Thapar to which historian Tripurdama­n Singh agreed. Singh has recently published his Sixteen Stormy Days: The Story of the First Amendment of the Constituti­on of India. The justificat­ion about “the will of the people” that was used by Jawaharlal Nehru (to curb free speech in order to abolish zamindari, introduce caste-based reservatio­ns and censor publicatio­ns deemed as national security threats) really set a trend from which there was no going back, he added. Sedition seems to be one of the favourite instrument­s of the Narendra Modi government, but it was pretty favourable to previous government­s as well, said Thapar. In 1950, the Punjab high court famously read down the law of sedition in the Master Tara Singh case and the first amendment in 1951 reintroduc­ed the law of sedition. Thus Nehru, Sardar Patel and B.R. Ambedkar, the three people that we regard as champions of democracy don’t emerge brilliantl­y from this story, he concluded. Singh responded: Nehru is a complex figure. He had moral uncertaint­ies. But he had so much public support that he did what he wanted. It was juxtaposed by a very pedantic commitment to the procedures of democracy, he was, for

instance, very fastidious about attending parliament. Ambedkar, who only resigned several months after the passing of the amendment, was a bit of a misfit in the Nehru government and did not carry too much weight, did not get much of a say in matters. He probably went along because of the social justice aspect of the amendment. Patel considered free speech as irrational exuberance. Nehru had used the powers of Article 392 to pass the amendment, much the same way as Modi used Article 370 to read down Article 370, Thapar commented.

The paradoxes of the life of the nineteenth century Bengali poet Michael Madhusudan Dutt are movingly rendered in a play, titled Betrayed by Hope, co-authored by Namita Gokhale and Professor Malashri Lal. You have made Jaipur famous not only in Jaipur but the world over, given it a brand name really, Lal said to Gokhale at the panel discussion. Interestin­gly, Dutt, too, has a connection with Rajasthan. The play that he wrote called Krishnakum­ari is based on a legend that is coming to us through Colonel James Tod’s Annals and Antiquitie­s of Rajasthan. Why Dutt now?

What if I were to invite Dutt to JLF, mused Gokhale. How would he behave? How would we handle him? I am sure he would be a difficult writer to look after, but a brilliant speaker. I am obsessed by the writing process. In 2004, I wrote a review of Heart of a Rebel Poet as well as another book on Dutt, and I resolved there and then to do a play around them because the letters in the Heart of a Rebel Poet were automatica­lly, naturally, spontaneou­sly, forming a sequence of five acts. We have tried to pay a tribute to the great genius of this man overshadow­ed by the dramatic and colourful and ultimately tragic details of his life.

The Booker-shortliste­d Adam Fould’s new novel, Dream Sequence, is about the brutality of fame and what happens when fandom turns to obsession. Dream Sequence explores what it is to live in our current moment, with its porous borders between the inner and the outer life. Foulds was asked by Elaine Canning to talk about the blurring of the dream and the magical with the real in the novel. In the word, dream, we have the double meaning of

ambition, in the sense of something that we aspire to and the sense of something that is unreal, a fantasy. Both these meanings are captured in the lives of the two main characters. In life, too, there is more and more the saturation of fantasy and the liquefying of reality in people’s lives that is happening in so many ways, in terms of our online life and political life, where we are entering a kind of dream sequence very frequently. Unlike in earlier times, today, with social media, we can track the celebritie­s we are interested in real time, in terms of where they are and what they are doing, and we can interact with them and have them respond to us, and yet it is all saturated with fantasy and does not really mean what we might hope it could mean, Foulds said. His observatio­ns were immediatel­y relatable.

In her chat with author Shobhaa De on her autobiogra­phy, Unfinished, actor Priyanka Chopra Jonas spoke highly of her co-actor in the film, The White Tiger, Adarsh Gourav, as well as the success of the OTT (over-the-top) platform. Adarsh has done tremendous work and might be nominated as one of the first Indian leading men, she averred. But Chopra Jonas has an unfinished agenda. It wasn’t in people’s consciousn­esses that a brown person can be the lead of the show, she said to De. Literally, there used to be a saying in Hollywood during that time that black and brown movies do not work for audiences outside America. This was the insider’s myth and, incredibly, we have been able to change that in just five years’ time. The White Tiger is probably historic. It has an all-Indian star cast that was the No. 1 movie in the world on the largest streaming platform in the world. That’s what I want to normalise — seeing people who look like us. We have the largest movie industry in the world. Why can’t we have that kind of representa­tion in English speaking entertainm­ent?

Talk about game changers?

What gets published in the British, American and Canadian literary markets, kind of, decides how a novel

should be. But in Indian novels, there are always multiple arcs, many characters. — ARUNI KASHYAP

Barcelona, Feb. 21: A fifth night of peaceful protests to denounce the imprisonme­nt of a Spanish rap artist once more devolved into clashes between police and the members of fringe groups who set up street barricades and smashed storefront windows Sunday in downtown Barcelona.

Small groups made up mostly of young people began their nightly catand-mouse game with officers an hour after several thousand protesters gathered in the capital of Spain's Catalonia region, which also was where the worst violence took place during earlier demonstrat­ions this week. On Sunday, rioters looted stores on Barcelona's main shopping street and then threw stones after police in riot gear poured out of vans to engage them.

Hundreds also gathered in Madrid, and hundreds more marched the northeast town of Lleida, where rapper Pablo Hasél was arrested on Tuesday and taken away to begin serving a 9-month prison sentence for insulting the Spanish monarchy and praising terrorist violence in his music.

Around 80 people have been arrested, including four on Friday night, and more than 100 people injured since Hasél arrested by police on Tuesday. The disorder appears have come a fringe group of mainly younger people who constitute­d a small share of the thousands of participan­ts who joined in marches to support Hasél and to oppose the Spanish laws used to prosecute him. Police in Catalonia, the region surroundin­g Barcelona, have reported at least three mob attacks on police stations.

Rioters smashed their way into bank offices in downtown Barcelona, burned trash containers, and looted sporting goods stores on Friday night.

Barcelona Mayor Ada Colau made an appeal for calm. “Defending the freedom of expression doesn't

justify in any case the destructio­n of property, frightenin­g our fellow citizens, and hurting businesses

already hurt by the crisis” caused by the pandemic, the mayor said.

Madrid municipal

authoritie­s said that 300 National Police officers were called up to assist city police. — AP

 ??  ??
 ??  ??
 ??  ?? Priyanka Chopra Jonas
Priyanka Chopra Jonas
 ??  ?? Tripurdama­n Singh
Tripurdama­n Singh
 ??  ?? Namita Gokhale
Namita Gokhale
 ??  ?? Carlo Rovelli
Carlo Rovelli
 ??  ?? S. Hareesh
S. Hareesh
 ?? — AP ?? People loot a Versace store during a protest condemning the arrest of rap singer
Pablo Hasél in Barcelona, Saturday. A fifth night of protests to denounce the imprisonme­nt of the artiste once more devolved into clashes between police and fringe group members who set up street barricades and smashed storefront windows.
— AP People loot a Versace store during a protest condemning the arrest of rap singer Pablo Hasél in Barcelona, Saturday. A fifth night of protests to denounce the imprisonme­nt of the artiste once more devolved into clashes between police and fringe group members who set up street barricades and smashed storefront windows.

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