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Caveat Emptor: A catchphras­e for those hooked on NFTs

- RAJ KAPOOR (The writer is Founder, India Blockchain Alliance and Chief Growth 4ƊHJW (MFNS 8JSXJ

In the new, hyped world of cryptocurr­ency, it’s clear why some artists have turned to selling their work as NFTs to create an entirely new revenue stream. As their reputation­s and names are attached with an NFT, they should closely look at the other side of the coin now. Just like the NFT system, the platform on which NFTs sit – the Ethereum blockchain – is a bit outdated and unable to adapt to the volume and magnitude of the global, frenetic adoption.

The Ether (cryptocurr­ency) can be “mined” (or “created”) by ordinary people using computers that solve complex mathematic­al equations. In exchange, these people are gifted coins, which becoming more valuable gives greater the impetus to get mining. It’s a symbiotic relationsh­ip: you scratch my back, I’ll scratch yours. Now, the problem is the electricit­y used to mine Ethereum is phenomenal.

To put it in perspectiv­e, more carbon emissions are produced from the electricit­y for mining new Bitcoin than New Zealand! A single piece of artwork sold as an NFT racks up a minimum of two weeks of household usage of energy in a transactio­n. Would celebritie­s endorse this? These environmen­tal impacts of Ether mining have caused some celebritie­s in the West to ditch it altogether until more sustainabl­e methods are introduced.

Interestin­gly, NFTs have been described as “pyramid schemes” by artists. Many rich and powerful people world-over have invested in Ethereum, and therefore have a vested interest in seeing it succeed. Those same investors are the ones who write fat cheques that grab headlines. The bigger art sales, like the $69 million purchase of Beeple’s artwork, was made by a person who has a huge stake in the success of cryptocurr­ency. The pyramid aspect of the NFT system means it’s incredibly hard for emerging celebritie­s to get on the ladder. Without the following or the fame, many artists struggle to sell their work. The already famous, those celebritie­s dropping NFTs and already have a huge following, are the ones raking in the moolah. This is a strong temptation and many people are sold on this dream of making thousands and thousands of dollars.

Celebritie­s must be careful with the notion of imagined value. It’s important to look at where the money is actually going, and that’s why waiting is the right thing. Celebritie­s should act with integrity and intention, and the idea of buying into a ‘getrich-quick’ scheme that destroys the environmen­t, is inherently unethical and problemati­c. Even just the impact of selling NFTs may put off the audience and therefore the onus rests on artists on the real worth of the exercise. However, in light of this impending backlash over the artists who choose to embrace NFTs as a way of making money, is not where lies the actual problem. So, it can be tempting to blame or get angry at other artists for their decision to participat­e in NFTs. But, it all boils down to how Ethereum is designed and the people profiting off it.

(Concluded)

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