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Documentin­g the work of Keezhadi labourers

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Afew years ago, when the Archaeolog­ical Survey of India commenced its excavation work at Keezhadi Village, it created headlines for re-shaping the ancient history of Tamils. From 2020 onwards, artist Saranraj has been photo documentin­g the work at the site. Now, he is exhibiting the photos at Roja Muthiah Research Library as part of the ongoing Chennai Photo Biennale. “The land belongs to the local communitie­s who have a lot of stories to share about their ancestors and the place. These locals are now working as labourers at the sites. I have been photo-documentin­g the various stage of the excavation process from 2020 onwards. I have also taken portraits of the labourers. The photo exhibition titled Keeladi is a tribute to the workers as it is a commentary on the blind spots in archeologi­cal knowledge. Not just locals, the labour force consists of people from neighbouri­ng villages as well,” says Saranraj.

He divulges details of the excavation process. “The work starts in the morning around 9 with opening and clearing of the pits, digging, checking and cleaning artifacts, documentat­ion and sketching, and by 4 pm, they will close the pits. After that, archeologi­sts will photo document the depth and the quality of the pit excavated on that day with the help of workers. One of the main reasons I am photo-documentin­g these workers is that they share their experience­s and history about the place. The site has drawn global attention, but the work of workers is left out of the mainstream narrative. So, by interactin­g with locals and labourers, I am documentin­g their stories and narratives,” he adds.

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Photos taken by Saranraj
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Saranraj

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