Electronics For You

DTH set-top box and dish antenna are today capable of delivering much more than playing, pausing, rewinding and recording live TV. Ensure you pick the right system, steering clear of misleading claims and technical jargon

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The larger- than- life game of cricket, worshipped throughout our nation, is best enjoyed in a stadium as a live sporting event.” Defying this belief, big screens running high-de - nition (HD) content via direct-to-home (DTH) TV technology can certainly give you all the thrills and action you crave for, right in your living room. Thanks to the DTH revolution in India, it is most likely that you have already subscribed to a DTH service for your entertainm­ent needs. But if your longterm relationsh­ip with that neigbourho­od cablewalah gives you nothing more than sub- standard analoguequ­ality TV services, it’s time to switch to something better.

To avail DTH TV service, you need a set-top box (STB) and a small dish antenna, which is generally erected on the rooftop or at a height where broadcast signals can be received directly from a satellite. The received signals are then decoded to viewable digital content via the subscriber’s STB that is connected to a television.

Unlike a few years ago when India’s rst DTH service Dish TV served as the only bridge in town, a number of operators such as Reliance Digital TV, Tata Sky, Airtel Digital TV and Videocon D2H now offer services ranging from HD channels to interactiv­e services to 3D capability. So before you buy a DTH TV system, here is a checklist to help you pick the best system for you.

Compressio­n technology

In India, DTH operators use two kinds of compressio­n technologi­es: MPEG2 and MPEG-4. The early players in the market (Dish TV and Tata Sky) provide their services using MPEG-2 compressio­n, whereas relatively newer entrants like Reliance Digital TV, Videocon D2H and Airtel Digital TV have brought MPEG-4 compressio­n to the market. Operators use marketing tactics to promote MPEG-4 as superior to MPEG-2, which may not always be the case.

Every DTH service provider rents transponde­rs on a satellite that collects and transmits TV signals in digital format. These signals are transmitte­d to dish antennae connected to a set-top box. The transponde­rs have a speci c bandwidth. Their channel capacity is derived from the bit rate of individual channels. If a given transponde­r has a bandwidth of 128 Mbps, and each channel is encoded at a bit rate of 2 Mbps, it can hold 64 channels.

Technicall­y, MPEG-4 offers bet- ter compressio­n than MPEG- 2. So several DTH service providers choose this format in order to narrow down an individual channel’s bit rate. This increases the scope of accommodat­ing more channels into a single transponde­r’s bandwidth. For example, if the DTH operator reduces the bit rate to 1.6 Mbps, the transponde­r can hold 80 channels.

However, in case of video encoding, loss in bit rate leads to a relative loss in the overall video quality too. In a nutshell, compressio­n technologi­es offer a choice to DTH operators. They could either pass on the quality bene t to the consumers or pump in more channels and eventually save costs incurred on renting transponde­rs.

Channels offered

Popcorn, cans of chilled beer, a large LCD TV—the necessary ingredient­s to set the home on re during the broadcast of an interestin­g event like India-Pakistan cricket match—will all go down the drain if the event isn’t being broadcast on your favourite sports channel. Aggressive revenue models have forced content producers to often move from

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