FrontLine

Palestine’s voice

A comprehens­ive view of the history and the present state of cultural resistance in the occupied West Bank.

- BY KULDEEP KUMAR

R

ESISTANCE through art is the leitmotif of this remarkable book that offers a detailed documentat­ion of the first decade of a heroic experiment that has come to be known as The Freedom Theatre (TFT) in Jenin in the occupied West Bank area of Palestine. This is also the first time, as one of its editors Johanna Wallin writes, when those involved in the TFT have themselves told their story in their “own words” while earlier others did all the telling and interpreti­ng. She says that along with this thick book, a companion volume titled Rehearsing Freedom: The Story of a Theatre in Palestine was also prepared to offer a “visual representa­tion” of the TFT’S first decade. Leftword Books published this volume, too, and the entire process of preparing the twin volumes took a year and a half.

To offer a comprehens­ive view of the history and the present state of the cultural resistance that has found its unique expression in the Tft—and also a few hints about the future that awaits it—the book has been divided into five sections: 1. The Beginning, Arna, and Juliano Mer Khamis; 2. Cultural Resistance; 3. Performing Arts; 4. Internatio­nal Per1917, spectives; and 5. The Future. The editors have added an informativ­e and useful introducti­on to the compilatio­n to give the reader some indication of the road that lies ahead.

To understand the nature of any resistance— political or cultural—one has to understand the nature of the entity that is being resisted. In this case, the entity is those who have perpetrate­d and perpetuate­d the tragedy that befell the Palestinia­n people— predominan­tly Muslim but also Christian as well as Jew—in 1948, the tragedy whose roots went back to the late 19th century when Jews began to flock to Palestine to escape the anti-semitism in Russia and central Europe. In the British captured Palestine from the Ottomans and promised the Jews a “national home”. There was a great Arab revolt in Palestine during 1936-39, which the British brutally crushed.

Finally, in pursuance of a United Nations resolution, Israel was created as the Jewish homeland on May 14, 1948, and Palestine was partitione­d between the newly created Jewish state and Arab states with the West Bank, including east Jerusalem,

A STREET THEATRE

going to Jordan and Gaza Strip to Egypt.

This provoked an eight-month-long war with the Arab states. The Israeli forces razed more than 470 Palestinia­n villages, forcing nearly 800,000 Palestinia­ns to flee to the West Bank, Gaza and the neighbouri­ng Arab states. Israelis began to colonise Palestinia­n lands and the process continues to this day. In the Six-day War in June 1967, Israel defeated a united front of Arab states and occupied the

 ??  ?? performanc­e by Jana Natya Manch and The Freedom Theatre as part of the “For Palestine-freedom Jatha” in Bhopal on December 21, 2015.
performanc­e by Jana Natya Manch and The Freedom Theatre as part of the “For Palestine-freedom Jatha” in Bhopal on December 21, 2015.
 ??  ?? The Freedom Theatre Performing Cultural Resistance in Palestine Edited by Ola Johansson and Johanna Wallin Leftword Books, 2018Pages: 417 Price: Rs.650 (paperback)
The Freedom Theatre Performing Cultural Resistance in Palestine Edited by Ola Johansson and Johanna Wallin Leftword Books, 2018Pages: 417 Price: Rs.650 (paperback)

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