THE MAHATMA AS MEMORABILIA

“This one is terrible, actually. Obviously, you realise that the artist has no idea what Mahatma Gandhi looks like.”

Photographer Chirodeep Chaudhuri is at home in Mumbai, holding a papier-mâché nesting doll on which is painted the image of the freedom fighter. It is terrible. Gandhi’s face is jowly, his body portly, his smirking lips fuller than they’d ever been in real life. Chaudhuri loves it.

The set, picked up in Varanasi, holds the three See-No-Evil monkey dolls and the tricolour painted over the tiniest doll. Other items in his collection of Gandhi memorabilia – nearly 50 objects amassed over half a decade – include a 3D printed figurine of Gandhi as Yoda, robe, pointy ears and all, gifted by a friend in the US.

There’s a miniature model of Mount Rushmore featuring Indian freedom fighters, including Gandhi. A bobblehead Mahatma sports wrinkle-free skin.

Gandhi’s eyes are closed on a brass bust; but open, bespectacled and a little cross-eyed in a terracotta one from Goa. The Father of the Nation is on a pen and a key-hanger.

One in bas relief shows Gandhi standing over undivided India, with the flag of the Indian National Congress; it lay for decades in an aunt’s closet. There’s even a Gandhi head on a metal biker ring.

“Gandhi is such an iconic figure, that you can pretty much take any creative liberty with it,” Chaudhuri says. “As long as there’s a bald head, glasses and a stick, it couldn’t be anything else.” And yet, despite the varied mediums, styles and rendering, none seem trite. “It’s done without eroding his sanc- tity,” he points out. Chaudhuri admits to an “acquisitive sort of nature”. He’s collected masks and unusual keychains and worked on photo series about Mumbai’s public clocks and payphones. He started collecting Gandhi memorabilia after a friend, a news editor, began building a collection of political memorabilia featuring Ambedkar, George W Bush or Osama Bin Laden. His first Gandhi was a plaster of Paris trinket bought en route to photographing the Sonepur Mela in Bihar. His latest: a custom-made figure woven from grain, and picked up on assignment in Orissa. “I find him a fascinating character, more so o than other heroes of the freedom struggle,” says the photographer. Chaudhuri has sourced most of the figurines from artisans’ workshops, antique stores and generic souvenir shops in small towns. “Once you start collecting, it’s amazing how these things make their way to you,” he says. He’s developed an uncanny knack for knowing which spot will yield gold. “It’s the same as chasing an image as a photographer. You start to know where you’ll find the next one – your body tightens up, your spider sense tingles, you’re tuned into something others aren’t.”

It’s the same as chasing an image as a photographer. You start to know where you’ll find the next one – your body tightens up, your spider sense starts tingling.

CHIRODEEP CHAUDHURI, collects Gandhi objects

Photographer Chirodeep Chaudhuri is no stranger to building collections. He’s worked on a photo series on Mumbai’s public clocks and payphones as well. PRATIK CHORGE/ HINDUSTAN TIMES

Nesting dolls from Varanasi, bobbleheads from America, pens from a small town, the collection shows that glasses, bald head and stick spell Gandhi across any style.

The face of nonviolence may seem an odd fit for a biker ring. But Chaudhuri has found that Gandhi’s message transcends the medium. He also has a Gandhi keyholder.

Chaudhuri has Gandhi as part of a Mount Rushmorestyle set of founding fathers, and one fashioned from grain and bamboo (left) made by a craftsperson in Odisha. IMAGES COURTESY CHIRODEEP CHAUDHURI