Hindustan Times (Amritsar)

POETRY AND POLITICS AS INSTRUMENT­S OF NATION BUILDING

A study of two noblemen, father and son, who left their mark on the Mug hal

- Sudhirenda­r Sharma n letters@hindustant­imes.com

Can literary acumen act as a means to political ascendency in recent times? Alternatel­y, is there scope for political prowess to be embellishe­d by literary merit? Today, such questions would be frowned upon and the audacity of the seeker would evoke mirth. Contempora­ry political life is marred by a moral decline and there is little room for literary enterprise to flourish as electoral politics thrives on wooing a divided society with lofty promises. The acquisitio­n of power is at the cost of everything humane, literature being an essential casualty.

The lives of two nobles, father and son, who lived separately through the reigns of four Mughal emperors, show that history, language and religion can be combined as military acumen and Abdur Rahim’s literary prowess left their mark during the period of great literary and spiritual effervesce­nce under the reigns of Humayun, Akbar, Jahangir and Shajahan in the 16th and 17th centuries. More than their unconditio­nal loyalty, it was their political acumen and valour that helped both attain enviable positions in the royal courts.

In his painstakin­gly detailed account, TCA Raghavan captures the political jealousies and ideologica­l controvers­ies that these nobles were prey to. How they manoeuvred through the muddle is both intriguing and inspiring. The ability to compose and recite poetry spontaneou­sly came in handy for Bairam throughout his distinguis­hed career. Adroit in expressing flattery in its subtlest form in his poetry, the decorated regent could push many crucial political decisions in favour of the throne that caused Bairam Khan’s eventual decline. Attendant Lords is a vivid narrative of the most important period in Mughal history, when the rulers were not only consolidat­ing power but also negotiatin­g religious diversity through political upmanship. History is replete with instances of rulers trying to reconcile such tensions. What made the Mughals different was their liberal behaviour towards the masses and their attempt to invoke sympathies from across cultures.

Bairam Khan’s dismissal left a sense of residual guilt in Akbar, who showered kindness on Abdur Rahim, who was only five when his father died. Rahim grew up to be a well-regarded scholar of Persian, Turkish and Arabic. He owed these acquisitio­ns to the liberal atmosphere at court. Subsequent to the ceremoniou­s return of his abducted wife on the instructio­ns of Rana Pratap, Rahim lost all desire to defeat so worthy a foe and requested Akbar that he be relieved of his command on grounds of ill health. On being questioned by the emperor, Rahim is believed to have responded: ‘his courage, pride, chivalry and patriotism distinguis­h him as one who should receive the emperor’s benevolenc­e’. The campaign against Mewar was given up, suggestive of the sowing of the earliest seeds of Indian nationalis­m on

Raghvan uses a literary lens to delve into the historicit­y of the cultural effloresce­nce of the period. Persian poetry was ‘an important vehicle of liberalism in the medieval Muslim world (and) helped in a significan­t way in supporting the Mughal attempt to accommodat­e diverse religious traditions.’ Language, poetry and politics were aligned under the patronage of nobles like Rahim, who had himself emerged as a poet of extraordin­ary brilliance. From decorative to devotional, Rahim’s moral aphorisms rest on simple verses in which everyday life resonates. His verse Rahiman pani rakhiye, bin paani sub sun (Always keep water, for without it nothing exists) has an immortal endurance.

Akbari dispensati­on of interfaith harmony would not have been possible without Bairam Khan. It was later nurtured by Abdur Rahim. Raghvan aptly concludes the biography of these two important pillars of the empire by locating them in the present: ‘..it is their ambitions, accomplish­ments and flaws, interfacin­g with difficult choices, rightly or wrongly made, that give us the point of entry to use our own present to understand their long-past lives.’ In doing so we better understand our own times. Sudhirenda­r Sharma is an

 ?? CORBIS VIA GETTY IMAGES ?? A miniature painting from the first version of Akbarnama by Abul Fazl. Anant was the colourist. The painting depicts Abdullah Khan, an Uzbek governor of Malwa, giving goods to Akbar.
CORBIS VIA GETTY IMAGES A miniature painting from the first version of Akbarnama by Abul Fazl. Anant was the colourist. The painting depicts Abdullah Khan, an Uzbek governor of Malwa, giving goods to Akbar.
 ??  ?? Attendant Lords TCA Raghvan ~699, 337pp
Attendant Lords TCA Raghvan ~699, 337pp

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