Hindustan Times (Bathinda)

Can Indians ever learn to stop feeling slighted?

Offence is our historical burden, an inherited right, which government­s have protected and encouraged

- SANJUKTA SHARMA Sanjukta Sharma is a Mumbaibase­d writer and critic The views expressed are personal

Film director Madhur Bhandarkar, known for his ‘thesis films’ on subjects he usually expends his moral outrage on , is asserting his freedom of expression. He even tweeted to Rahul Gandhi. Rightly so. A few days ago, members of the Congress party, otherwise shockingly inarticula­te as members of the Opposition, stalled a publicity event planned for Bhandarkar’s forthcomin­g film Indu Sarkar in Pune.

Offence is our historical burden, an inherited right, which constituti­onally elected government­s over 70 years have protected and encouraged. It does not matter which political party we belong to or which side of the ideologica­l axis we tilt towards. We want to protect legacies, no matter how flawed; let there be no new prism or filter through which we look at heroes, they should be invincible. Non-Indians can’t write about our heroes or religion or poverty. So, how dare Wendy Doniger write about Hindus, even though she is the world’s most prolific Sanskrit scholar, how could a Muslim artist paint goddess Saraswati nude, and how could Mira Nair, a woman of Indian origin, make a film called Kama Sutra? How could women be sexual? Usually, these are political battles – one party’s moral one-up- manship over the other.

HT reported on a heartening developmen­t in the fight against censorship, specifical­ly against the Central Board of Film Certificat­ion (CBFC). Based on recommenda­tions of a committee which director Shyam Benegal leads, a draft Bill proposes an amendment to the Cinematogr­aph Act, 1952, doing away with the powers of the CBFC to cut portions from a film, ban a film or suspend screenings of a film. The CBFC should only rate films, and qualify them for age-appropriat­e viewing. It suggests adding newer categories of ratings such as UA 12+, UA 15+ and adult-with-caution. Undoubtedl­y, filmmakers will be relieved. Under Pahlaj Nihalani, the CBFC, an autonomous body under the Informatio­n and Broadcasti­ng (I&B) Ministry, has become a national embarrassm­ent.

In practice, will censorship then end with making the CBFC powerless? Censorship, in most cases, is a by-product of offence, and the Indian Constituti­on lays out far-reaching grounds for offence in Section 295 (A) and Section 153 (A). Section 153 (A) says the grounds can be race, place of birth, residence, language, caste or community or “any other ground whatsoever” which may encourage feelings of hatred or animosity.

For free speech to thrive, we need to look again at archaic laws in the Constituti­on itself. The scope of 153 (A) and 295 (A) need to be drasticall­y narrowed. With constituti­onal sanction, we take “any grounds whatsoever” for offence way too seriously.

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