A Kapoor daughter recalls family’s filmy journey from Peshawar to the pinnacle
› We were allowed to go for an occasional film and we chose Laurel and Hardy films. We loved comic books, and Raj (Kapoor) would often mimic the tramp act of Charlie Chaplin that became his trademark.
SHANTA KAPOOR DHAWAN
GURGAON: A storehouse of memories of the early days of Indian cinema, there is not a dull moment with Shanta Kapoor Dhawan in her Palam Vihar home. Vivacious, witty, hospitable and all of 90 years, Shanta is a sister of the legendary Prithviraj Kapoor who was the patriarch of a clan often called the First Family of Indian Cinema.
“I was a mistake,” she laughs, for she was the youngest among five brothers and three sisters, born to Basheshwarnath Nath and Channo Kapoor. “In fact, I was two years younger to Raj Kapoor, and both Shammi and Shashi called me ‘Didi’ (elder sister), not ‘Bhua’ (aunt),” she recalls, referring to Prithviraj’s sons. “We were a close-knit, joint family and Raj, my two brothers just older to me, Ramesh and Vishwanath, and I grew up together more as siblings.”
She was born — like her idol, her ‘Bhapa’ (brother) Prithviraj — in Samundri in the Punjab that is now in Pakistan, where her grandfather was a tehsildar (revenue officer) and father a police officer in Peshawar. “I faintly recall the four-storey haveli and the basement where we would spend most of our time in summer. When I was four or five, we moved to Calcutta (Kolkata) to be with Bhapa.”
OH! CALCUTTA
Theatre was Prithviraj’s first love, and he started acting in a Ramlila when he was but a boy. He also did some theatre in Lyallpur (now Faisalabad) and Peshawar. He joined a law course at Lahore but quit in the first year to join Grant Anderson Theatre Company in Calcutta. The Peshawar boy did theatre in English and won acclaim for the role of Laertes in Hamlet. But the company’s fortunes sank and the owner returned to England. “Those were times of struggle. Bhapa would later tell us that six actors would share one blade to shave. But soon he was offered a job by BN Sircar of New Theatres, who had also discovered KL Saigal, at Rs 60 a month; it was raised to Rs 250, then Rs 500. With a handsome salary for those times, he brought his family to Calcutta.” They lived on Hadar Road. The school for Raj, Ramesh and Vishwanath was St Xavier’s, and Shanta was admitted to Loreto Convent. “We were allowed to go for an occasional film and we chose Laurel and Hardy films. We loved comic books, and Raj would often mimic the tramp act of Charlie Chaplin which was to be his trademark.”
BOMBAY TALKIES
Prithviraj made a mark in several films, and the next destination was Bombay. “The 1941 film ‘Sikandar’ made Bhapa a big star.” Matunga Road, where they lived, could well have been called ‘Hollywood Street’. “It was here that KL Saigal lived, besides Jayant, who was also from Peshawar and whose son Amjad rose to fame as Gabbar Singh in ‘Sholay’, dancer Sitara Devi and actor KN Singh.” She recalls how Raj would organise plays on the terrace and “these people were audience”. She would be given the job at the ticket window. “I always kept a little to add to the pocket money.”
Raj was the leader in pillow fights; “he would be Russia, my two brothers Italy and Germany, and I would be bullied into being Abysinnia, the old name for Ethiopia!”
GOOD GIRLS DON’T ACT
“I would often accompany Bhapa on his tasks out, and one day he went to Babu Rao Patel, editor-publisher of Filmindia magazine. After their talk was over, the man glanced at me and said that he could get me into films. At this, Bhapa hurried me out and later scolded me for making myself look beautiful,” says Shanta.
The dictum in the Kapoor family was that no daughter or daughter-in-law was to act. “This was because girls were exploited in the film world and it became necessary to have a sugar daddy. My father and brother must have trembled up there the skies seeing the great grand-daughter’s act of ‘Sarkaye lo khatiya jadha lage’ (referring to Karisma Kapoor). Times have changed; no one seems to mind it now.”
Marriage for this girl, whose friends were stars like Nargis, Meena Kumari, Munawar Sultana and Geeta Dutt, was arranged with an engineer working with Tata at Jamshedpur, Chander P Dhawan. It was to be a happy match with the husband, a photographer too, clicking her in Nargis-chic blouses and Sultana-style dresses. He died in 2015.
“There was joy in bringing up my two sons and two daughters, but time would hang on my hands in Jamshedpur. We had a bungalow, so I started gathering the workers’ children under a banyan tree in our courtyard to teach them,” says Shanta. Once a fakir passing by stopped to bless her and gave her a dried herb; asked her to soak it in water overnight to drink it when green — he said it was Sanjeevani Booti (the life-giving herb). She did so. “Now my children tease me that I look young at 90 because I drank the Sanjeevani!” She lives with her younger son.