Hindustan Times (Bathinda)

What is left for us human beings?

Dependency on AI can create complacenc­y among artists

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Back in 2016, at the London Internatio­nal Festival of Science Fiction and Fantastic Film, in the 48hr Film Challenge, filmmaker Oscar Sharp and artificial intelligen­ce (AI) researcher Ross Goodwin entered a film called Sunspring. The film was entirely scripted by an AI, originally called Jetson, who later named itself Benjamin. This year, Sharp and Goodwin let Benjamin handle all of the film’s production by itself. The AI not only wrote the script, it even did the background score and put the acting together using face-swapping and voice-generating technologi­es. Benjamin was given thousands of hours of old films and green screen footage of profession­al actors, and allowed to put the film together. While the resulting film, Zone Out, is a surreal, largely incomprehe­nsible series of scenes with bad face-grafting and arbitrary dialogue, the fact that an AI can actually do this marks an important milestone in the evolution of AI, blurring further the lines between technology and art.

Fake videos that cannot be distinguis­hed from the real thing have existed for some time now. Researcher­s at the University of Washington have been able to take audio clips, recreate realistic mouth movements, and then graft it on to other existing videos . This could technicall­y make a person (in their case, Barack Obama) look like they were saying one thing, when they were actually saying something entirely different. It’s like photoshop for video. Putting that skill — if one can call it that — alongside an AI’S ability to put words and sentences together, could, theoretica­lly, give us films and stories without any human interferen­ce. There have been instances of AI that wrote (admittedly, terrible) poetry, and very recently, Google showcased its Assistant being able to carry out an actual conversati­on with another human. The Incredible­s 2, which released yesterday, uses “the medium is the message” to talk about this phenomenon and the inevitabil­ity of human dependency on AI that could possibly lead to complacenc­y in many walks of life.

If Computer-generated imagery (CGI) can create realistic humans for the screen and AI can write, direct, and make music, what’s left for us humans? Imaginatio­n is what really sets us apart. And now we have imagined — and built — an intelligen­ce that might be able to do the imagining for us. Have we finally gone too far?

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