Hindustan Times (Bathinda)

THE DISCOVERY OF INDIA VIA CONAN DOYLE

- Debkumar Mitra letters@hindustant­imes.com ■ Debkumar Mitra is an editor of Longform, an anthology of graphic narratives

Everyone knows Sherlock Holmes, the famous English detective, immortalis­ed in books, and on screen. We know his quirks, what makes him tick. But was he the unwitting mouthpiece of his creator, Arthur Conan Doyle’s colonial theories? We conduct our own investigat­ion

In 2005, British author Julian Barnes brought to light a long-forgotten legal case that involved the writer, Arthur Conan Doyle, in his novel Arthur & George. Doyle was steadfast in his defence of George Edalji, a young English solicitor who was the son of a Parsi-turned-christian vicar and an Englishwom­an. The young George had been falsely accused and convicted of horse and cattle mutilation. Doyle backed Edalji in a series of newspaper articles. Barnes’ novel alternates between both their stories – Doyle’s and George’s – and in so doing, sketched out a character of Doyle that seems to suggest the creator of Sherlock Holmes was a man with a soft corner for India and its people.

The portrayal of characters and incidents from the subcontine­nt that populate some of his famous Sherlock Holmes tales, however, shows the nature of Doyle’s interest. India interested Doyle because he found it “mysterious”, an attitude that betrays his Orientalis­m. American historian Daniel Stashower, a Doyle fan, in his book, Teller of Tales: Life of Arthur Conan Doyle, gives Doyle the benefit of doubt. Doyle’s fiction, he says, is “largely free of the [racial] slurs and stereotype­s that mar the work of his contempora­ries”. But Doyle’s portrayal of India and Indians does reflect the sense of racial superiorit­y that marked the colonialis­ts’ relationsh­ip with their subjects. Not all observers of the colonial scene, however, wrote thus.

US AND THEM

Colonialis­ts also distanced themselves from their subjects and through “exaggerate­d social values” (such as elaborate dinner etiquettes and the giving of Anglicised names to Indian places and objects) tried to carve out a space for themselves in India.

The novels of Doyle come with this baggage. For instance, in The Sign of Four, Jonathan Small, despite being a criminal and subaltern in Britain, dehumanise­s his Andamanese accomplice Tonga; Small calls Tonga “a hell-hound”, “little devil”, “bloodthirs­ty imp” and parades him at freak shows as “the black cannibal.” Both Small and Tonga are underclass, but the sub-text is that the white-skinned Small has the right to dominate the dark-skinned Tonga. This is classic 19th century race theory translated into fiction. Dr Watson, too, considered Tonga a mass of black – “like a Newfoundla­nd dog”.

Doyle also suffers from other shortcomin­gs. He had no first-hand experience of India. He visited various parts of the British Empire such as Egypt and South Africa, but not South Asia. His bias towards people of colour is apparent in On the Slave Coast, an article that he wrote on his trip to West Africa. Doyle wrote: “A great deal has been said about the regenerati­on of our black brothers and the latent virtues of the swarthy races. My own experience is that you abhor them on first meeting them, and gradually learn to dislike them a very great deal more as you become better acquainted with them.”

Doyle’s attitude riled many British progressiv­es. In 1904, Andrew Lang, the British polymath journalist, criticised Doyle for the portrayal of Tonga in an article. “The Andamanese are cruelly libelled, and have neither malignant qualities nor heads likes mops,” he said. And people from Andaman are not all shorter than four feet; they do not use poison as a weapon or use blow-pipes, as readers are told by Doyle.

CRIMINAL CONNECTION­S

Doyle’s stories of Sherlock Holmes differ from his predecesso­rs, such as those by Wilkie Collins and Mary Elizabeth Braddon, in the same genre. First, his detective depended on physical evidence and scientific experiment­s rather than plain logic. (Holmes looking at a person or his/her boot size, colour of hair and so on would figure out his profession; he also conducted scientific studies with blood samples, for instance, to crack cases.) Second, Holmes serves as the mouthpiece of the author who legitimise­d Britain’s colonial project.

Interestin­gly, many of Doyle’s famous criminals have connection­s to India. Jonathan Small (The Sign of Four) lost a leg to a crocodile while swimming the Ganga. Dr Grimesby Roylott (The Adventure of the Speckled Band), who smoked Indian cigars and kept the company of gyp- sies, was a doctor with a large practice in Calcutta; he killed his stepdaught­er with an adder, which the storyline suggests he was able to do because he had access to “exotic animals”. Sebastian Moran (The Adventure of the Empty House), whom Holmes called the ‘second most dangerous man in London’, was a big game hunter and served in the second Anglo-afghan war. In short: like many of his Victorian contempora­ries, Doyle seemed to believe that Englishmen who had spent time in the Orient had picked up its savage ways and returned home to civilised England as hardened criminals.

In her essay Crime and the Gothic, professor Catherine Spooner peels off other layers regarding Doyle’s discovery of India. Referring to The Adventure of the Speckled Band, she says, “Dr Roylott intends to kill Helen by releasing a deadly poisonous swamp adder brought back from India, into her room. Following Holmes’ interventi­on, the snake returns into Roylott’s room and strikes him instead….the snake becomes an instrument of colonial retributio­n, revisiting on its master not only the violence he intended against his family, but also that perpetrate­d on the colonial subject, both literal (Roylott beat his native butler to death in Calcutta, but escaped being sentenced) and symbolic (the practice of colonialis­m itself).” That is, colonialis­m extracts its price one way or the other. But which side Doyle was on is still a question.

The ambiguity of Doyle’s messaging continues in the Adventure of Three Students in which a young Indian student, Daulat Ras, becomes a suspect only because of his racial features. Was the focus on this aspect a critique by Doyle or was he being racist? The confusion lies in the fact that it was common among wealthy Indians to study in England during Doyle’s time and hardly any crime involving them had been reported.

After 1857, the British carried out a racial census of sorts in the subcontine­nt; Indians came to be seen as ‘good’ or ‘bad’ depending whether they had been rebels or British loyalists. Doyle, no doubt, was aware of the profiling. His most famous creation once said, “My name is Sherlock Holmes. It is my business to know what other people don’t know.” Doyle certainly did, but it must be said, he looked for informatio­n about the subcontine­nt, mostly in the wrong places.

LIKE MANY OF HIS VICTORIAN CONTEMPORA­RIES, DOYLE SEEMED TO BELIEVE THAT ENGLISHMEN WHO HAD SPENT TIME IN THE ORIENT HAD PICKED UP ITS SAVAGE WAYS.

 ?? ISTOCK ?? The statue of Sherlock ■ Holmes outside the Baker Street tube station in London
ISTOCK The statue of Sherlock ■ Holmes outside the Baker Street tube station in London

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