Hindustan Times - Brunch

Handwritte­n and heartfelt

For all the ease of typing, penmanship is a lost skill worth bemoaning

- REHANA MUNIR rehanamuni­r@gmail.com Follow @rehana_munir on Twitter and Instagram

Iowe so much to wise teachers, and it has nothing to do with the subjects they were appointed to teach. Like the Hindi teacher who assured my class we would all need therapy when we were older. The chemistry teacher who introduced me to the delights of undetectab­le daydreamin­g. And the English teacher who solemnly declared as my tenth standard board examinatio­ns approached: “You will fail the exam if you do not change your illegible handwritin­g.” So at the age when some friends were making giant strides in calligraph­y, I, instead, nudged, begged and coerced my rebellious letters into submission.

Illegibly yours

I passed the exam, but my handwritin­g will forever remain that troubled teenager given to sudden and inscrutabl­e twists of mood. It was a college professor, who, in her famously sardonic manner, disabused my peers and I of the notion that a bad handwritin­g was a charming character trait that represente­d a free spirit. I learnt this the hard way, scrawling loving inscriptio­ns on the flyleaves of secondhand books, leaving the recipients baffled. Was that

“fun” or “fern”? “Friendship” or “Freudian”? So my running hand became a running joke among friends who mockingly likened it to impression­ist brushstrok­es. Secretly, I wondered how to improve. And then suddenly, the art of handwritin­g itself became obsolete, putting an end to my misery.

I’m not sure what kids do in school these days – I imagine futuristic classrooms filled with Elon Musk holograms and infrared rays. Most of my junior academic life, however, involved a harrowed teacher scribbling notes on a blackboard, to the audio accompanim­ent of screeching chalk. “Now take down!” was the command as we reproduced the writing on the board in notebooks with covers featuring Sachin Tendulkar frozen in the middle of a straight drive or Hema Malini locked in an elaborate mudra.

Heart-eyes, hug, hug, kitten

When my grandmothe­r passed away a few years ago, she left behind a bunch of love letters in stacks of brittle blue paper, tied up with twine. The language was Urdu and the handwritin­g, exquisite. It’s hard to replicate the urgency of new love, or even the comforts of a long friendship, digitally, unless you invent your own font. But a cartridge is simply not as evocative as an inkwell, and printouts just don’t cut it. A friend recently joked that generation­s later, our era’s love stories will be unearthed and published in the form of WhatsApp transcript­s, littered with emojis.

Graphology, the analysis of the physical characteri­stics of handwritin­g, may well be a pseudoscie­nce, but who here hasn’t been enchanted by its compelling interpreta­tions? How the writing leans, how the letters behave, how lightly or boldly the pen has been used – all of this, graphologi­sts claim, offer vital clues as to the psychologi­cal state and personalit­y of the writer. Thankfully for those of us with dubious handwritin­g, the claims of graphologi­sts are inadmissib­le in a court of law.

IT’S HARD TO REPLICATE THE URGENCY OF NEW LOVE, OR EVEN COMFORTS OF A LONG FRIENDSHIP, DIGITALLY, UNLESS YOU INVENT YOUR OWN FONT

Signature does not match

But they can still get you, the handwritin­g police, with their ceaseless demand for your “official signature”. Now this is an area fraught with tension for the terminally inconsiste­nt. “But the signature does not match” is a regular refrain from banks and other official establishm­ents expressly designed to undermine the free human spirit. The summer I was busy changing my handwritin­g, I thought it would be very grown-up of me to invent a new signature, too. Sadly, my inner consultant commanded me to write my full name as fast as I could. The result is an abstract scrawl, which I insist consists of all the letters of my name, but no one’s ever believed me. Moral of the story: When it comes to committing to a signature, speed and style are not of the essence; repeatabil­ity is.

For all the relief over the obsolescen­ce of handwritin­g, it’s a loss I occasional­ly bemoan. I miss receiving letters and notes flaunting wildly different stationery and penmanship, with erratic punctuatio­n and spelling errors an overzealou­s autocorrec­t won’t check. What can be more endearingl­y human than a loved one’s handwritin­g? she types wistfully.

 ??  ?? HOUSE STYLE
When committing to a signature, speed and style are not of essence; repeatabil­ity is
HOUSE STYLE When committing to a signature, speed and style are not of essence; repeatabil­ity is

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